Enrique Granados (1867-1916), one of Spain's greatest twentieth-century composers, was a fine pianist and teacher who composed numerous works for the piano, his favorite instrument. His Escenas Poeticas (Poetic Scenes) and Escenas Romanticas (Romantic Scenes) are two suites which show pianistic influences of Grieg, Schumann and Liszt. These two suites are not as well known in America, nor are they as "Spanish sounding" as some of his other works; however, they still reflect the composer's original compositional style and beautiful melodic writing. the Escenas Romanticas contains six pieces from easy to difficult, while the Escenas Poeticas has three pieces mostly easy to medium in difficulty. This is the first transcription and arrangement of these works for guitar. They are written in standard notation only.

Enrique Granados (1867-1916), one of Spain's greatest twentieth-century composers, was a fine pianist and teacher who composed numerous works for the piano, his favorite instrument. His "Escenas Poeticas (Poetic Scenes) and "Escenas Romanticas (Romantic Scenes) are two suites which show pianistic influences of Grieg, Schumann and Liszt. These two suites are not as well known in America, nor are they as " Spanish sounding" as some of his other works; however, they still reflect the composer's original compositional style and beautiful melodic writing. The Escenas Romanticas contains six pieces from easy to difficult, while the Escenas Poeticas has three pieces mostly easy to medium in difficulty. This is the first transcription and arrangement of these works for guitar. They are written in standard notation only.

This collection of Latin-influenced pieces is ideal for the classical or fingerstyle guitarist seeking challenging new material that spans a number of genres and is melodically, harmonically, and rhythmically engaging. For the classical guitarist, the collection offers an excellent source of solos inspired by traditional forms and styles while providing new works that will readily compliment the traditional classical guitar repertoire. Fingerstyle players will discover attractive pieces, appreciating the many syncopated rhythms. The composer himself, with a degree in classical guitar, performs on a modified steel-string instrument. Written in standard notation only, the author's detailed fingerings and online audio recordings will facilitate learning these delightful pieces ranging from intermediate to advanced levels. Includes access to online audio. At Mel Bay Publications, we are privileged to hear a lot of new, original music. With Michael Bellmont's guitar compositions, we guarantee that once you hear them, you'll want to play them yourself!

One might think that it would be impossible to arrange the music of Georges Bizet’s opera, Carmen, for solo classic guitar, but Néstor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Método para Guitarra of 1843, the classic guitar’s expansive palette of tone color gives it the ability to emulate “a miniature orchestra”. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizet’s Carmen—Aragonaise, Habanera, Seguidillas, and Danse Bohéme—as well as Carmen’s sober “Chant de la Mort”. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Néstor Ausqui’s Carmen Suite, “…the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity.” — Guillermo René Alvarez Musicologist, Professor at the Instituto Superior de Música, Universidad Nacional del Litoral-Argentina

Nestor Ausqui hails from the picturesque Argentinian city of Santa Fe: a robust and vibrant city catering to the arts and culture, most notably music. Definitive de Falla is Ausqui's second book from Mel Bay Publications, following the release of the Nestor Ausqui Collection (MB99894EB). This book and accompanying audio represent an important collection in the classical guitar genre. Guitarists fromaround the world will enjoy Ausqui's faithful attention to detail in the transcriptions, making this book an excellent addition to any guitarist's library.

Sardinian flamenco guitar virtuoso, Dario Piga, delivers 18 intermediate to advanced exercises in this progressively arranged book addressing: arpegio, pulgar, picado, rasgueo, alzapua, and trémolo techniques. Dario himself studied in Spain with several prominent guitarists and singers, so is fluent with the authentic rhythms and techniques essential to effective flamenco guitar soloing and song and dance accompaniment. The pulgar (thumb) exercises in this volume will be of particular interest to flamenco aficionados as they explore various rhythms and chord inversions throughout the fretboard. Following his studies in Spain, Dario added jazz harmony to his lexicon of musical resources and frequently participates in the Time in Jazz festival in Sardinia. His affinity for jazz is also reflected in the appealing modern harmonies that occur in these studies. Two stunning Piga flamenco guitar solos provide a magnificent ending to this collection, written in standard notation and tablature. Includes access to online audio.