To my readers: I hope that my last words and my last chapter have not yet been written. But the muse is an independent spirit. She visits me without warning and she is inclined to leave in the same way. My poems begin during my years at Yale University. Thereafter certain poems express reflections during my travels to many countries. A few poems I wrote in Spanish. They are followed by their English translations. Many later poems attempt to reveal the nature of Time. -Francis Hartley, IV "You have a gift for capturing moving insights in-exactly-the right amount and choice of words that, I think, would stir envy in many of the best-known writers in the history of this language... I have since worked hard to increase the density of my writing, in an attempt to come closer to the magnificent intensity and sense of mood, as well as oneness of "message and letter," which you can bring off with bewildering perfection." Niall MacKenzie Ottawa, Ontario "A fascinating American life expressed in poetry, 1962-2012." "Metaphors are drawn from nature, birds and animals, to illustrate the human condition." "Reflective and philosophical with elements of humor and wisdom."

A finalist for the PEN/E. O. Wilson Literary Science Writing Award The gripping story of the most important overlooked commodity in the world--sand--and the crucial role it plays in our lives. After water and air, sand is the natural resource that we consume more than any other--even more than oil. Every concrete building and paved road on Earth, every computer screen and silicon chip, is made from sand. From Egypt's pyramids to the Hubble telescope, from the world's tallest skyscraper to the sidewalk below it, from Chartres' stained-glass windows to your iPhone, sand shelters us, empowers us, engages us, and inspires us. It's the ingredient that makes possible our cities, our science, our lives--and our future. And, incredibly, we're running out of it. The World in a Grain is the compelling true story of the hugely important and diminishing natural resource that grows more essential every day, and of the people who mine it, sell it, build with it--and sometimes, even kill for it. It's also a provocative examination of the serious human and environmental costs incurred by our dependence on sand, which has received little public attention. Not all sand is created equal: Some of the easiest sand to get to is the least useful. Award-winning journalist Vince Beiser delves deep into this world, taking readers on a journey across the globe, from the United States to remote corners of India, China, and Dubai to explain why sand is so crucial to modern life. Along the way, readers encounter world-changing innovators, island-building entrepreneurs, desert fighters, and murderous sand pirates. The result is an entertaining and eye-opening work, one that is both unexpected and involving, rippling with fascinating detail and filled with surprising characters.

The story of a truly galactic civilization with over 6,000 inhabited worlds.

A romantic novel set in Montana. Colleen Merrill, drawn by dreams of an Indian warrior, travels to Montana with her brutal husband to establish a homestead. She meets and falls in love with Lieutenant Matthew Douglas, a U.S. Cavalry officer. Wounded Bear, a young Cheyenne warrior and medicine man, has been told in a vision that a golden haired woman has the power to save his people from invasion by the white man. He seeks out this woman and finds Colleen. The two become lovers.

From individual grains to desert dunes, from the bottom of the sea to the landscapes of Mars, and from billions of years in the past to the future, this is the extraordinary story of one of nature's humblest, most powerful, and most ubiquitous materials. Told by a geologist with a novelist's sense of language and narrative, Sand examines the science—sand forensics, the physics of granular materials, sedimentology, paleontology and archaeology, planetary exploration—and at the same time explores the rich human context of sand. Interwoven with tales of artists, mathematicians, explorers, and even a vampire, the story of sand is an epic of environmental construction and destruction, an adventure in staggering scales of time and distance, yet a tale that encompasses the ordinary and everyday. Sand, in fact, is all around us—it has made possible our computers, buildings and windows, toothpaste, cosmetics, and paper, and it has played dramatic roles in human history, commerce, and imagination. In this luminous, kinetic, revelatory account, we do indeed find the world in a grain of sand.

"To see a world in a grain of sand, And a heaven in a wild flower. To hold infinity in the palm of your hand, And eternity in an hour." William Blake, "Auguries of Innocence"1805 Here is the world viewed within a grain of sand, thanks to the stunning three-dimensional microphotography of Dr. Gary Greenberg. To some, all sand looks alike--countless grains in a vast expanse of beach. Look closer--much closer--and your view of sand will never be the same. Employing the fantastic microphotographic techniques that he developed, Greenberg invites readers to discover the strange and wonderful world that each grain of sand contains. Here are the sands of Hawaii and Tahiti, the Sahara and the Poles, a volcano, each exquisitely different, and each telling a fascinating geological story. Red sand and yellow, white sand and black, singing sand and quicksand: Greenbergs pictures reveal the subtle differences in their colors, textures, sizes, and shapes. And as this infinitesimal world unfolds so does an intriguing explanation of how each grain of sand begins and forms and finds itself in a particular place, one of a billion and one of a kind.

Fifty years ago, no one could explain mountains. Arguments about their origin were spirited, to say the least. Progressive scientists were ridiculed for their ideas. Most geologists thought the Earth was shrinking. Contracting like a hot ball of iron, shrinking and exposing ridges that became mountains. Others were quite sure the planet was expanding. Growth widened sea basins and raised mountains. There was yet another idea, the theory that the world's crust was broken into big plates that jostled around, drifting until they collided and jarred mountains into existence. That idea was invariably dismissed as pseudo-science. Or "utter damned rot" as one prominent scientist said. But the doubtful theory of plate tectonics prevailed. Mountains, earthquakes, ancient ice ages, even veins of gold and fields of oil are now seen as the offspring of moving tectonic plates. Just half a century ago, most geologists sternly rejected the idea of drifting continents. But a few intrepid champions of plate tectonics dared to differ. The Mountain Mystery tells their story.