This novel of love in the world of 1950s vaudeville is a masterwork of literary magic from the Booker Prize-winning author of Last Orders and Mothering Sunday It is 1959 in Brighton, England, and the theater at the end of the famous pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing a full house every night. And Jack is everyone’s favorite master of ceremonies, holding the whole show together. But as the summer progresses, the drama among the three begins to overshadow their success onstage, setting in motion events that will reshape their lives. Vividly realized, tenderly comic, and quietly shattering, Here We Are is a masterly work of literary magic.

Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea. For reasons best known to herself, Jack's widow, Amy, declines to join them. On the surface the tale of a simple if increasingly bizarre day's outing, Last Orders is Graham Swift's most poignant exploration of the complexity and courage of ordinary lives.Celebrating 40 years of outstanding international writing, this is one of the essential Picador novels reissued in a beautiful new series style.

'Perfectly controlled, superbly written. Waterland is original, compelling and narration of the highest order' Guardian In the years since its first publication, in 1983, Waterland has established itself as one of the classics of twentieth-century British literature: a visionary tale of England's Fen country; a sinuous meditation on the workings of history; and a family story startling in its detail and universal in its reach. This edition includes an introduction, by the author, written to celebrate the book's 25th anniversary. 'Graham Swift has mapped his Waterland like a new Wessex. He appropriates the Fens as Moby Dick did whaling or Wuthering Heights the moors. This is a beautiful, serious and intelligent novel, admirably ambitious and original' Observer 'A 300-page tour de force . . . A burst of exuberant fictive energy' Evening Standard 'Waterland is a formidably intelligent book, animated by an impressive, angry pity at what human creatures are capable of doing to one another in the name of love and need. The most powerful novel I have read for some time' New York Review of Books

From Graham Swift, Booker Prize-winning author of Last Orders, comes a masterful and compassionate novel of rare emotional power and narrative skill. On a midsummer’s night, Paula lies awake beside her sleeping husband. She and Mike have been married for twenty-five years, a good marriage; they have two teenage children, Nick and Kate, peacefully sleeping in their own nearby rooms. But Paula’s eyes won’t close: the next morning she and Mike have to tell the children something that will redefine all their lives. Recalling the years before and after her children were born, Paula begins a story that is both a glowing celebration of love possessed and a moving acknowledgement of the fear of loss, of the fragilities, illusions and secrets on which even our most intimate sense of who we are can rest. As day draws nearer, Paula’s intensely personal thoughts seem to touch on all our tomorrows. Brilliantly distilling half a century into one suspenseful night, as tender in its tone as it is deep in its resonance, Tomorrow is a magical exploration of coupledom, parenthood and individuality, and a unique meditation on the mysteries of happiness and belonging. It’s a week past your sixteenth birthday. By a fluke that’s become something of an embarrassment and that some people will say wasn’t a fluke at all, you were born in Gemini. I’m not an especially superstitious woman. I married a scientist. But one little thing I’ll do tomorrow–today, I mean, but for a little while still I can keep up the illusion–is cross my fingers. Everything’s quiet, the house is still. Mike and I have anticipated this moment, we’ve talked about it and rehearsed it in our heads so many times that recently it’s sometimes seemed like a relief: it’s actually come. On the other hand, it’s monstrous, it’s outrageous–and it’s in our power to postpone it. But ‘after their sixteenth birthday’, we said, and let’s be strict about it. Perhaps you may even appreciate our discipline and tact. Let’s be strict, but let’s not be cruel. Give them a week. Let them have their birthday, their last birthday of that old life. You’re sleeping the deep sleep of teenagers. I just about remember it. I wonder how you’ll sleep tomorrow. —from Tomorrow

From the acclaimed Booker Prize–winning author of Last Orders, this highly personal book is a singular and open-spirited account of a writer’s life. In Making an Elephant, Swift brings together richly varied essays, portraits, poetry and interviews, full of insights into his passions and motivations, and wise about the friends, family and other writers who have mattered to him over the years. Kazuo Ishiguro advises on how to choose a guitar, Salman Rushdie arrives for Christmas under guard, and Ted Hughes shares the secrets of a Devon river. There are private moments, too, with long-dead writers, as well as musings on history and memory that readers of Swift’s novels will recognize and love. Making an Elephant is a book of encounters: between a son and his father, between an author and his younger selves, between writer and reader, and between friends. It brims with charm and candour, and reveals Swift’s alertness to experience and his true engagement with words.

These 25 new short stories, written to go together and none of them previously published, mark Booker Prize-winning Graham Swift's return to the short form after 7 acclaimed novels, and affirm him as a master storyteller. Swift's England is a richly peopled country that is both a crucible of history and a maze of contemporary confusions. Meet Dr. Shah who has never been to India and Mrs. Kaminski, on her way to Poland by way of her hospital bed. Meet Holly and Polly who have come to their own Anglo-Irish understanding, and Lily Hobbs, married to a shirt. There's Charlie and Don, who have seen the docks turn into the Docklands; Daisy Baker, who is terrified of Yorkshire; and Johnny Dewhurst, of Leeds, lost on Exmoor. Graham Swift steers us effortlessly from the Civil War to the present day, and the secret dramas contained within walls, rooms, homes, workplaces. With his remarkable sense of place and voice, he charts an intimate geography that moves us profoundly and yet at times makes us laugh out loud. Binding these stories together is his grasp of the universal in the local and his affectionate but unflinching instinct for narrative. England and Other Stories evokes that mysterious body that is a nation by giving us the palpable sense of individual bodies finding or losing their way in the nationless territories of birth, love, sex, aging and death.

Time Out Novel of the Year ‘Astonishingly moving’ Sunday Express On an autumn day in 2006, on the Isle of Wight, Jack Luxton – former Devon farmer, now proprietor of a seaside caravan park – receives the news that his brother Tom, not seen for years, has been killed in Iraq. For Jack and his wife Ellie this will have a potentially catastrophic impact and compel Jack to make a crucial journey: to receive his brother’s remains, but also to return to the land of his past and confront his most secret, troubling memories. Building to a fiercely suspenseful climax, Wish You Were Here is a hauntingly compassionate story that allows us to feel the stuff of headlines as heart-wrenching personal truth. ‘Profound and powerful . . . an unputdownable read’ Scotland on Sunday ‘A wonderful writer’ Daily Telegraph