In Goth's Dark Empire cultural historian Carol Siegel provides a fascinating look at Goth, a subculture among Western youth. It came to prominence with punk performers such as Marilyn Manson and was made infamous when it was linked (erroneously) to the Columbine High School murders. While the fortunes of Goth culture form a portion of this book's story, Carol Siegel is more interested in pursuing Goth as a means of resisting regimes of sexual normalcy, especially in its celebration of sadomasochism (S/M). The world of Goth can appear wide-ranging: from films such as Edward Scissorhands and The Crow to popular fiction such as Anne Rice's "vampire" novels to rock bands such as Nine Inch Nails. But for Siegel, Goth appears as a mode of being sexually undead -- and loving it. What was Goth and what happened to it? In this book, Siegel tracks Goth down, reveals the sources of its darkness, and shows that Goth as a response to the modern world has not disappeared but only escaped underground.

Collects Star Wars: Dark Empire (1991) #1-6, Star Wars: Dark Empire II (1994) #1-6, Star Wars: Empire's End (1995) #1-2, Star Wars: Dark Empire Handbook. Six years after the fall of the Empire in Return of the Jedi, the battle for the galaxy's freedom rages on. The Empire has been mysteriously reborn under an unknown leader, wielding a new weapon of great power. Princess Leia and Han Solo struggle to hold together the New Republic while the galaxy's savior, Luke Skywalker, fights an inner battle as he is drawn to the dark side, just as his father

In this book, Spracklen and Spracklen use the idea of collective memory to explore the controversies and boundary-making surrounding the genesis and progression of the modern gothic alternative culture. They suggest that the only way for goth culture to survive is if it becomes transgressive and radical again.

Surveying the widespread appropriations of the Gothic in contemporary literature and culture, Post-Millennial Gothic shows contemporary Gothic is often romantic, funny and celebratory. Reading a wide range of popular texts, from Stephenie Meyer's Twilight series through Tim Burton's Gothic film adaptations of Sweeney Todd, Alice in Wonderland and Dark Shadows, to the appearance of Gothic in fashion, advertising and television, Catherine Spooner argues that conventional academic and media accounts of Gothic culture have overlooked this celebratory strain of 'Happy Gothic'. Identifying a shift in subcultural sensibilities following media coverage of the Columbine shootings, Spooner suggests that changing perceptions of Goth subculture have shaped the development of 21st-century Gothic. Reading these contemporary trends back into their sources, Spooner also explores how they serve to highlight previously neglected strands of comedy and romance in earlier Gothic literature.

This in-depth exploration of Goth culture invites fresh understanding—and a critique of contemporary mainstream culture by comparison. Goth culture is extremely diverse, touching on visual art, fashion, film, music, and body aesthetics. Goths: A Guide to an American Subculture offers a concise, easy-to-follow history of the subculture that explores its emergence and its impact on popular culture in the United States. The book covers films, bands, and artists central to Goth culture, with emphasis on the Goth approach to fashion and body adornment. In addition, it discusses how America's Goth culture has influenced Goth populations elsewhere and how international developments have changed the U.S. Goth community. The volume is enriched with biographies of prominent Goth celebrities, such as Marilyn Manson and Robert Smith, as well as with interviews that offer readers a firsthand view of the culture. It concludes with an evaluation of Goth culture today, a look at what the future might hold, and a discussion of the significance of Goth culture to American society as a whole.

Social deviance—any behavior that violates a cultural norm—can involve something as major as crime or as minor as consistently and deliberately wearing lively mismatched socks. Whether a crime, a sin, or simply unique taste, what’s considered deviant at one time and place can change, as when extensive tattooing and "body art" evolved from a sideshow carnival spectacle to a nearly universal rite of passage within U.S. culture. Drawing contributions from across the social and behavioral sciences, including sociology, anthropology, criminology, politics, psychology, and religion, the Encyclopedia of Social Deviance introduces readers to the lively field of rule-making and rebellion that strikes at the core of what it means to be an individual living in a social world. Key Features: More than 300 articles authored by key figures in the field are organized A-to-Z in two volumes. Each article concludes with cross-references to related entries and further readings. A thematic "Reader’s Guide" groups related articles by broad areas (e.g., Concepts; Theories; Research Methodologies; Individual Deviance; Organizational Deviance; etc.) as one handy search feature on the e-Reference platform, which also includes a comprehensive index of search terms. Available in both electronic and print formats, this two-volume, A-to-Z encyclopedia set is a must-have resource for students and researchers who seek to understand social deviance. Key Themes: Crime, Property Crime, Sex Crime, Violent Crime, White-Collar/Corporate Defining Deviance Deviance in Social Institutions Deviant Subcultures Discrimination Drug Use and Abuse Marriage and Family Deviance Measuring Deviance Mental and Physical Disabilities Methodology for Studying Deviance Self-Destructive Deviance Sexual Deviance Social and Political Protest Social Control and Deviance Studying Deviant Subcultures Technology and Deviance Theories of Deviance, Macro Theories of Deviance, Micro Transitional Deviance

In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternative analytic of ambiguity has never been systematically examined. While difference from heterosexual norms is taken to be the multivalent sign of resistance, oppression, and self-invention, it can lead to inflated claims of the degree and power of difference. This book offers critically-oriented case studies that examine the theory and politics of ambiguity. Ambiguity means that there are both positive and negative implications in any gender and sexuality practices, both sameness and difference from heteronormativity, and unfixed possibility in the diverse nature of discourse and practice (rather than just "difference" among fixed multiplicities). Contributors present a diverse array of approaches through music, sound, psyche, body, dance, performance, race, ethnicity, power, discourse, and history. A wide variety of popular music genres are broached, including gay circuit remixes, punk rock, Goth music, cross-dress performance, billboard 100 songs, global pop, and nineteenth-century minstrelsy. The authors examine the ambiguities of performance and reception, and address the vexed question of whether it is possible for genuinely new forms of gender and sexuality to emerge musically. This book makes a distinctive contribution to studies of gender and sexuality in popular music, and will be of interest to fields including Popular Music Studies, Musicology/Ethnomusicology, Cultural Studies, Queer Studies, and Media Studies.