The "Sensation Novel" ushered in the modern mystery genre. It was inaugurated by Wilkie Collins’s best-seller The Woman in White in 1860. But this collection, selected by Peter Haining, reveals that Collins had actually been writing realistic stories of suspense for at least a decade before this. With dramatic plots that revolved around hidden secrets, bloody crimes, villainous schemes, and clever detective work all occurring in everyday settings, Wilkie Collins helped to shape a new genre that was worlds away from anything being written by his contemporaries—and one that was to have a far-reaching influence. Sensation Stories ranges from Collins's earliest tales and those published under the auspices of his great friend Charles Dickens to the title piece from his last, melancholic collection. Among several famous yarns and stories not published for over a hundred years is one featuring a pioneer female detective and another that has been called the first British detective story. There is a ghost story controversial for its eroticism, the first humorous or satirical detective story and a story that clearly presages The Woman in White, published two years later. Thrilling reads in their own right, all ten stories showcase Wilkie Collins's towering contribution to the development of the mystery genre. Indeed, he is now regarded as the inventor of the modern detective story and the forefather of a crime fiction tradition that runs through Arthur Conan Doyle to Thomas Harris today.

A collection of de Sade's stories utilizing gothic conventions and questioning sexual and societal mores The notorious author of pornographic novels and a sexual pervert who spent much of his life in prison and whose name was unmentionable in civilized circles, only in recent times has the Marquis come to be seen as misunderstood—essentially a moralist, his exploration of the so-called dark side of the human psyche remains as relevant to our society as it was to his own. This collection will provide an excellent introduction to Sade’s fiction; these accessible stories range from the dramatic novellaEugenie de Franval, in which a father’s criminal passion for his daughter leads to intrigue, abduction, and murder, to comic tales such asThe Husband Who Plays Priest, concerning a lecherous monk who finds an ingenious way to combine clerical duties with secular pleasures. De Sade’s gift as a humorist are much in evidence, as is his particular delight in unusual marital situations—which invariably lead to the most diverting conclusions.

'It is time to die, Madame: there shall be no mercy for you..!' It was one of the most shocking crimes of the seventeenth century, and would provide Sade with the inspiration for the last novel he published. The beautiful and virtuous Euphrasie, admired by the King himself, falls in love with the young and handsome Alphonse, Marquis de Gange. Within the forbidding walls of his castle in Provence, however, sinister forces are conspiring against the young couple. Alphonse's brothers, the Abbé and the Chevalier, want Euphrasie for themselves. Published in English for the first time, The Marquise de Gange is a neglected Gothic classic by one of the most notorious authors in the literary canon. Although a departure from his earlier pornographic and libertine works, beneath the novel's thin veneer of respectability lurks the same subversive presence of an author plotting against virtue in distress.

Taken from Juliette, the Marquis de Sade's epic of vice, the episode of MINSKI THE CANNIBAL is one of the most horrific and depraved in all of the author's canon. Whilst venturing in remote mountains, Juliette and her companions are accosted by Minski, a giant who devours human flesh, and taken to his castle. There they witness obscene rites of sexual carnage, played out in a subterranean slaughterhouse for human cattle. This special ebook edition of MINSKI THE CANNIBAL also includes an illuminating essay by Sade scholar Maurice Heine - newly translated into English for the first time - on Sade as progenitor of the gothic novel.

The 1990s have seen a resurgence of interest in the Marquis de Sade, with several biographies competing to put their version of his life story before the public. But Sadean scholar Richard Seaver takes us directly to the source, translating Sade's prison correspondence. Seaver's translations retain the aristocratic hauteur of Sade's prose, which still possesses a clarity that any reader can appreciate. "When will my horrible situation cease?" he wrote to his wife shortly after his incarceration began in 1777. "When in God's name will I be let out of the tomb where I have been buried alive? There is nothing to equal the horror of my fate!" But he was never reduced to pleading for long, and not always so solicitous of his wife's feelings; a few years later, he would write, "This morning I received a fat letter from you that seemed endless. Please, I beg of you, don't go on at such length: do you believe that I have nothing better to do than to read your endless repetitions?" For those interested in learning about the man responsible for some of the most infamous philosophical fiction in history, Letters from Prison is an indispensable collection.

"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.