This dynamic multidisciplinary collection of essays examines the uncanny, eerie, wondrous, and dreaded dimensions of oceans, seas, waterways, and watery forms of the oceanic South, a haunted global precinct stretching across the Pacific, Southern and Indian Oceans, and around Australasia, Oceania, Aotearoa New Zealand, and South Africa. Presenting work from leading scholars, the chapters contend with the contemporary fears and repressions associated with the return of environmental traumas, colonial traumas, and the spectres of the precolonial deep past that resurface in the present. The book examines the manifestations of these Gothic aesthetics and propensities across a range of watery spaces – seas, oceans, waterholes, and swamps – in vessels, ports, shorelines, journeys, strandings, and transformations, in amphibious bodies and the drowned, all of which promote haunted engagement with the materiality of water. This collection renews the interdisciplinary breadth of Gothic criticism and the relevance of Gothic affect and sensibility to understanding the histories and cultures of the oceanic South through an exploration of the rarely considered uncanniness of the oceans, waterways, and aqueous forms of the Southern Hemisphere, haunted by colonial and precolonial imaginings of the Antipodes, the legacies of imperialism, and the “double vision” between Oceanic and settler-colonial epistemologies, and the encroaching menace of climate change. Comprising diverse contributions from screen, literary, and cultural studies, environmental humanities, human geography, and creative practice in ecological sound art, and poetry, the collection examines the uncanny and the sublime in watery fictions and authentic settings of a range of aqueous southern forms – ocean surfaces and depths, haunted shallows and reefs, moist mangroves, moss and lichen, the awesome horror of tidal apocalypse. This book will be illuminating reading for students and scholars of cultural studies, postcolonial studies, area studies, and Indigenous studies.

Procopius' 'History of the Wars: The Gothic War' is a fascinating and detailed account of the military conflicts between the Eastern Roman Empire and the Goths in the 6th century. Written in a straightforward and informative style, Procopius provides a wealth of information on the battles, strategies, and key figures involved in the war, offering valuable insights into the political and social context of the time. The book is considered a primary source for historians studying this period of history, shedding light on the military tactics and geopolitical dynamics of the era. Procopius' vivid descriptions and meticulous attention to detail make this work a valuable resource for understanding the complexities of the Gothic War. Procopius, a Byzantine historian and court official, had firsthand experience of the events he describes in 'History of the Wars: The Gothic War.' His intimate knowledge of the inner workings of the Eastern Roman Empire and his access to primary sources make his account of the Gothic War particularly authentic and reliable. As a respected scholar of his time, Procopius was uniquely positioned to offer a comprehensive and authoritative history of the conflict. I highly recommend 'History of the Wars: The Gothic War' to readers interested in military history, ancient warfare, or the Byzantine Empire. Procopius' meticulous research and engaging narrative style make this book a must-read for anyone seeking a deeper understanding of the Gothic War and its impact on the Eastern Roman Empire.

Southern Gothic: New Tales of the South is an anthology like no other. Featuring over 15 stories and poems by new and veteran authors, the writing reflects a diverse range of Southern experience. From the post-Katrina New Orleans of Rose Yndigoyen’s “Long Gone Girls” and the deep-rooted family of Hardy Jones’ “Visitin’ Cormierville” to the racial tension of Eryk Pruitt’s “Them Riders” and Shane K. Bernard’s “The Phrenologist,” the anthology represents a new interpretation of the long-established Southern Gothic genre. Each story is paired with original art by Nathan Mark Phillips. Phillips’ images pull at the underside of the stories and bring a thoughtful level of interpretation to each work. Poking at the heart of Southern distinctiveness, these writers and artists make a bold statement about the south in the 21st century. 80# paper, semi-matte finish, 7x7 inches

The Vikings descended upon Europe at the close of the 8th century, invading the continent's western seas and river systems, trading, raiding and spreading terror. In the north, they settled Iceland and Greenland and reached North America. In the east, Swedish Varangians established a river road to the Orient. With the collapse of the Viking commercial empire, Sweden and the other Scandinavian countries struggled to survive, their hardships exacerbated by internal strife, foreign domination and the Black Death. This book details the development of Scandinavia--Sweden in particular--from the end of the Ice Age, through a series of prehistoric cultures, the Bronze and Iron ages, to the Viking period and late Middle Ages. Recent research suggests a Swedish origin of the Goths, who helped dismember the Roman Empire, and evidence of Swedish participation in the western Viking expeditions. Special attention is given to Eastern Europe, where Sweden dominated commerce through the conquest of trade towns and the river systems of Russia.

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