Gothic dreams and nightmares is an edited collection on the compelling yet under-theorised subject of Gothic dreams and nightmares ranging across more than two centuries of literature, the visual arts, and twentieth- and twenty-first century visual media. Written by an international group of experts, including leading and lesser-known scholars, it considers its subject in various national, cultural, and socio-historical contexts, engaging with questions of philosophy, morality, rationality, consciousness, and creativity.

Beneath the waves stirs a malevolent, giant kraken-like monster - the terrifying creation of master of horror H.P. Lovecraft. First brought to life as part of his short story 'The Call of Cthulhu', published in the magazine Weird Tales, and later featuring in several of Lovecraft's works, Cthulhu is an iconic figure that has inspired imagination and terrified generations. It's name has come to define the whole mythos built up around Lovecraft's strange worlds and pantheon of monsters that inspire many writers to this day. In this exciting new book, punchy text describes how fantasy art, literature, movies and even games have been influenced by the terrifying Cthulhu, accompanied by powerfully atmospheric artworks.

Mary Shelley's creation, Frankenstein, who emerged from a dream by a young woman who had just lost her first child, has transformed itself into a warning about the dangers of tampering with nature. The vampire started life as a sexual fantasy, and Bram Stoker's tale became a metaphor for dominance and dependence in sexual relationships. Dr Jekyll and Mr Hyde, perhaps the most psychological of all horror stories, examines the beast in man and the dark side of human nature. And The Hound of the Baskervilles is a tale of conflict between rationalism and folklore, and the skills of Sherlock Holmes.

It’s just a bad dream—but it seems so real. Every night Maggie Travers has the same horrible dream. Every night she is forced to watch the same murder. And every night the girl in her dream cries out for help. Maggie is afraid to go to sleep again. But when the terrifying dream starts to come true and the gruesome accidents begin, staying awake is the real nightmare!

This is the second volume in a trilogy in which Stefan Zweig builds a composite picture of the European mind through intellectual portraits selected from among its most representative and influential figures. In Hölderlin, Kleist, and Nietzsche, Zweig concentrates on three giants of German literature to portray the artist and thinker as a figure possessed by a powerful inner vision at odds with the materialism and scientific positivism of his time, in this case, the nineteenth century. Zweig's subjects here are respectively a lyric poet, a dramatist and writer of novellas, and a philosopher. Each led an unstable life ending in madness and/or suicide and not until the twentieth century did each make their full impact. Whereas the nineteenth-century novel is socially capacious in terms of subject and audience, the three figures treated here are prophets or forerunners of modernist ideas of alienation and exile. Hölderlin and Kleist consciously opposed the worldly harmoniousness of Goethe's classicism in favor of a visionary inwardness and dramatization of the subjective psyche. Nietzsche set himself as a destroyer and rebuilder of philosophy and critic of the degradation of the German spirit through nationalism and militarism. Zweig's choice of subjects reflects a division in his own soul. The image of Goethe recurs here as the ultimate upholder of Zweig's own ideals: scientist and artist, receptive to world culture, supremely rational and prudent. Yet Zweig was aware that Hölderlin, Kleist, and Nietzsche were more daring explorers of the dangerous and destructive aspects of man that needed to be seen and comprehended in the clarifying light of poetry and philosophy.