A cutthroat K-pop competition leads to a dark obsession in this twisty horror-romance, perfect for fans of She Is a Haunting "A perfect blend of folk horror and dazzling showbiz that will grip you from page one." ―Trang Thanh Tran, New York Times-bestselling author of She is a Haunting "The sweetest spot between horror and romance." ―Chloe Gong, #1 New York Times-bestselling author of These Violent Delights You’ll love them to death . . . THEN: Sunny Lee is on the top of the world. She’s one third of Sweet Cadence, the hottest up-and-coming teen pop group, alongside her new BFFs, Candie and Mina. The three are inseparable as they ride their way to the top of the charts, even as Candie and Sunny fight to resist the growing spark between them. But when a shocking scandal breaks, the group is suddenly torn apart. Then the unthinkable – Mina dies tragically right before Sunny and Candie’s eyes. And Sunny suspects the dark and otherworldly secrets she and Candie were keeping may have had something to do with it . . . NOW: For the past two years, Sunny has spent her days longing for her former life and her nights wondering just what caused Mina's death. So when she discovers that Candie is attending a new K-pop workshop right in her hometown, Sunny has no choice but to follow her there. Candie might be chasing stardom again, but Sunny is only after one thing: answers. At the workshop, the lines between nightmare and reality start to blur as Sunny is haunted by ghostly visions and her competitors' bodies turn up bizarrely maimed and mutilated. To survive the twisted carnage, Sunny will have to expose the ugly truth behind the workshop’s spotlights and the sinister forces swirling around Candie. Stitched with cutting commentary on the ugly side of stardom and impossible beauty standards, Linda Cheng’s mind-bending thriller will have readers screaming and swooning for more.

Take a Look at The Faces of Horror - And Color Them! CAN BE PERFECT COLORING BOOK FOR HALLOWEEN - Coloring book for teenagers and adults, with 30 DRAWINGS images of SCARY FACES skulls, EVIL DEMONS, ZOMBIES, GRUESOME CREATURES from HELL. Book contains scary evil looking portraits and is not intended for young kids. CHECK BACK COVER TO SEE Page SAMPLES. One coloring page per sheet so you can color them with pencil, pen, gel markers as you wish. You have both EASY & COMPLEX coloring levels. Coloring horror figures can be quite relaxing! Create your colorful artistic pictures of DEADLY FACES and HORROR PICTURES. This 'Gruesome Faces' coloring book IS NOT CONNECTED IN ANY WAY WITH A HORROR STORY BOOK WITH A SLIGHTLY SIMILAR NAME.This unique line drawings is great for men and women alike. HALLOWEEN Coloring Books for Grown-Ups, who enjoy coloring new types of art.

The author of the bestselling novel The Party—lauded as “tense and riveting” by New York Times bestselling author Megan Miranda—returns with a chilling new domestic drama about two women whose deep friendship is threatened by dark, long-buried secrets. Frances Metcalfe is struggling to stay afloat. A stay-at-home mom whose troubled son is her full-time job, she had hoped that the day he got accepted into the elite Forrester Academy would be the day she started living her life. Overweight, insecure, and lonely, she is desperate to fit into the Forrester world. But after a disturbing incident at the school leads the other children and their families to ostracize the Metcalfes, she feels more alone than ever before. Until she meets Kate Randolph. Kate is everything Frances is not: beautiful, wealthy, powerful, and confident. And for some reason, she’s not interested in being friends with any of the other Forrester moms—only Frances. As the two bond over their disdain of the Forrester snobs and the fierce love they have for their sons, a startling secret threatens to tear them apart—one of these women is not who she seems. Her real name is Amber Kunik. And she’s a murderer. “Robyn Harding’s Her Pretty Face is a fierce and blazing one-sitting read that will make you question even your closest friendships” (Carter Wilson, USA TODAY bestselling author) and is perfect for fans of Liane Moriarty’s Big Little Lies and Lisa Jewell’s Then She Was Gone.

NEW YORK TIMES BESTSELLER • Get swept away by this “haunting” (Bustle) YA novel about twelve beautiful sisters living on an isolated island estate who begin to mysteriously die one by one. This dark and atmospheric fairy tale inspired story is perfect for fans of Yellowjackets. "Step inside a fairy tale." —Stephanie Garber, #1 New York Times bestselling author of Caraval In a manor by the sea, twelve sisters are cursed. Annaleigh lives a sheltered life at Highmoor with her sisters and their father and stepmother. Once there were twelve, but loneliness fills the grand halls now that four of the girls' lives have been cut short. Each death was more tragic than the last--the plague, a plummeting fall, a drowning, a slippery plunge--and there are whispers throughout the surrounding villages that the family is cursed by the gods. Disturbed by a series of ghostly visions, Annaleigh becomes increasingly suspicious that her sister's deaths were no accidents. The girls have been sneaking out every night to attend glittering balls, dancing until dawn in silk gowns and shimmering slippers, and Annaleigh isn't sure whether to try to stop them or to join their forbidden trysts. Because who--or what--are they really dancing with? When Annaleigh's involvement with a mysterious stranger who has secrets of his own intensifies, it's a race to unravel the darkness that has fallen over her family--before it claims her next. House of Salt and Sorrows is a spellbinding novel filled with magic and the rustle of gossamer skirts down long, dark hallways. Be careful who you dance with... And don't miss Erin Craig's Small Favors, a mesmerizing and chilling novel about dark wishes and even darker dreams.

A group of little people find themselves without a home in this horror fantasy classic Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoët mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker territory as the seasons change and the darkness descends. As with any great horror, there are moments of calm and jarring shocks while a looming dread hangs over the forest.

Artists today can choose to lead relatively comfortable lives. The cliché is that they suffer, but if they are willing to make shiny objects for wealthy collectors, paint decorative murals for the lobbies of banks, or aggregate existing images into new supports for digital currencies, then they can reasonably hope for a good chance of achieving some measure of commercial success. Why, then, have some the most interesting artists of our time committed themselves, for a decade or more, to some of the most devastating conflicts on earth, including wars over precious metals that have devastated indigenous lands, crimes associated with the drug trade that have shattered poor and vulnerable communities, and popular uprisings for dignity and justice that have been pummeled by autocratic regimes and mired in civil strife? This book tells the stories of three such artists--Amar Kanwar in India, Teresa Margolles in Mexico, and Abounaddara in Syria--and considers what their work means for the future of contemporary art and the global circuits that are meant to sustain it. Drawing on years of research and extensive reporting, Kaelen Wilson-Goldie vividly recounts the worlds these artists inhabit and the profound and unflinching works they create. As a longtime critic attuned to close looking, she follows her subjects through the materials they gather, the relationships they form, and the responsibilities they bear to the people who make their art possible. Pushing at the boundaries of what art is and testing out new modes of working together, these artists express deep ambivalence toward a field they entered largely by chance. With intensifying debates about the market, museum ethics, and institutional politics, the art world stands to benefit from the provocative examples that Kanwar, Margolles, and Abounaddara set, adept as they are at translating chaotic violence into meaningful works of art.