It's fair to say that the beauty business is booming--as is the anti-aging industry. Each year, Americans spend more than $30 billion on cosmetics, and, globally, we spend about $260 billion on services and products to enhance our youth. Accompanying the decisions we make around our beauty comes the ever important question of whether to go fake or natural. Do we resort to the latest commercial chemical or surgical quick fix or go completely organic but possibly get less stunning results? Clean beauty guru and New York Times best-selling author of Gorgeously Green, Sophie Uliano offers a solution to this latest beauty dilemma and says you don't have to choose, and when you look at her, you can tell she has more than a few good secrets.Unlike other books, Gorgeous for Good takes the middle ground between natural and fake. Rather than focusing on these extremes, Sophie looks at what truly healthy options actually work--and it isn't necessarily what people might think. In addition, she lays out a beauty perspective that focuses on helping readers create their own unique beauty--inside and out. With her exceptional combination of passionate research and everywoman commonsense, she puts forth a revolutionary, holistic program that covers everything from nutrition to self-care to spiritual connection and includes: -Well-researched, myth-busting information about commercial and natural beauty products -Simple guidelines for buying the best skin care products, and easy recipes for cost-saving beauty products to make at home -Healthy, budget-friendly recipes for food to kick start the new you -Exciting ways to get spiritually connected In her girl-next-door voice, Sophie brings all of this together in an innovative 30-day Gorgeous for Good program, offering readers tools for a body-and-soul beauty regimen that will help them stay gorgeous--not for six months or a year--but for good!

Three Jewish middle-aged sisters, originally from Brooklyn, come together in Queen Anne's Gate, London, to celebrate the fifty-fourth birthday of Sara, the eldest, now a brilliant British banker. Divorced, a single mother, Sara no longer sees the necessity for romance. Gorgeous, suburban housewife and mother, is also a talk-show personality. And Pfeni, journalist and travel writer, still hasn't written her serious book on the women of Tajikistan. Pfeni's boyfriend, Geoffrey, director of the hit musical The Scarlet Pimpernel, brings to Sara's house Mervyn, a faux furrier, "the world leader in synthetic animal protective covering". Sara meets Merv and finds that even at fifty-four there are possibilities. An exuberant, heart-warming, contemporary comedy by one of America's best playwrights.

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

New York Times–Bestselling Author: You can’t hurry love . . . “No other author manages to make us cry quite so achingly and laugh quite so hard.” —NPR Millie Barnes is this close to finally achieving her perfect life. Rewarding job as a local doctor on Cape Cod? Check. Cute cottage of her very own? Check. Adorable dog suitable for walks past attractive locals? Check! All she needs is for golden boy and former crush—former intense, obsessive, years-long crush—Joe Carpenter to notice her, and Millie will be set. But perfection isn’t as easy as it looks—especially when Sam Nickerson, a local policeman, is so distracting. He is definitely not part of her master plan. But maybe it’s time for Millie to make a new plan . . . . “Higgins writes the books you don’t want to end.” —Robyn Carr “She only gets better with each book.” —New York Times

Charity considers herself damaged goods. She’s more than hesitant to enter into a new romantic relationship, but when she has car trouble, a handsome mechanic rescues her. He calls himself James, and she thinks for a moment this might be the guy. She learns too late that James has some serious dark secrets. It turns out James is a gargoyle—part of the never-ending battle between good versus evil on Earth. Their sexual chemistry is extreme, and even levelheaded Charity can’t resist the temptation. Soon, the mismatched pair is in love with a baby on the way. Still, she worries about the supernatural nature of her soon to be husband. She worries also about his family. Do they mean her harm? Even more frightening, do other supernatural beings mean her harm? Charity won’t give up James; their connection is so strong, they practically hold ownership over one another. Still, heavenly forces want them apart, and no place is safe from the battle of angels and demons.

When, with her family at the age of eight, Bathsheba tops a hill and witnesses the bloody and violent stoning of an adulterous woman, she does not know that the memory will stay with her and will vividly return to be a threat to her in her early twenties. As the granddaughter of an influential man named Ahithophel, Bathsheba grows up in a loving home, only to lose her mother and her grandmother at a young age. Her father, Eliam, disguises her as a boy and takes her with him as he travels on a camel caravan for several years. At the age of fourteen, she becomes mistress of Grandfather Ahithophel’s household when he is called to be a counselor to King David in Jerusalem. When she turns fifteen, without her father’s knowledge, Grandfather Ahithophel marries her off to a widowed man named Uriah. Hers is an abusive marriage. After years of abuse, when Bathsheba goes to Jerusalem for the procession of the Ark, which King David has brought to the city, she meets a handsome dancer from the procession. Later when Uriah buys a place near Ahithophel’s in Jerusalem, she moves there with Gebur, Uriah’s son from his first marriage. One day on a visit to the ruins behind Jerusalem, where she goes for peace, she encounters again the dancer from the procession of the Ark. They spend the day talking yet fighting a growing attraction. In the heat of the evening, she goes to the aliyah, the semiprivate rooftop porch, to bathe. In the dancing moonbeams of a sultry, hot night, a man stands on his aliyah, which overlooks much of the city. His eyes fasten upon the movements of a beautifully shaped woman who is innocently bathing in the ivy-curtained aliyah below him. The next day, though she knows she should not, Bathsheba plans to return to the ruins, where she had met the dancer. But it is not to be. Her stepson, Gebur, awakens ill, and she does not want to leave him. That night, as twilight deepens to dark, a messenger and soldiers arrive on her doorstep. The king has summoned her. It is not a request. Questions hurtle through her as she is escorted into the palace, up the stairs, and allowed entrance through walnut double doors. Upon entering she is alone, except for the shadowed figure who emerges from the folds of golden drapes at the far edge of the aliyah. “What are you doing here? I am waiting for the king,” bursts forth from her. The dancer from the ruins, now arrayed in a robe of opulent red and gold, silences her as he quietly speaks her name. “Bathsheba.” She stops, for she knew she had not told it to him. Leading her to a divan, he explains that he was the dancer in the procession of the Ark but he is also King David. Her lord and sovereign, she realizes with astonishment, aware again of the powerful attraction between them. I will be all right as long as he doesn’t touch me, she thinks. Then King David reaches to slowly turn her to him, bending to claim her lips in a tender but oh so breathtaking kiss. In his eyes is a question she cannot refuse. As David lowers himself toward her, he realizes that he has gained more than possession of her body. He has gained entrance to her soul. Four days later, Bathsheba comes out of her world of wonder to realize she has broken Yahweh’s law of adultery. It is Yahweh’s law she has broken; to Yahweh she must go. She sees no one as she enters the women’s courtyard. The high priest, Zadok, is the only priest there at that time of day. He and the prophet Nathan both enter the women’s court silently to witness a depth of sorrow they have seldom seen. After Zadok makes his presence known, he intercedes and offers absolution for Bathsheba, not knowing what the cause of her deep grief is. In three months’ time, Bathsheba, during the time between sleep and gentle wakefulness as she feels again the morning sickness in her stomach, accepts the fact that she is carrying King David’s baby. Uriah, her husband, has been soldiering at Ammon for many months. She is terrif