Edward Gorey (1925–2000) was a fascinating and prolific author and artist. Of the one hundred delightful and fascinating books that Gorey wrote and illustrated, he rarely revealed their specific inspirations or their meanings. Where did his intriguing ideas come from? In Gorey Secrets: Artistic and Literary Inspirations behind Divers Books by Edward Gorey, Malcolm Whyte utilizes years of thorough research to tell an engrossing, revealing story about Gorey’s unique works. Exploring a sampling of Gorey’s eclectic writings, from The Beastly Baby and The Iron Tonic to The Curious Sofa and Dracula, Whyte uncovers influences of Herman Melville, Agatha Christie, Edward Lear, the I Ching, William Hogarth, Rene Magritte, Hokusai, French cinema, early toy books, eighteenth-century religious tracts for children, and much more. With an enlightening preface by Gorey collaborator and scholar Peter F. Neumeyer, Gorey Secrets brings important, uncharted insight into the genius of Edward Gorey and is a welcome addition to collections of both the seasoned Gorey reader and those who are just discovering his captivating books.

Gathered for the annual charity fete at Backwater Hall in Mortshire, the host Lord Wherewithal is dead, Horace Gallop cavorts with Victoria Scone, and someone has offended decorum by disembowelling a stuffed thisby belonging to the Earl of Thump in this the latest dark vintage offering from Gorey. Come join the fun!

"Shocking in its disclosures, elegantly crafted, and faultlessly measured in its judgments."-Roger Morris, author of Richard Milhous Nixon and Partners in Power How did the deeply flawed George W. Bush ascend to the highest office in the nation, what forces abetted his rise, and-perhaps most important-were those forces really vanquished by Obama's election? Award-winning investigative journalist Russ Baker gives us the answers in Family of Secrets, a compelling and startling new take on the Bush dynasty and the shadowy elite that has quietly steered the American republic for the past half century and more. Baker shows how this network of figures in intelligence, the military, oil, and finance enabled-and in turn benefited handsomely from-the Bushes' perch at the highest levels of government. As Baker reveals, this deeply entrenched elite remains in power regardless of who sits in the Oval Office. Family of Secrets offers countless disclosures that challenge the conventional accounts of such central events as the JFK assassination and Watergate. It includes an inside account of George W.'s cynical religious conversion and the untold real background to the disastrous response to Hurricane Katrina. Baker's narrative is gripping, sobering, and deeply sourced. It will change the way we understand not just the Bush years, but a half century of postwar history-and the present.

The short, tragic life of Charlotte Sophia is told in this satire of sentimental Victorian orphan tales.

Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...," a childrens story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Goreys shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Goreys drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969. Those letters, published here for the first time, are remarkable in their quantity and their content. While the creative collaborations of Gorey and Neumeyer centered on illustrated books, they held wide-ranging interests; both were erudite, voracious readers, and they sent each other many volumes. Reading their discussions of these books, one marvels at the beauty of thoughtful (and merry) discourse driven by intellectual curiosity. The letters also paint an intimate portrait of Edward Gorey, a man often mischaracterized as macabre or even ghoulish. His gentleness, humility, and brilliance--interwoven with his distinctive humor--shine in these letters; his deft artistic hand is evident on the decorated envelopes addressed to Neumeyer, 38 of which are reproduced here. During the time of their correspondence, Peter Neumeyer was teaching at Harvard University and at SUNY Stony Brook, on Long Island. His acumen and compassion, expressed in his discerning, often provocative missives, reveal him to be an ideal creative and intellectual ally for Gorey. More than anything else, "Floating Worlds" is the moving memoir of an extraordinary friendship. Gorey wrote that he felt they were part of the same family, and I dont mean just metaphorically. I guess that even more than I think of you as a friend,

The Cambridge Companion to Comics presents comics as a multifaceted prism, generating productive and insightful dialogues with the most salient issues concerning the humanities at large. This volume provides readers with the histories and theories necessary for studying comics. It consists of three sections: Forms maps the most significant comics forms, including material formats and techniques. Readings brings together a selection of tools to equip readers with a critical understanding of comics. Uses examines the roles accorded to comics in museums, galleries, and education. Chapters explore comics through several key aspects, including drawing, serialities, adaptation, transmedia storytelling, issues of stereotyping and representation, and the lives of comics in institutional and social settings. This volume emphasizes the relationship between comics and other media and modes of expression. It offers close readings of vital works, covering more than a century of comics production and extending across visual, literary and cultural disciplines.