Five challenging years have passed in the lives of the ladies of Bad Girl Creek. Beryl, Nance, Ness, and Phoebe have experienced their share of hardship and heartache but also much love and happiness. Beryl now lives with Earl in Alaska, where the fissures in their relationship have started to spread. But then Earl disappears one wintry night. Nance, on the heels of a string of devastating miscarriages, has been advised to stop trying for a baby. Phoebe finds herself overwhelmed by her five-year-old daughter, Sally, and an enigmatic Southern charmer named Andrew. And Ness tenderly nurses David Snow as he gradually succumbs to AIDS. The farm's successes have brought profits, but when a nursery opens across the road, the bar is set higher yet again. Life rolls on, though, and in the midst of myriad misfortunes come explosive surprises. The old friends are challenged to reunite once again, to rediscover with fresh eyes the powerful words in Aunt Sadie's journal: Live life to the fullest. Love as often as you can. Regret nothing. Eat hearty. Laugh often. Plant flowers. And don't forget to dance.

Four women take fate into their own hands in this big-hearted story of friendship, resilience, and revenge on monstrous men, from the award-winning author of Half-Blown Rose. Taking inspiration from the infamous, empowering song, Goodbye Earl follows four best friends through two unforgettable summers, fifteen years apart. In 2004, Rosemarie, Ada, Caroline, and Kasey are in their final days of high school and on the precipice of all the things teenagers look forward to when anything in life seems possible . . . from falling in love, to finding their dream jobs, to becoming who they were meant to be. In 2019, Kasey has returned to her small Southern hometown of Goldie for the first time since high school—and she still hasn’t told even her closest friends the truth of what really happened that summer after graduation, or what made her leave so abruptly without looking back. Now reunited with her friends in Goldie for a wedding, she’s determined to focus on the simple joy of being together again. But when she notices troubling signs that one of them might be in danger, she is catapulted back to that fateful summer. This time, Kasey refuses to let the worst moments of her past define her; this time, she knows how to protect those she loves at all costs. Uplifting, sharp-edged, and unapologetic, Goodbye Earl is a funeral for all the “Earls” out there—the abusive men who think they can get away with anything, but are wrong—and a celebration of enduring sisterhood. Includes a Reading Group Guide.

This introductory textbook unites the study of rhetoric with the persuasive potential of today's 'texts' in popular culture. By providing students with a means by which to understand why popular texts are important to study-as well as how to examine these texts' underlying messages from a variety of rhetorical perspectives-Deanna Sellnow helps readers become critical consumers of the many popular culture texts that influence them in their daily lives.Features &BAD:amp; Benefits:This textbook unites rhetorical criticism with mediated popular cultural texts (e.g., film, television, rap music) in ways that relate directly to the experiences of people in society today. Each chapter is devoted to one theoretical perspective (e.g., narrative, dramatistic, Marxist, feminist, illusion of life, visual pleasure, media effects) Each chapter provides (a) an explana¡tion of a particular rhetorical theory, (b) examples of messages the theory reveals when applied to vari¡ous contemporary popular culture texts, (c) embedded ôapplying what youÆve learnedö opportuni¡ties for students to practice examining a specific film, television program, song, or adver¡tisement using the theory, (d) one or two scholarly articles that use the theory to examine a popular culture text, (e) one or two sample student papers that use the theory to examine a popu¡lar culture text, and (f) an end-of-chapter challenge posed to students to examine in depth a contempo¡rary artifact using the concepts described in the chapter Each chapter opens with reflective questions to guide students to about specific examples as read the chapter.

NAMED A BEST MUSIC BOOK OF 2023 by PITCHFORK, VARIETY, AND ROLLING STONE A companion to the #1 music podcast on Spotify, this book takes readers through the greatest hits that define a weirdly undefinable decade. The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 SONGS THAT EXPLAIN THE '90s, Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately.

A former Rookie contributor and creator of the popular blog Effing Dykes investigates the disappearance of America’s lesbian bars by visiting the last few in existence. Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream? In Moby Dyke, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars. Her pilgrimage includes taking in her first drag show since the onset of the pandemic at The Back Door in Bloomington, Indiana; competing in dildo races at Houston’s Pearl Bar; and, despite her deep-seated hatred of karaoke, joining a group serenade at Nashville’s Lipstick Lounge and enjoying the dreaded pastime for the first time in her life. While Burton sets out on the excursion to assess the current state of lesbian bars, she also winds up examining her own personal journey, from coming out to her Mormon parents to recently marrying her husband, a trans man whose presence on the trip underscores the important conversation about who precisely is welcome in certain queer spaces—and how they and their occupants continue to evolve. Moby Dyke is an insightful and hilarious travelogue that celebrates the kind of community that can only be found in windowless rooms soundtracked by Britney Spears-heavy playlists and illuminated by overhead holiday lights no matter the time of year.

In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.

How Black musicians have changed the country music landscape and brought light to Black creativity and innovation.