Let sleeping dogs lie. If only that were the case throughout Bell County, Texas, things would’ve returned to the serenity that once defined it. A quiet, and peaceful place was what Hank Davidson wanted as his retirement home. After a high-risk, violent career as an FBI-trained serial killer detective, crime was the last thing Hank wanted. He also had no intention to fall in love, but crime also played a part in that, or at least solving crime did. Bell County’s numerous historic cemeteries were once revered for honoring the heroic sacrifices of it’s citizens and soldiers. The recent rash of grave robbing has led Agatha Harley to suspect something more sinister is afoot. She must convince a very skeptical Sheriff Reggie Coil that it’s more than high school vandals. Enlisting the help of her partner in crime-solving and love, Hank Davidson, would give her the leverage to dig deeper into the series of casket breeches, and help convince Coil that his precious Bell County was once again under attack by the same criminals that brought she and Hank together.

Walking in the Spirit is a journey into what the Bible teaches about life in the Holy Spirit. Author Kenneth Berding uses the apostle Paul and his words in Romans 8 to model what it looks like to live both empowered and set free by the Spirit. Written at an accessible level, Berding speaks to a wide audience as he seeks to connect readers to the life of the Spirit. His practical guide covers a variety of topics, showing readers how to set their minds on the things of the Spirit, put to death the deeds of the body, be led by the Spirit, know the fatherhood of God, and hope and pray in the Spirit. Berding applies the Bible to life through many of his own personal experiences, helping readers make connections to their own spiritual journeys. Discussion questions for each chapter facilitate personal reflection and small-group study.

Mr. Sin-I should have run the other way. Paid my tab and gone back to my room. But he was there. And he was... everything. I figured what's the harm in letting passion rule my decisions for one night? So what if he looks like the Devil in a suit. I'd be leaving in the morning. Flying home, back to my pleasant but predictable life. I'd never see him again.-Except I do. In the last place I expected. And now everything I've worked so hard for is in jeopardy. -We can't stop what we've started, but this is bigger than the two of us. -And when his past comes back to haunt him, love might not be enough to save me.

A forceful and accessible discussion of Christian belief that has become one of the most popular introductions to Christianity and one of the most popular of Lewis's books. Uncovers common ground upon which all Christians can stand together.

A wry and compassionate selection of essays reflecting on mortals and mortality, from the acclaimed author of The Undertaking. For nearly four decades, poet, essayist, and small-town funeral director Thomas Lynch has probed relations between the literary and mortuary arts. His life’s work with the dead and the bereaved has informed four previous collections of nonfiction, each exploring identity and humanity with Lynch’s signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions provides an essential selection from these masterful collections—essays on fatherhood, Irish heritage, funeral rites, and the perils of bodiless obsequies—as well as new essays in which the space between Lynch’s hyphenated identities—as an Irish American, undertaker-poet—is narrowed by the deaths of poets, the funerals of friends, the loss of neighbors, intimate estrangements, and the slow demise of a beloved dog. In “Gladstone,” from The Undertaking, Lynch reflects on his then twenty-five years as an undertaker at the Midwinter Conference for Michigan funeral directors, which incongruously takes place on an island in the Caribbean. With brutal, generous honesty, “The Way We Are,” from Bodies in Motion and at Rest, grapples with Lynch’s time as a single parent coming to terms with generations of his family inheritance of alcoholism and recovery. The press of the author’s own mortality animates the new essays, sharpening a curiosity about where we come from, where we go, and what it means. As Alan Ball writes in a penetrating foreword, Lynch’s work allows us “to see both the absurdity and the beauty of death, sometimes simultaneously.” With this landmark collection, he continues to illuminate not only how we die, but also how we live.

Hers Was a Case of Conspiracy . . . . . . as the African continent comes under siege by very horrid theories. But the assignment of one BBC reporter to decipher the true revelations of hell emanating from Sierra Leone brings him one step closer to her most crucial assignment. The Nigerian woman Eni Jacobs must save her marriage even as the news of her affair with the bishop of her father's ministry hit the World Wide Web. She is isolated and stigmatised, even when their affair is a ripple effect of an old flame she must avoid now. Bishop Lloyd is married. Besides, Eni is getting married to his younger brother, Luke, in two weeks. A Hope James C. Nwabueze writes with aplomb on such real issues that beset us as humans: the concept of our frailty, the demand for morality, the reality of hell. Eni returns to her family in Nigeria to face the shame and horror. But how can she cope through all these? Will Luke accept her back? And what about her newfangled feelings for Smith, the BBC reporter who now seeks to see her through this mess for Luke's place? Will she accept his offer or fight to make her marriage work, even with the last revelation that will change their lives forever? The last sin? Author's Note The Last Sin is a novel based on a true African story, set in Nigeria and the UK. These events, however, are entirely fictitious and bear no claim to any organisation or anyone whether dead or alive. Other names, co-ops, and scenes are nothing more than figments of the author's imagination, bent upon creating the most believable, picturesque background for the reading delight of our numerous readers. Also, The conversations, quotations, and thought lines used in this book have been greatly inspired from the author's own philosophical point of view. However, it may be quoted only in the context of the particular scene, situation, or character for better allusion.