A first-of-its-kind anthology that explores adaptations of 17th-century Hispanic comedia within contemporary Los Angeles theater. Performed outdoors for audiences of all classes and genders, comedias questioned orthodox ideologies and power systems of the 17th-century Hispanic world: 400 years later, these stories are still being used to call for change, but within modern-day America. Golden Tongues: Adapting Hispanic Classical Theater in Los Angeles explores how adaptations of source texts by authors such as Lope de Vega, Calderón, and María de Zayas harness their energy and themes. Touching on key modern issues like the intersection of power and sexuality, gentrification, and Black identities, this anthology bridges the gap between the classical and the contemporary. Featuring seven plays, each with an introduction that situates the adaptation in relation to its source and contextualizes its performance, this play collection both highlights the longevity of Hispanic classic theater and celebrates the diversity of modern day performance.

Prince Allen has trained his entire life to follow in the footsteps of his illustrious mother, who has made their kingdom one of the wealthiest and most influential in the empire. For the past few years he has trained to become the new consort of the High King. The only thing no one prepared him for was the stubborn, arrogant High King himself, who declares Allen useless and throws him out of court. High King Sarrica is ruling an empire at war, and that war will grow exponentially worse if his carefully laid plans do not come to fruition. He's overwhelmed and needs help, as much as he hates to admit it, but it must be someone like his late consort: a soldier, someone who understands war, who is not unfamiliar with or afraid of the harsher elements of rule. What he doesn't need is the delicate, pretty little politician foisted on him right as everything goes wrong.

The Man With The Golden Tongue is about being enlightened in a dark world. Using your tongue for good use to build up not tear down and much more.

Comprehensive and cross-referenced, this informative volume is a rich introduction to the world of nature as experienced by ancient peoples around the globe. 51 halftones.

In The Golden Mean of Languages, Alisa van de Haar sheds new light on the debates regarding the form and status of the vernacular in the early modern Low Countries, where both Dutch and French were local tongues. The fascination with the history, grammar, spelling, and vocabulary of Dutch and French has been studied mainly from monolingual perspectives tracing the development towards modern Dutch or French. Van de Haar shows that the discussions on these languages were rooted in multilingual environments, in particular in French schools, Calvinist churches, printing houses, and chambers of rhetoric. The proposals that were formulated there to forge Dutch and French into useful forms were not directed solely at uniformization but were much more diverse.

James Morgan’s gift for music has attracted Nuala, a soul-snatching faerie who feeds on the creative energies of exceptional humans until they die. While collaborating on a musical composition, James and Nuala unexpectedly fall in love. When James realizes that Nuala is being hunted, he plunges into a soul-scorching battle with the Faerie Queen.