In the second book of her autobiography, M. M. Kaye returns, after spending several years at a British boarding school, to India, the cherished country of her childhood. It is 1927, and nineteen-year-old Mollie makes her debut on the Delhi social scene. Feeling awkward and plain, party etiquette and society's intricate rules fluster her, but she finds comfort in her family, her Indian friends, her watercolors, and the country itself. The same humor, wisdom, and enchantment that inspired M.M. Kaye's bestselling novels fill the pages of Golden Afternoon. Kaye re-creates with perfection the nuances of a lifestyle long past and brings the people and glorious terrain of India to vivid life.

Shortlisted for the 2023 Sports Book Awards for Best Sports Writing of the Year Shortlisted for the USGA Herbert Warren Wind Book Award The Long Golden Afternoon tells the story of the transformative generation of golf that followed the rise of Young Tom Morris - an era of sweeping change that saw Scotland's national pastime become one of the rare games played around the world. It begins with the first epochal performance after Tommy - John Ball's victory at Prestwick in 1890 as the first Englishman and the first amateur to win the Open Championship - and continues through the outbreak of the Great War. If Tommy ignited the flame of golf in England, Ball's breakthrough turned that smoldering fire into a conflagration. The generation that followed would witness the game's coming of age. It would see an explosion in golf's popularity, the invention of revolutionary new balls and clubs, the emergence of professional tours, the organization of the game and its rules, a renaissance in writing and thinking about golf, and the decision that the Royal and Ancient Golf Club of St Andrews must always remain the sport's guiding light.

From the Booker-Prize-winning author of Holiday. Rejacketed and reissued by Windmill to mark the 40th anniversary of Stanley Middleton's Booker Prize win. A brother and sister – Bernard is at college, Mary is still at school - are struggling with their own young lives and loves, near the end of one beautiful summer. At the same time, their mother Ivy is dying from cancer whilst their father, a simple and dignified man, is barely coping. A family faces fundamental changes, together and apart. 'This humane book digs patiently beneath the surface of ordinary lives to the rock of universal truths.' Sunday Times 'Stanley Middleton, once dubbed 'The Chekhov of suburbia', is to the Midlands suburb what Anne Tyler is to the Midwest picket fence. His careful writing creates an always precise and often unnerving picture of reality.' The Times

You have never read a book like Susan Perly's first novel Love Street. Open it anywhere, and out comes the voice of Miss Mercy, late-night radio DJ in New Orleans with her jive talk and old vinyl platters. Sam Cooke, Percy Mayfield, Marvin Gaye, Van Morrison, Mark Rothko, Robert Motherwell, war, art, peacetime -- Miss Mercy talks to the lonely. She swings, she bebops, growls, prays, plays blues, soul, jazz, R&B. Miss Mercy is the modern woman of all ages. She is lo-fi, urban, mysterious. She is wacky, she cascades sheets of sound. Remember when you used to listen to a radio under your pillow? Love Street is a radio novel from that world. Miss Mercy -- the sultry vinyl pirate, the Mistress of the Mike -- aims to seduce you. To remind you of the fun of words, to woo you back to the love of reading.

The epic and mind-blowing finale to this visionary space opera series surpasses all expectation: Menelaus Montrose, having forged an uneasy alliance with his immortal adversary, Ximen del Azarchel, maps a future on a scale beyond anything previously imagined. No longer concerned with the course of history across mere millennia, Montrose and del Azarchel have become the architects of aeons, bringing forth minds the size of planets as they steer the bizarre intellectual descendants of an extinct humanity. Ever driving their labors and their enmity is the hope of reunion with their shared lost love, the posthuman Rania, whose eventual return is by no means assured, but who may unravel everything these eternal rivals have sought to achieve. John C. Wright's The Architect of Aeons is the latest in his millennia spanning space opera. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Following his acclaimed life of Dickens, Robert Douglas-Fairhurst illuminates the tangled history of two lives and two books. Drawing on numerous unpublished sources, he examines in detail the peculiar friendship between the Oxford mathematician Charles Dodgson (Lewis Carroll) and Alice Liddell, the child for whom he invented the Alice stories, and analyzes how this relationship stirred Carroll’s imagination and influenced the creation of Wonderland. It also explains why Alice in Wonderland (1865) and its sequel, Through the Looking-Glass (1871), took on an unstoppable cultural momentum in the Victorian era and why, a century and a half later, they continue to enthrall and delight readers of all ages. The Story of Alice reveals Carroll as both an innovator and a stodgy traditionalist, entrenched in habits and routines. He had a keen double interest in keeping things moving and keeping them just as they are. (In Looking-Glass Land, Alice must run faster and faster just to stay in one place.) Tracing the development of the Alice books from their inception in 1862 to Liddell’s death in 1934, Douglas-Fairhurst also provides a keyhole through which to observe a larger, shifting cultural landscape: the birth of photography, changing definitions of childhood, murky questions about sex and sexuality, and the relationship between Carroll’s books and other works of Victorian literature. In the stormy transition from the Victorian to the modern era, Douglas-Fairhurst shows, Wonderland became a sheltered world apart, where the line between the actual and the possible was continually blurred.