New essays on topics spanning the Age of Goethe, with a special section of fresh views of Goethe and Idealism. The Goethe Yearbook is a publication of the Goethe Society of North America, publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcomingcontributions from scholars around the world. Volume 18 features a special section on Goethe and Idealism, edited by Elizabeth Millán and John H. Smith and including essays on Goethe and Spinoza; Goethe's notions of intuition and intuitive judgment; Novalis, Goethe, and Romantic science; Goethe and Humboldt's presentation of nature; Hegel's Faust; Goethe contra Hegel on the end of art; Goethean morphology and Hegelian science; and Goethe andphilosophies of religion. There are also essays on fraternity in Goethe, Margarete-Ariadne as Faust's labyrinth, Schiller's Geisterseher, and Martin Walser's Goethe novel Ein liebender Mann, and a review essay on recent books on money and materiality in German culture heads the book review section. Contributors: Frederick Amrine, Brady Bowen, Jeffrey Champlin, Adrian Del Caro, Stefani Engelstein, Luke Fischer, Gail Hart, Gunnar Hindrichs, Jens Kruse, Horst Lange, Elizabeth Millán, Dalia Nassar, John H. Smith. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professorof German at the University of Pennsylvania.

This book is an interdisciplinary collection of essays examining Goethe’s Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons’ introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe’s Dr. Faustus.Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge’s critique of Goethe’s Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo’s poem “Fausto” retells Gounod’s opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe’s Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe’s Faust. Susanne Ledanff discusses the significance of Goethe’s Faust for Werner Fritsch’s avant-garde “Theater of the Now.” Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.

"In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--

A new crop of essays on topics in the literature of Goethe and the Goethezeit, with a special section providing innovative readings of Goethe's lyric poetry. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 20 contains a special section on Goethe's lyric poetry with contributions from leading scholars. The essays incorporate a range of new methodologies that provide innovative readings of Goethe's most important poems, including contributions by Benjamin Bennett on Faust and Daniel Wilson on the West-östliche Divan. The volume also includesessays on Götz von Berlichingen, the Sturm-und-Drang sublime, the Nibelungenlied's place within Weltliteratur, as well as an examination of Schiller's notion of freedom. Contributors: Constantin Behler, Benjamin Bennett, Frauke Berndt, Fritz Breithaupt, Hannah Vandegrift Eldridge, Andrew Erwin, Patrick Fortmann, Edgar Landgraf, Horst Lange, Charlotte Lee, Claudia Maienborn, Joseph D. O'Neil, Elizabeth Powers, Christian P. Weber, W. Daniel Wilson. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professor of German at the University of Pennsylvania.

One of the most prolific and versatile writers of all time, Johann Wolfgang Goethe (1749–1832) made an impact that continues to extend far beyond his native Germany. The variety of human questions and experiences treated in his works is arguably without parallel. He also had (for his era) an unusually long life, which spanned the French Revolution, the end of the Holy Roman Empire and subsequent reshaping of the German-speaking world, and the rapid onset of industrial modernity. In thirty-seven short essays, leading international scholars explore Goethe's life and times, his literary works, his activity in the realms of art, philosophy and natural science, his reception of – and indeed by – other cultures, and, finally, the resonance of his work in our time. The aim of this collection is to open as many windows as possible onto Goethe's wide-ranging intellectual and practical activity, and to give a sense of his ongoing importance.