A remarkable group of seven bronze figures was unearthed in Kampong Cham province, Cambodia, in 2006. This book celebrates the collaborative efforts of the Cambodian and US museums to restore and interpret these important images, and also the accomplishments of Khmer bronze casters from the fourth century BCE to the fourteenth century CE.

The rich and evocative bas-reliefs of Angkor Wat have captured the imagination of travelers, artists, and scholars for centuries. Built for the Khmer king Suryavarman II in the twelfth century, the enormous temple complex consists of an outer enclosure surrounded by a moat, with three further concentric rectangular enclosures inside it. The bas-reliefs featured in this book are carved on the walls of the third enclosure. Jaroslav Poncar has brilliantly captured the detail of these huge reliefs, measuring more than two meters in height and five hundred meters in overall length, using the high-precision technique of slit-scan photography. One hundred full-page panoramic photographs bring readers within the very walls of Angkor. Scenes from the great Indian epics, the Ramayana and Mahabharata are expansively explained and interpreted by Angkor expert Thomas S. Maxwell.

A fully illustrated archaeological and art historical analysis of one of the most important artworks of Angkor, rewriting the chronology of the royal capital. In December 1936, a villager was led by a dream to the ruins of the West Mebon shrine in Angkor where he uncovered remains of a bronze sculpture. This was the West Mebon Visnu, the largest bronze remaining from pre-modern Southeast Asia, and a work of great artistic, historical, and political significance. Prominently placed in an island temple in the middle of the vast artificial reservoir, the West Mebon Visnu sculpture was an important focal point of the Angkorian hydraulic network. Interpretations of the statue, its setting, date, and role have remained largely unchanged since the 1960s--until now. Integrating the latest archaeological and historical work on Angkor, extensive art historical analysis of the figure of Visnu Anantasayin in Hindu-Buddhist art across the region, and a detailed digital reconstruction of the sculpture and its setting, Marnie Feneley brings new light to this important piece. Highly illustrated, the book will be of interest to art historians and curators, historians of Southeast Asia, and anyone curious about the art and history of Angkor.

The thousand-year artistic legacy of Cambodia includes some of the world's mostbeautiful works of art and architecture. This richly illustrated volume, published to coincide with an exhibition organized by the National Gallery of Art and the Réunion des Musées Nationnaux, examines the powerful and original Khmer culture that flourished on the mainland of Southeast Asia between 600 and 1600 A.D. Centered on the northern shores of Cambodia's Great Lake, the Tonle Sap, and extending westward into eastern Thailand, the civilization reached its apogee in the early twelfth century with the construction of the Temple of Angkor. Embracing both Buddhist and Hindu traditions, the sculpture ranges from monumental works in sandstone representing gods and goddesses, guardians, female dancers, and legendary creatures, to refined ritual and ceremonial bronzes. Essays by an international group of scholars together with narrative discussions of each of the works illustrated provide a fascinating introduction to a culture that is still relatively unknown.

"The Civilization of Angkor is remarkable and unique in that it delves into the prehistoric roots of the civilization. Higham is THE international authority on southeast Asian archaeology, and presents an up-to-date and provocative synthesis of Angkor."--Brian Fagan, author of Floods, Famines, and Emperors: El Nino and the Fate of Civilizations, and co-editor of The Oxford Companion to Archaeology. "In blending archaeological and documentary data to chronicle the rise of this important Southeast Asian state, Higham's rich history of Angkor effectively refutes traditional models of state development in the Mekong region and offers insights regarding the nature of Angkor and the processes that led to its emergence."--Miriam Stark, Associate Professor of Anthropology, University of Hawai'i and editor of The Archaeology of Social Boundaries

Mannikka takes the reader on a detailed tour of Angkor Wat, moving from the western entrance bridge, across the long causeway to the central galleries, and up to the central tower itself, showing what the design of the temple tells us about Khmer beliefs regarding their king, their deities, and the world around them. Detailed temple plans illustrating measurement patterns and numerous photographs of all parts of the temple accompany the text. Angkor Wat: Time, Space, and Kingship shows clearly the role that astronomy, history, cosmology, and politics can play in determining a structure's format and dimensions. The new methods of architectural analysis pioneered here will serve as a model for architectural historians in Asia and elsewhere.