Beginning with the Paleolithic Age and drawing on ancient Greek, Chinese, Native American, and Near Eastern cultures, Adele Getty portrays the myriad historical and mythological perspectives of the female archetype. Illustrated.

Goddess as Nature makes a significant contribution to elucidating the meaning of a female and feminist deity at the beginning of the twenty-first century. Bridging the gap between the emergent religious discourse of thealogy - discourse about the Goddess - and a range of analytical concerns in the philosophy of religion, the author argues that thealogy is not as incoherent as many of its critics claim. By developing a close reading of the reality-claims embedded within a range of thealogical texts, one can discern an ecological and pantheistic concept of deity and reality that is metaphysically novel and in need of constructive philosophical, thealogical and scholarly engagement. Philosophical thealogy is, in an age concerned with re-conceiving nature in terms of agency, chaos, complexity, ecological networks and organicism, both an active possibility and a remarkably valuable academic, feminist and religious endeavour.

A spunky, feminist take on the myth of Gaia, the Greek goddess of the Earth Long before the age of the Olympian gods, Gaia created the world in all its beauty. But from Gaia also came the Titans, who ran wild and free through this world—until her husband Ouranos turned on Gaia and declared himself the ruler of all she’d created. Her son Cronus then rose to power, but soon he too became hungry for more power—so much so that he swallowed his own children. But Gaia managed to hide the youngest son, Zeus, from Cronus. Zeus grew up and defeated Cronus and saved his brothers and sisters. Gaia thought this would be the end of all the needless war, but Zeus was not satisfied—he swore to rid the world of anyone who challenged his power. Gaia was furious. She wanted no part in the world of Zeus. She would not fight his destruction with more destruction. It might be too late for Zeus, but it wasn’t too late for the mortals—or for the earth itself. Follow the goddess of earth through her struggles with gods and mortals as she discovers her strength and eventually finds the peace she has always longed for. Tales of Great Goddesses are graphic novels that bring the stories of some of the most powerful and fascinating mythical goddesses to life!

Goddess as Nature makes a significant contribution to elucidating the meaning of a female and feminist deity at the beginning of the twenty-first century. Bridging the gap between the emergent religious discourse of thealogy - discourse about the Goddess - and a range of analytical concerns in the philosophy of religion, the author argues that thealogy is not as incoherent as many of its critics claim. By developing a close reading of the reality-claims embedded within a range of thealogical texts, one can discern an ecological and pantheistic concept of deity and reality that is metaphysically novel and in need of constructive philosophical, thealogical and scholarly engagement. Philosophical thealogy is, in an age concerned with re-conceiving nature in terms of agency, chaos, complexity, ecological networks and organicism, both an active possibility and a remarkably valuable academic, feminist and religious endeavour.

Oracle decks have long been embraced as a tool for divination, self-reflection and creative inspiration. This Deck and Guidebook embraces all of these uses, while being centered on contemporary, feminist interpretations of myths. On each card, there is a message to help gain more clarity and perspective. Inclusive and diverse, the women portrayed offer their wisdom on the power of archetypes as a gift to others as they navigate their own lives.Goddess on Earth: ORACLE is a 45-card deck structured around the five elements; EARTH, WATER, AIR, FIRE and SPIRIT. The 144 page, soft covered, 6"x 6.5" Guidebook is a beautifully designed gem. The in-depth book offers readers deeper knowledge about the attributes of the myths, the perspectives of the women portrayed, and a specific action to reflect upon; an invaluable resource of wisdom. The cards are 3.5" x 5", printed on heavyweight 400gsm stock with rounded gold foiled edges, and a soft laminate varnish. The cards and book are packaged together in a deluxe, foil-stamped, magnetic closure box.

The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.

The whole world is changing with incredible speed towards something radically new, yet people across the globe also show resistance to the forces that homogenize our lives. This book deals with a community that has found its niche in the remote Niamgiri mountain range of Odisha (India) and is struggling to preserve its way of life: the Dongria Kond. In recent years, they made the headlines as the real “Avatars” because they successfully fought a multinational company’s plans to mine the mountains. From the perspective of the Dongria Kond, these mountains are the seat of gods, and the whole environment is animated by spiritual forces. This highly complex cosmic order includes humans and non-humans and rests on a divine law (niam). This book captures the viewpoint of the Dongria Kond and provides deep insights into their vision of the world. It offers elaborate accounts of how the Dongria relate to the outside world, conceive of their own society and engage in complex rituals in order to (re-)establish the cosmos. The book confronts the reader with radically different imaginings of familiar human concerns: love, fertility, wealth, status and well-being.