Global Memoryscapesis a collection of eight essays examining the effects of a global society on the collective memories and identities of individual cultures.

Since World War II, French and Francophone literature and film have repeatedly sought not to singularize the Holocaust as the paradigm of historical trauma but rather to connect its memory with other memories of violence, namely that of colonialism. These works produced what Debarati Sanyal calls a “memory-in-complicity” attuned to the gray zones that implicate different regimes of violence across history as well as those of different subject positions such as victim, perpetrator, witness, and reader/spectator. Examining a range of works from Albert Camus, Primo Levi, Alain Resnais, and Jean-Paul Sartre to Jonathan Littell, Assia Djebar, Giorgio Agamben, and Boualem Sansal, Memory and Complicity develops an inquiry into the political force and ethical dangers of such implications, contrasting them with contemporary models for thinking about trauma and violence and offering an extended meditation on the role of aesthetic form, especially allegory, within acts of transhistorical remembrance. What are the political benefits and ethical risks of invoking the memory of one history in order to address another? What is the role of complicity in making these connections? How does complicity, rather than affect based discourses of trauma, shame and melancholy, open a critical engagement with the violence of history? What is it about literature and film that have made them such powerful vehicles for this kind of connective memory work? As it offers new readings of some of the most celebrated and controversial novelists, filmmakers, and playwrights from the French-speaking world, Memory and Complicity addresses these questions in order to reframe the way we think about historical memory and its political uses today.

This collected volume is the first to study the interface between contemporary social movements, cultural memory and digital media. Establishing the digital memory work practices of social movements as an important area of research, it reveals how activists use digital media to lay claim to, circulate and curate cultural memories. Interdisciplinary in scope, its contributors address mobilizations of mediated remembrance in the USA, Germany, Sweden, Italy, India, Argentina, the UK and Russia.

Regionalism is a term that has been used to describe many different kinds of phenomena, including political, geographical, architectural, and literary. This collection examines "rhetorical regionalism," or the relationships we have to physical regions and the idea of regionality. Regional rhetorics are more than simply the fact of local conditions in certain spaces. They are the ways people produce feelings of belonging and discourses of normalcy within those spaces. The authors in this collection bypass familiar narratives of nationality and localism in order to imagine regions as interfaces that help us to negotiate everyday life. Regions are more than physical spaces, therefore. Regional rhetorics can provide different narratives in order to help us invent new kinds of connections to place and publics. They give us new descriptions of relationships, a power that merges together the tectonic (spatial) and the architectonic (discursive) impulses of rhetoric. The book was originally published as a special issue of Rhetoric Society Quarterly.

Explores how the USHMM and other museums and memorials both displace and disturb the memories that they are trying to commemorate. Figures of Memory examines how the United States Holocaust Memorial Museum (USHMM) in Washington, DC, uses its space and the design of its exhibits to “move” its visitors to memory. From the objects and their placement to the architectural design of the building and the floor plan, the USHMM was meant to teach visitors about the Holocaust. But what Michael Bernard-Donals found is that while they learn, and remember, the Holocaust, visitors also call to mind other, sometimes unrelated memories. Partly this is because memory itself works in multidirectional ways, but partly it’s because of decisions made in the planning that led to the creation of the museum. Drawing on material from the USHMM’s institutional archive, including meeting minutes, architectural renderings, visitor surveys, and comments left by visitors, Figures of Memory is both a theoretical exploration of memory—its relation to identity, space, and ethics—and a practical analysis of one of the most discussed memorials in the United States. The book also extends recent discussions of the rhetoric of memorial sites and museums by arguing that sites like the USHMM don’t so much “make a case for” events through the act of memorialization, but actually displace memory, disturbing it—and the museum visitor—so much so that they call it into question. Memory, like rhetorical figures, moves, and the USHMM moves its visitors, figuratively and literally, both to and beyond the events the museum is meant to commemorate.

Cultural factors shape the symbolic environment in which contentious politics take place. Among these factors, collective memories are particularly relevant: they can help collective action by providing symbolic material from the past, but at the same time they can constrain people's ability to mobilise by imposing proscriptions and prescriptions. This book analyses the relationship between social movements and collective memories: how do social movements participate in the building of public memory? And how does public memory, and in particular the media’s representation of a contentious past, influence strategic choices in contemporary movements? To answer these questions the book draws its focus on the evolution of the representation of specific events in the Italian and Spanish student movements of the 1960s and 1970s. Furthermore, through qualitative interviews to contemporary student activists in both countries, it investigates the role of past waves of contention in shaping the present through the publicly discussed image of the past.

Moving Memory is an ethnography of remembrance in the field of tension between post-dictatorship Chile and occupied Palestine that offers new insights into memory politics as a globally resurgent and increasingly transnational phenomenon. It tells a largely untold story of a Palestinian diaspora: how a predominantly Christian, conservative, and wealthy elite has come to form the backbone of a diasporic community to which the Palestinian struggle remains a central mobilizing force. Schwabe explores how Palestinian diaspora politics play into larger attempts to obscure the recent Chilean past and its consequences, all the while working to counter Zionist efforts to negate and erase Palestinian existence. Despite considerable efforts to contain them, memories move. They travel across porous and ever-changing geographical and socio-political boundaries, reconfiguring realities in the process. In exploring the paradoxes of remembering and forgetting between Palestine and Chile as intertwining nodes in the complex field of global memory politics, the book demarcates the limits and possibilities of forging solidarity at the fault lines of memory.