This book investigates facets of the physical world, including the drag on small projectiles; the importance of diffusion and convection; the size-dependence of acceleration; the storage, conduction, and dissipation of heat; the relationship among pressure, flow, and choice in biological pumps; and how elongate structures tune their relative twistiness and bendiness. It considers design-determining factors and builds a bridge between the world described by physics books and the reality experienced by all creatures.

Drawn from her decades of experience as a hospice nurse, Trudy Harris shares stories that offer an incredible glimpse at what lies beyond this world--ethereal music, colors that did not exist on earth, angels, and loved ones who have gone on before. She has been with hundreds of patients as they took their last breaths and knows the kinds of questions that both the dying and their loved ones ask: What happens when we die? What should I say to a loved one who is dying? How can I make a dying friend feel safe? The stories she shares will bring the reader comfort and peace even amidst pain. Tender, heartbreaking, and eye-opening, this expanded edition of the New York Times bestseller offers more incredible windows into the world beyond and life after death.

How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.

Shridath "Sonny" Ramphal looks back at the fifteen years he spent as the Secretary-General of the Commonwealth. He shares glimpses of conflicts, discussions, and characters such as Uganda's tyrant, Idi Amin, and the enlightened spirits of others like Germany's Willy Brandt and Nelson Mandela — all of whom Ramphal encountered in his global life.

Now in paperback, a transcendent and wide-ranging collection of stories by László Krasznahorkai: “a visionary writer of extraordinary intensity and vocal range who captures the texture of present-day existence in scenes that are terrifying, strange, appallingly comic, and often shatteringly beautiful.”—Marina Warner, announcing the Booker International Prize In The World Goes On, a narrator first speaks directly, then narrates a number of unforgettable stories, and then bids farewell (“here I would leave this earth and these stars, because I would take nothing with me”). As László Krasznahorkai himself explains: “Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…” A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveler, reeling from the sights and sounds of Varanasi, India, encounters a giant of a man on the banks of the Ganges ranting on and on about the nature of a single drop of water. A child laborer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. “The excitement of his writing,” Adam Thirlwell proclaimed in The New York Review of Books, “is that he has come up with his own original forms—there is nothing else like it in contemporary literature.”