Based on first-hand encounters with spirits, strange beings, poltergeists, fireballs and other "things that go bump in the night."

Many people who live outside the island state don't realize that, like anywhere else, many places in Hawai'i are very haunted, perhaps more so. Local residents seem to take Hawaii's hauntings as a part of everyday life. Lopaka Kapanui is Hawaii's "Ghost Guy" who collects and shares the ghost stories of Hawai'i.Na Mo'olelo Lapu is a collection of ghost stories from different people who have lived in Hawai'i long enough to have experienced their own hauntings personally. From an old woman who longs for her lost child and a Royal Princess who has been known to make a ghostly appearance, to an old Hawaiian man in a former hospital and a regal man who died in a tragic accident, Kapanui shares a myriad of stories of the ghosts of different cultures who all lived, and died, in Hawai'i.Some of the tales are the author's own experiences while others have been shared by those who were haunted. All of them are true as told by everyday people.

A collection of native Hawaiian tales of mysterious happenings in the city of Honolulu. Beyond the cool waters and trade winds of our idealistic paradise is the thin veil which separates our world from the place where shadows talk back.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

Gabriel King was a born chicken. He’s afraid of spiders, corpses, loose cows, and just about everything related to the fifth grade. Gabe’s best friend, Frita Wilson, thinks Gabe needs some liberating from his fears. Frita knows something about being brave— she’s the only black kid in school in a town with an active Ku Klux Klan. Together Gabe and Frita are going to spend the summer of 1976 facing down the fears on Gabe’s list. But it turns out that Frita has her own list, and while she’s helping Gabe confront his fears, she’s avoiding the thing that scares her the most.

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.