Irresistibly drawn to mysteries, if only to debunk them, reporter Lionel Page exposes supernatural frauds, swindlers, and charlatans. His latest case is an obsession--at least for an ancient and wealthy heiress: verify the authenticity of a lost Edgar Allan Poe manuscript circulating through New York City's literary underworld. But the shrewd Regina Dunkle offers more than money. It's a pact. Fulfill her request, and Lionel's own notorious buried past, one he's been running from since he was a child, will remain hidden. As Lionel's quest begins, so do the warnings. And where rare books go, murder follows. It's only when Lionel meets enigmatic stranger Madison Hannah, his personal usher into the city's secret history, that he realizes he's being guided by a force more powerful than logic...and that he isn't just following a story. He is the story. Now that the true purpose of his mission is revealing itself in the most terrifying ways, it may finally be time for Lionel to believe in the unbelievable.

D.H. Lawrence’s Final Fictions: A Lacanian Perspective shows how Lawrence and Lacan can change beliefs and practices, oppose the Anthropocene, and restore cosmic balance. Stoltzfus brings literature and psychoanalysis together in readings that are both aesthetic and epistemological.

Robyn Schneider, author of Extraordinary Means and The Beginning of Everything, delivers a sharply funny, romantic girl-meets-boy novel with a twist: boy-also-meets-girl’s-ghost-brother. When one girl’s best friend is her dead brother’s ghost, romance can be tricky. Perfect for fans of John Green and Nicola Yoon. Rose Asher believes in ghosts. She should, since she has one for a best friend: Logan, her annoying, Netflix-addicted brother, who is forever stuck at fifteen. But Rose is growing up, and when an old friend moves back to Laguna Canyon and appears in her drama class, things get complicated. Jamie Aldridge is charming, confident, and a painful reminder of the life Rose has been missing out on since her brother’s death. She watches as Jamie easily rejoins their former friends—a group of magnificently silly theater nerds—while avoiding her so intensely that it must be deliberate. Yet when the two of them unexpectedly cross paths, Rose learns that Jamie has a secret of his own, one that changes everything. Rose finds herself drawn back into her old life—and to Jamie. But she quickly starts to suspect that he isn’t telling her the whole truth. All Rose knows is that it’s becoming harder to choose between the boy who makes her feel alive and the brother she isn’t ready to lose.

These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.

WINNER OF THE 2015 BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL A chilling thriller that brilliantly blends psychological suspense and supernatural horror, reminiscent of Stephen King's The Shining, Shirley Jackson's The Haunting of Hill House, and William Peter Blatty's The Exorcist. The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend. Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

Stories of ghostly beings and occurrences in the houses, valleys, coves, hollows, and mines of Appalachia are accompanied by eerie photographs