Aboriginal literature is a growing field with a rapidly expanding global audience. The book represents a range of writers; it includes highly acclaimed Aboriginal writers whose works are widely recognised (Kim Scott, Doris Pilkington Garimara, Melissa Lucashenko) and other writers whose works are on the ascendancy (Romaine Moreton and Jeanine Leane). This book contributes to the understanding of Aboriginal literature and of how these writers developed as writers. See www.cambriapress.com/books/9781604979114.cfm for reviews, author bio, and more book information on this Cambria Press publication. "This book is an essential resource for anyone with more than a passing interest in Aboriginal writing and Australian literature." - Philip Morrissey, Head of Australian Indigenous Studies, University of Melbourne

Aboriginal literature is a growing field with a rapidly expanding global audience. The book represents a range of writers; it includes highly acclaimed Aboriginal writers whose works are widely recognised (Kim Scott, Doris Pilkington Garimara, Melissa Lucashenko) and other writers whose works are on the ascendancy (Romaine Moreton and Jeanine Leane). This book contributes to the understanding of Aboriginal literature and of how these writers developed as writers. See www.cambriapress.com/books/9781604979114.cfm for reviews, author bio, and more book information on this Cambria Press publication. "This book is an essential resource for anyone with more than a passing interest in Aboriginal writing and Australian literature." - Philip Morrissey, Head of Australian Indigenous Studies, University of Melbourne

River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.

In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border. Reyna Grande vividly brings to life her tumultuous early years in this “compelling...unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father. Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home. Also available in Spanish as La distancia entre nosotros.

"Hue-Tam Ho Tai's masterful collection of essays that explore how the past is being remade in contemporary Vietnam constitutes a welcome addition to the study of the larger problem of engineering memory, especially in political cultures where the identity of the nation-state is in a considerable state of flux . . .. This book also suggests that the 'commemorative fever' that is sweeping Vietnam is about more than Vietnam's history. It also has a great deal to do with the problems premodern cultures presented to those who promoted the creation of contemporary states. In this regard both Vietnam and this book offer all scholars of nationalism and remembering in the West a fascinating perspective on their own nations."—John Bodnar, Chancellors' Professor of History at Indiana University, from the Foreword

The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.