The must-have guide to traditional, emerging and creative TV funding models that are being developed and exploited by social media-savvy documentary filmmakers. Each chapter covers a different form of funding and combines advice from industry insiders - producers, buyers, specialist media agencies and corporate funding bodies - and entertaining case studies that illustrate the benefits and pitfalls of each method. With practical tips, case studies and advice it reveals what grantors, brands and NGOs are looking for in a pitch (they all have different needs and expectations), and the cultural differences that can trip up the unwary producer. Funding examples range from blue-chip TV documentaries, such as Planet Earth, which was co-funded by the BBC, Discovery NHK and CBC to The TV Book Club (More 4), which is funded by Specsavers opticians; to Lemonade Movie, which harnessed the power of Twitter to source free equipment and post-production resources. Readers will discover: the difference between co-productions, pre-sales and acquisitions; how to develop and pitch advertiser funded programming; the new rules on product placement; where to hunt for foundation and grant funding and how to fill in those fiendish application forms; the power of crowd-funding and how to harness the internet; how to sniff out grants and funds held in non-film focused organisations such as the Wellcome Trust; why corporations are keen to fund your documentary and how to get them to part with their money without giving up your editorial control.

Cities are breeding grounds for possibilities… Almost anything and everyone has a chance to be good, bad, heroic, evil, mundane, and magical. And most things, and people, are hybrids. Consider the countless opportunities for people to develop unique, innovative solutions to their problems; consider the challenge of surviving in the chaos of a teeming city where survival is a challenge; consider the opportunities for complete failure; and consider the options available. The urban environment is not forgiving and you should count on survivors using whatever tools they have at hand. You even need to expect magic. Always expect magic, even if there might be a cruder, more expedient, more obvious way of doing things, because witches are people.

ICE COLD Trying to escape her overbearing mother, vintage kitchenware enthusiast and soon-to-be columnist Jaymie Leighton retreats to her family’s cottage on Heartbreak Island. While there she hopes to write an article about the Ice House restaurant, owned by good friends and neighbors, siblings Ruby and Garnet Redmond. Once an actual icehouse, the restaurant is charmingly decorated with antique tools of the trade, including a collection of ice picks. One night, while working on her article, Jaymie overhears an argument and, ever the sleuth, sets out to explore. But when she stumbles upon a dead body her blood runs cold. It’s Urban Dobrinskie, whose feud with the Redmonds is no secret, and he’s got an ice pick through his heart. Now Jaymie’s got to sharpen her sleuthing skills to chip away at the mystery and prove her neighbors’ innocence—before someone else gets picked off…

Vendela Vida’s fearless, critically acclaimed fiction debut follows the unpredictable recovery of a young woman as she tries to make sense of her life after an encounter at gunpoint. Accosted one afternoon in Riverside Park by a man who doesn't want to die alone, Ellis, a young grad student, talks her way out of the situation by reciting poetry to her desperate captor. He lets her go, but is she free? Rejecting the overtures of her kind-hearted boyfriend, the police, and the suitors who would like to save her, Ellis finds herself unable to escape the event. She leaves the city to visit her family; joins her mother on a medical mission to the Philippines. When she returns, Ellis discovers something more about life–perhaps even how to take back her own.

When Diesel reappears just after Valentines Day, he starts Stephanie and her friends on a search for a bag of stolen money found by Grandma Mazur.

THE STORY: The scene is a bar in Deadwood, Dakota Territory, in 1876, where Wild Bill Hickok, now aging and growing blind, holds court. Despite his failing powers, Bill is respected and feared by the colorful habitues of the Number Ten saloon, an

An ex-Memphis cop and a friend of Carson is in trouble - but what kind of trouble? While trying to answer that question, Carson finds more questions - and all with no answers. What Carson also finds is trouble coming from all directions. The Mafia, the Teamsters Union, an unhappy sheriff and some very rough characters are all looking for his friend, and Carson is in the middle of this mess. An apparently senseless murder only complicates Carson's problems, which makes getting to the truth more difficult. Things are not what they seem in Carson Reno's adventure at 'Reelfoot'