Giuseppe Verdi (1813–1901) was the Shakespeare of opera, the composer of Rigoletto, Il Trovatore, La Traviata, Aida and Otello. The chorus of Hebrew slaves from Nabucco (1842) is regarded in Italy as virtually an alternative national anthem – and the great tragedian rounded off his career fifty years later with a rousing comedy, Falstaff. When Verdi was born, much of northern Italy was under Napoleonic rule, and Verdi grew up dreaming of a time when the peninsula might be governed by Italians. When this was achieved, in 1861, he became a deputy in the first all-Italian parliament. While in his 20s, Verdi lost his two children and then his wife (many Verdi operas feature poignant parent-child relationships). Later, he retired, with his second wife, to his beloved farmlands, refusing for long stretches to return to composition. Verdi died in January 1901, universally mourned as the supreme embodiment of the nation he had helped create. Daniel Snowman was born in London, educated at Cambridge and Cornell and at 24 became a Lecturer at the University of Sussex, going on to become BBC Radio's Chief Producer, Features. Since 2004 has held a Senior Research Fellowship at the Institute of Historical Research (University of London). Recent books include a study of the cultural impact of the 'Hitler Emigrés', a collection of critical essays on the work of today's leading historians and The Gilded Stage: A Social History of Opera, reviewed by Tim Blanning as 'A mighty achievement, by far and away the best history of opera available'.

Giuseppe Verdi (1813–1901) was the Shakespeare of opera, the composer of Rigoletto, Il Trovatore, La Traviata, Aida and Otello. The chorus of Hebrew slaves from Nabucco (1842) is regarded in Italy as virtually an alternative national anthem – and the great tragedian rounded off his career fifty years later with a rousing comedy, Falstaff.When Verdi was born, much of northern Italy was under Napoleonic rule, and Verdi grew up dreaming of a time when the peninsula might be governed by Italians. When this was achieved, in 1861, he became a deputy in the first all-Italian parliament.While in his 20s, Verdi lost his two children and then his wife (many Verdi operas feature poignant parent-child relationships). Later, he retired, with his second wife, to his beloved farmlands, refusing for long stretches to return to composition. Verdi died in January 1901, universally mourned as the supreme embodiment of the nation he had helped create.DANIEL SNOWMAN was born in London, educated at Cambridge and Cornell and at 24 became a Lecturer at the University of Sussex, going on to become BBC Radio’s Chief Producer, Features. Since 2004 has held a Senior Research Fellowship at the Institute of Historical Research (University of London). Recent books include a study of the cultural impact of the ‘Hitler Emigrés’, a collection of critical essays on the work of today's leading historians and The Gilded Stage: A Social History of Opera, reviewed by Tim Blanning as ‘A mighty achievement, by far and away the best history of opera available’.

Henry V is the best-known military hero in English history: better known than Marlborough or Wellington, or his grandfather, Edward III. He enjoyed more success against the French than any of them, coming tantalisingly close to conquering that vast country and imposing an English dynasty; this in a reign of just nine years, in only seven of which he was at war. Even before he died the heroic myth, later enshrined by Shakespeare, was being created. His victories have become the touchstone of English nationalism, English militarism and English imperialism. For good or ill, Henry V now signifies the one-time 'Greatness of England'. He was a military genius, yet his megalomania was not always in the best interests of his own kingdom, let alone the people of France who suffered at his hands. Behind the carefully constructed nationalist myth was a cold, calculating, ruthless ruler who, before his early death, revealed ominous tyrannical tendencies.

There's something about Jane... Jane Austen lived only just into her forties, never married, never had children, lived all her life in the south of England and rarely strayed far from the genteel and orthodox social circle into which she was born. She completed only six novels, and achieved little fame in her lifetime. Yet 200 years after her death, she remains one of our most revered writers, and one of the most regularly adapted for television and film. Her novels are beloved by readers all over the world who continue to be inspired, beguiled and delighted by her often comic, and always shrewd insights into the calculations, and complexities of human hearts and minds. This short biography aims to get to the heart of the enigmatic woman who was Jane Austen, and to the enduring qualities in her work which make it so universally loved and admired.

As one of few composers to be considered a giant in the realm of universally accepted operatic works as well as a source of national Italian identity, Giuseppe Verdi’s repertoire is one of the most widely performed in history. Although much of Verdi’s life remains a mystery, the composer’s insistence on his peasant upbringing was somewhat untruthful; he grew up comfortably—a learned man. Detailing Verdi’s confused past, this book aims to confirm the world-renowned composer’s personal history as well as debunk any of the embellishments the “ageing maestro” promulgated himself.

Wellington is a giant because he was one of the greatest military commanders in British history, an important figure in the emergence of Britain as a great imperial power, a man who dominated British society and politics for 35 years. He was the only one of Napoleon's contemporaries who can be mentioned in the same breath as a general - a master of logistics, politics and coalition warfare as well as strategy, operations and tactics. The book's focus is on Wellington's military career, and it looks at all of these aspects, placing them in the context of the military and political developments of the time. It explores Wellington's personality – a key to understanding his success - and briefly examines his post-Waterloo career as a politician. It concludes that Wellington was not only a military genius, but an icon whose fame endures to our own time.

Why is Jesus a giant? Because he was the founder of Christianity, the largest religion in the world with 2 billion adherents; because Christianity is one of the five great religions of the world, with followers in every country on the planet and a history stretching back two thousand years; because there remains great interest in the teaching of Jesus, his personality and his life. The origins of a great religion which has filled so immense a place in the history of the world must surely be of interest to everyone.