Kyle, an amateur photographer, is struggling to make ends meet, taking any job that lands in his inbox. He gets a lot of strange requests, including a photo-shoot with a young woman in a cheap hotel room. While he’s snapping shots of her, he realizes she’s not a she at all. But Kyle is a professional, so he takes the shots that she asks him to take. And those shots become quite popular on a website called The Trap Lounge—so popular that a mystery client reaches out to Kyle, offering three thousand dollars for every photo-shoot he’s willing to take with similar girly boys.

I'm supposed to be made of sugar and spice and all things nice. But I'm sweet and sour and not a little flower. I am a girl! I am a girl! I am a girl! Meet a little girl who's spontaneous, fast, and strong and loves winning. Sometimes she's mistaken for a boy, but she definitely isn't one! When she meets a boy who likes wearing princess dresses and playing dolls, they quickly discover shared interests and a wonderful friendship. I'm a Girl! is celebration of being who we are and not being restricted by stereotypes. Most of all, this audio eBook is joyful and full of energy. Be yourself - there's no one better! Award for Time For Bed, Fred! A New York Times Best Illustrated Book A New York Times Book Review Editor's Choice A Society of Illustrators Original Art Show Pick

THE NATIONAL BESTSELLER "Transformative ... If Tobia aspires to the ranks of comic memoirists like David Sedaris and Mindy Kaling, Sissy succeeds." --The New York Times Book Review A heart-wrenching, eye-opening, and giggle-inducing memoir about what it's like to grow up not sure if you're (a) a boy, (b) a girl, (c) something in between, or (d) all of the above. "A beautiful book . . . honest and funny."--Trevor Noah, The Daily Show "Sensational."--Tyler Oakley "Jacob Tobia is a force." --Good Morning America "A trans Nora Ephron . . . both honest and didactic." --OUT Magazine "A rallying cry for anyone who's ever felt like they don't belong." --Woman's Day As a young child in North Carolina, Jacob Tobia wasn't the wrong gender, they just had too much of the stuff. Barbies? Yes. Playing with bugs? Absolutely. Getting muddy? Please. Princess dresses? You betcha. Jacob wanted it all, but because they were "a boy," they were told they could only have the masculine half. Acting feminine labelled them "a sissy" and brought social isolation. It took Jacob years to discover that being "a sissy" isn't something to be ashamed of. It's a source of pride. Following Jacob through bullying and beauty contests, from Duke University to the United Nations to the podiums of the Methodist church--not to mention the parlors of the White House--this unforgettable memoir contains multitudes. A deeply personal story of trauma and healing, a powerful reflection on gender and self-acceptance, and a hilarious guidebook for wearing tacky clip-on earrings in today's world, Sissy guarantees you'll never think about gender--both other people's and your own--the same way again.

Named a Best Book by: The Globe and Mail, Indigo, Out Magazine, Audible, CBC, Apple, Quill & Quire, Kirkus Reviews, Brooklyn Public Library, Writers’ Trust of Canada, Autostraddle, Bitch, and BookRiot. Finalist for the 2019 Lambda Literary Award, Transgender Nonfiction Nominated for the 2019 Forest of Reading Evergreen Award Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Non-Fiction "Cultural rocket fuel." --Vanity Fair "Emotional and painful but also layered with humour, I'm Afraid of Men will widen your lens on gender and challenge you to do better. This challenge is a necessary one--one we must all take up. It is a gift to dive into Vivek's heart and mind." --Rupi Kaur, bestselling author of The Sun and Her Flowers and Milk and Honey A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl--and how we might reimagine gender for the twenty-first century. Vivek Shraya has reason to be afraid. Throughout her life she's endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak. Now, with raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. I'm Afraid of Men is a journey from camouflage to a riot of colour and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.

Putting Prince Charming in the academic spotlight, this collection examines the evolution of male fairy tale characters across modern series and films to bridge a gap that afflicts multiple disciplines.

The first comprehensive study of men who work and volunteer with kids in a variety of public settings, this book brings to life diverse histories and experiences of men who have worked as coaches, teachers, youth ministers, probation officers, Big Brothers, Boys/Girls Club staff, 4-H agents, and the like. Drawing on in-depth interviews with men between the ages of 19 and 65, ethnographic observations, and more than twenty years of research on fathers, sociologist Marsiglio explores men's motives for doing youth work, effective interpersonal strategies, the perception and expression of mentoring, the mutual influences that youth work and fathering have on each other, the youth workers' own personal development, and the impact of social policy and programmatic initiatives. He offers a forward-looking vision for getting men more involved, and involved more productively, in helping kids thrive.--From publisher description.

This book discusses how masculinity is represented by women poets and gay poets - but, most of all, how it is represented by straight male poets. It shows how Robert Lowell and John Berryman both identify a gender malaise in themselves which they struggle with throughout their careers, and how Derek Walcott displays a profound gender insecurity in relation to the colonial experience. It discusses the impact on Ted Hughes and Seamus Heaney of their belief in a transcendent feminine principle, and how C.K. Williams and Paul Muldoon display the impact of feminism on male poets who are young enough to have encountered it at a formative period.