Sarah Walters is a less-than-perfect debutante. She tries hard to follow the time-honored customs of the Charleston Camellia Society, as her mother and grandmother did, standing up straight in cotillion class and attending lectures about all the things that Camellias don't do. (Like ride with boys in pickup trucks.) But Sarah can't quite ignore the barbarism just beneath all that propriety, and as soon as she can she decamps South Carolina for a life in New York City. There, she and her fellow displaced Southern friends try to make sense of city sophistication, to understand how much of their training applies to real life, and how much to the strange and rarefied world they've left behind. When life' s complications become overwhelming, Sarah returns home to confront with matured eyes the motto "Once a Camellia, always a Camellia" -- and to see how much fuller life can be, for good and for ill, among those who know you best. Girls in Trucks introduces an irresistable, sweet, and wise voice that heralds the arrival of an exciting new talent.

Meet Sarah Walters, a Camellia Society debutante with a weakness for bad ideas. Sarah's mother lectures her on etiquette but tends to get loose after a few gins. Still, Sarah tries to follow the debutante code - after all, in Charleston, manners mean everything. But it's not easy to follow the rules, particularly in the summers when she runs into boys in pickup trucks, or, later, when she moves to New York with her friends. For the Camellia girls soon learn, careers don't always go to plan and men don't always love you back: the bright future they thought was theirs dissolves into heartbreak, illness and addiction. And when a shocking event brings thirty-something Sarah back home to Charleston, she must decide where 'home' really is.

Girls are cutting themselves with razors. Girls are convinced they're fat, and starve themselves to prove it. Other girls are so anxious about grades they can't sleep at night-at eleven years of age. What's going on? In Girls on the Edge, Dr. Leonard Sax provides the answers. He shares stories of girls who look confident and strong on the outside, but are fragile within. He shows why a growing proportion of teen and tween girls are confused about their sexual identity, or are obsessed with grades or Facebook. Dr. Sax provides parents with tools to help girls become confident women, along with practical tips on helping your daughter choose a sport, nurturing her spirit through female-centered activities, and more. Compelling and inspiring, Girls on the Edge points the way to a new future for today's young women.

Colorful introduction to skateboarding for girls.

WINNER OF THE 2018 PEN OPEN BOOK AWARD "A rich and urgently necessary book" (New York Times Book Review), A Moonless, Starless Sky is a masterful, humane work of journalism by Alexis Okeowo--a vivid narrative of Africans who are courageously resisting their continent's wave of fundamentalism. In A Moonless, Starless Sky Okeowo weaves together four narratives that form a powerful tapestry of modern Africa: a young couple, kidnap victims of Joseph Kony's LRA; a Mauritanian waging a lonely campaign against modern-day slavery; a women's basketball team flourishing amid war-torn Somalia; and a vigilante who takes up arms against the extremist group Boko Haram. This debut book by one of America's most acclaimed young journalists illuminates the inner lives of ordinary people doing the extraordinary--lives that are too often hidden, underreported, or ignored by the rest of the world.

Consumer unit income and expenditures, integrated data from Interview and Diary surveys, classified by consumer unit characteristics; one way and cross tabulations.

Roja Singh's critical ethnography on caste and gender is rooted in interactions, and lived experiences in communities of Dalit women in Tamil Nadu, India. Situated in transnational feminist discourses, Singh's perspective as a Dalit woman, provides an intersectional social analysis of power structures that sustain caste dominance in South India today. She describes strategies of social change in Dalit women's activism as rooted in subversive applications of imposed identities of "difference" thwarting social boundaries and punishment traditions. The core of this Interdisciplinary work is Dalit women's songs, oral and written testimonial narratives, including Singh's personal story.