“A solid and sound coaching manual for preteen girls starting or approaching puberty.” —School Library Journal Let’s face it, being a girl isn’t easy, and growing up can be confusing without a confidante to help. Meet Sarah O’Leary Burningham, a real-life big sister here to talk you through some of life’s biggest moments, like: Finding a bra Getting your period Picking out glasses and braces Dealing with body odor and shaving Caring for your skin (and handling pimples!). Creating healthy habits And so much more Filled with letters and testimonials from girls just like you, confidence-boosting advice from experts, and myth-busting sidebars that give you the real scoop, this book is just what you need to naviage the preteen years. Endorsed by doctors and experts: “What a marvelous book for girls 8-12 years old. This accurate, reassuring, and clearly written guide is one of the best presents that we can give to the young girls in our lives—especially in an era where they read so much misinformation on the Internet.” —Judy Norsigian, Executive Director, Our Bodies Ourselves “A desperately needed guide for girls ages 8-12, who have long needed an age-appropriate, visually interesting, and emotionally accessible book on growing up. Parents of diverse backgrounds, who have been looking for a book to lean on and learn from, have got their wish. Real girls inhabit these pages and share what readers will want to know—and what they’ll need to know.” —Pepper Schwartz, PhD, Professor of Sociology at the University of Washington and author of Ten Talks Parents Must Have with Their Children About Sex and Character

Girl on Girl looks at how women are using photography, the internet and the female gaze to explore self–image and female identity in contemporary art. A new generation of women is taking the art world – online and offline – by storm. In an image–obsessed culture saturated with social media, these 40 artists are using photography and the female gaze to redefine the fields of fashion, art, advertising and photojournalism, making a profound impact on our visual world. Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity. "Charlotte Jansen has brought together some of the finest female photographers of our generation" – Refinery29 "A very important book" – Vogue Italia "Young female artists are using photography and social media to explore issues of female identity. This gorgeous book introduces 40 of them, in an investigation of photography and the female gaze."– Eva Wiseman, Observer Magazine Features work by Aneta Bartos Tonje Bøe Birkeland Nakeya Brown Juno Calypso Anja Carr Amanda Charchian Petra Collins Maisie Cousins Nathalie Daoust Shae DeTar Lalla Essaydi Maya Fuhr Yaeli Gabriely Petrina Hicks Ayana V. Jackson Lebohang Kganye Lilia Li–Mi–Yan Pixy Liao Alexandra Marzella Rania Matar Izumi Miyazaki Monika Mogi Zanele Muholi Mihaela Noroc Birthe Piontek Elizabeth Renstrom Marianna Rothen Phebe Schmidt Leah Schrager Molly Soda Johanna Stickland Iiu Susiraja Deanna Templeton Yvonne Todd Mayan Toledano Jaimie Warren Isabelle Wenzel Aviya Wyse Jessica Yatrofsky Pinar Yolaçan

An inspiring, uplifting and sympathetic story about sexuality and self-acceptance, Lucy Sutcliffe's debut memoir is a personal and moving coming out story. In 2010, at seventeen, Lucy Sutcliffe began an online friendship with Kaelyn, from Michigan. They began a long distance relationship, finally meeting in 2011. Lucy's video montage of their first week spent together was the first in a series of vlogs documenting their long-distance relationship. Now, for the first time, Lucy's writing about the incredible personal journey she's been on.

Winner of the 2016 Scott O’Dell Award for Historical Fiction A 2016 Association of Jewish Libraries Sydney Taylor Award Winner Winner of the 2016 National Jewish Book Award for Children’s and Young Adult Literature Newbery Medalist Laura Amy Schlitz brings her delicious wit and keen eye to early twentieth-century America in a moving yet comedic tour de force. Fourteen-year-old Joan Skraggs, just like the heroines in her beloved novels, yearns for real life and true love. But what hope is there for adventure, beauty, or art on a hardscrabble farm in Pennsylvania where the work never ends? Over the summer of 1911, Joan pours her heart out into her diary as she seeks a new, better life for herself—because maybe, just maybe, a hired girl cleaning and cooking for six dollars a week can become what a farm girl could only dream of—a woman with a future. Newbery Medalist Laura Amy Schlitz relates Joan’s journey from the muck of the chicken coop to the comforts of a society household in Baltimore (Electricity! Carpet sweepers! Sending out the laundry!), taking readers on an exploration of feminism and housework; religion and literature; love and loyalty; cats, hats, and bunions.

"A girl is inspired by an ambitious woman to ponder the word and claim it for herself as well"--

Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.

She was a brilliant young scientist with information locked in her head that could overturn the powers that be. He was an aristocrat from a foreign land whose heart had grown cold from years of meeting women with an agenda. Their love would take time to form, but would one day burn brighter than a thousand stars. But after the flames of infatuation burned out, what would pull a rocket scientist and an oil baron together?