Girl on a Pony is the gritty, humorous, unflinchingly courageous story of five children growing up on a cattle ranch in the remote Valley of the Dry Cimarron in northeastern New Mexico near the little border town of Kenton, Oklahoma. Narrated years later by the oldest daughter, LaVerne, it is a vivid and authentic portrait of ranching life between the two world wars, from 1925, when the family moved to the Goodson Ranch from a half-dugout claim shack in Colorado, to 1936, when they began to disperse. During those years, people in the region endured blizzards, sick and maddened animals, drought, the Dust Bowl, and the Great Depression-with stoic good humor. In Girl on a Pony, cowboys go about their daily tasks, teaching the children all they know. Women endure the hardships of life in an isolated area, coping with the brutal labor ranch life requires of them, and maintaining touches of beauty and civilization where they can-creating lawns from relentlessly rocky soil, holding dances for their children, and painstakingly tatting when all else fails.

Ginny has always dreamed of having her very own pony, so when her parents agree to rent her a pony for the summer, Ginny is thrilled! But when Mokey arrives, she is shaggy, dirty, and half-starved–not at all what Ginny had in mind. Can Ginny still have the summer of her dreams?

Lulu's father asks the Pony Pals to spend time with a friends's daughter. Though Melissa Prince is the same age as the Pony Pals, they have nothing else in common.

"How dare a penniless commoner own the prettiest pony in the land!"Franny, a penniless farmers daughter, discovers a magnificent wild pony roaming free. The flame red mare is said to impossible to break, but Franny can ride her with no bridle or saddle whatsoever.But when the kingdom’s spoilt princess watches the regal pony ridden by the peasant girl, she is enraged with jealousy. She wants the pony and Franny is powerless to stop her. Will the girl and her pony get separated forever or can the power of friendship overcome the princess’s selfish demands once and for all?

“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds. As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers. Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion. Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan. By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.

"Heroines on Horseback looks at the pony book through its beginnings in the 20s and 30s, to the glory days of the 40s and 50s, and beyond. Pony book expert Jane Badger writes about the lives and contributions of noted exponents, including Primrose Cumming, Monica Edwards, Patricia Leitch, Ruby Ferguson and the Pullein-Thompson sisters, as well as providing a wide-ranging view of the genre as a whole, its themes and developments, illustrators and short stories."--Lower cover.

Every summer on Chincoteague Island, there is an auction of ponies. If Julie works hard and saves her money all year, perhaps she can win the pony of her dreams--her very own Chincoteague pony. Full color.