The Grand Hôtel et des Palmes is an icon of Palermo life. Its rooms and public spaces have witnessed the events that have shaped twentieth century Sicily: everything from the suicide of a poet to political intrigues and a clandestine mafia meeting. This hotel has a long and venerable history. It started out as a private residence for the Ingham-Whitakers, the Anglo-Sicilian family of marsala wine fame, before being sold to the hotelier Enrico Ragusa in 1874. Wagner was one of the most eminent early guests, looking for inspiration to finish his last opera, Parsifal. A few days after its completion, a nervous Renoir arrived to paint his portrait. Months later came Guy de Maupassant, who asked to see Wagner's former suite so that he might detect 'a little of his personality'. The novelist and poet, Raymond Roussel, arrived in the 1930s, but was destined to leave in a coffin. Arthur Miller, Sophia Loren and Maria Callas were all guests and when Visconti was filming The Leopard in Sicily, the entire cast – notably Burt Lancaster, Claudia Cardinale and Alain Delon – visited the hotel. Lancaster even dined with a Baron who had made the hotel his home for reasons shrouded in mystery. Less illustrious guests have included the occultist Aleister Crowley, Lucky Luciano and other mafiosi. Even Giulio Andreotti, the former Italian Prime Minister, who stood trial for complicity in the murder of a journalist and mafia association in the '90s opted for the hotel's Belle Époque opulence. Ghosts of the Belle Époque showcases a richly researched history of this historic hotel, with a cast of characters ranging from the good to the bad and the decidedly ugly.

The renowned thriller author turns his attention to true crime—while also taking shots at spies, Hollywood writers, and other subjects—in this collection of essays. Known for timeless thrillers including Epitaph for a Spy and Journey into Fear, Eric Ambler was a keen observer of rogues and rule-breakers of all kinds. In The Ability to Kill, he delves into some of the most intriguing and disturbing criminal cases of the last few hundred years. These include nineteenth-century Edinburgh’s Burke and Hare, who supplied a medical school with ill-gotten cadavers; Victorian London’s infamous Jack the Ripper; the Frenchman Henri Désiré Landru, an early twentieth-century serial killer; and the Californian doctor Bernard Finch and his lover Carole Tregoff, who conspired to murder his wife in 1961. Rounding out the collection are a few pieces on lighter topics such as spies and how to spot them, and novelists in Hollywood. Though his subjects are often grim, Ambler’s deft touch makes this examination of homicide and other matters a pure pleasure to read.

Capture the paranormal essence of New Orleans in a glass with 40 tasty, gothic, and unique cocktails designed for Spooky Season and the great beyond. Few places possess such a robust and thriving culture of death as does the soulful city of New Orleans. In this captivating cocktail book, travel enthusiasts and Big Easy locals Sharon Keating and Christi Keating Sumich take you on a historical romp through the supernatural by way of the NOLA bar scene and its spirits (the boos and the booze!) celebrating local New Orleans ingredients and the hometown mixologists who make them sing. Separated into five sections—Reverence and Revelry, Tomb Time, Ghosts & Haunted Libations, Vampire Bars with Killer Cocktails, and Voodoo & Witchcraft—Hauntingly Good Spirits unearths the eerie roots of the city’s culture as you savor spooky sips like: Corpse Reviver Spooky Smoked Sazerac The Soggy Grave Deadly Vipers Drunk Ghost Mistakes Were Made Bloody Gin Fizz Fang-ria Undead Gentleman The Gris-Gris Night Tripper Saint 75 And more! Work up a thirst exploring all the spooky NOLA places mentioned in the Haunted History sections and reference the Spirit Guide map for their locations throughout the city. Serving up cocktails that are delicious, steeped in spookiness, and historically accurate, let Hauntingly Good Spirits be your guide for your next trip to the City of the Dead during Spooky Season and beyond as you plunge into these decadent drinks and the creepy culture that inspired them.

Susan Spano, America’s original Frugal Traveler, explores some of the most romantic, most exotic, and wildest corners of the world in this captivating collection of her best-loved pieces. French Ghosts, Russian Nights, and American Outlaws: Souvenirs of a Professional Vagabond takes the reader on magical trips, when everything conspired to make a place unforgettable, like a temple in Java at sunrise or an ice hotel in the Artic Circle at sunset. In some of the stories, Susan finds the kind of enlightenment that only travel can provide by following in the footsteps of luminaries such as Federico Fellini, Julia Child, and Chairman Mao. Other stories are about travel itself: how it became Susan’s passion and calling; how it fed her incurably restless spirit; how it inspired her philosophy of travel and life: Go forth and find meaning. Take a condemned cable car over the Yangtze River or a shared taxi over the Andes with a leaking gas tank and chain-smoking driver. Eat oysters and drink martinis wherever you can. And, as often as possible, come home with a tan.

A humiliating military defeat by Bismarck's Germany, a brutal siege, and a bloody uprising—Paris in 1871 was a shambles, and the question loomed, "Could this extraordinary city even survive?" With the addition of an evocative new preface, Mary McAuliffe takes the reader back to these perilous years following the abrupt collapse of the Second Empire and France's uncertain venture into the Third Republic. By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism. Yet these same years also witnessed an extraordinary blossoming in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower. Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and César Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and vivid narrative, McAuliffe brings this vibrant and seminal era to life.

This volume offers sixteen original essays that attest to the extraordinary inventiveness and range of modernist autobiography. It examines the ways modernist writers chose to tell their life stories, with particular attention to forms, venues, modes of address, and degrees of truthfulness. The essays are grouped around a set of rubrics that isolate the distinctive character and shared preoccupations of modernist life-writings: questions of ancestry and tradition that foreground the modernists' troubled relation to their immediate familial as well as cultural past; their emergence as writers whose experiences found expression in untraditional and singular forms; their sense of themselves as survivors of personal and historical traumas; and their burdens as self-chroniclers of loss, especially of self-loss. It will appeal especially to scholars and students of literary modernism and English literature more generally.

Personal diary of a researcher at the frontiers of science.