Belfast Writers' Group presents a collection of seventeen tales of the supernatural, featuring ghosts, fiends, and an assortment of other monstrosities. This anthology will terrify and tease you with its feast of short stories full of fear, humour, and suspense.

A YA novel set in a seaside New England town in the 1920s, where twelve-year-old Clare discovers a mysterious glass house and falls in love with Jack, the ghost of a boy who can't remember how he died.

Girlfriends, Ghosts, and Other Stories brings together eighty-one brief texts spanning Robert Walser’s career, from pieces conceived amid his early triumphs to later works written at a psychiatric clinic in Bern. Many were published in the feuilleton sections of newspapers during Walser’s life; others were jotted down on slips of paper and all but forgotten. They are strung together like consciousness, idiosyncratic and vulnerable, genuine in their irony, wistful in their humor. Some dwell on childish or transient topics—carousels, the latest hairstyles, an ekphrasis of the illustrations in a picture book—others on the grand themes of nature, art, and love. But they remain conversational, almost lighter than air. Every emotion ventured takes on the weight of a sincerity that is imperiled as soon as it comes into contact with the outside world, which retains all of the novelty it had in childhood—and all of the danger.

Marti Mickkleson sees ghosts. Only her great-grandmother believes her. Since she died the day before Marti was born, her support isn't worth much in the world of the living. When Marti wakes up in a compromising position with her estranged father standing over her, she thinks he owes her a big apology. After all, he's dead and talking to her-and she talks back. Instead, he claims he was murdered and demands she go home and do something about it. She agrees-anything to get her father out of her life and into his own afterlife. In Bicklesburg, she finds her once formidable mother in the throes of dementia, her perfect-prom-queen sister now a lawyer married to a not-so-perfect man, and her bad-boy high school boyfriend a private security guard watching over the family fortress. When her mother wanders away and is found cradling a bloodstained garden gnome, she and Grandma Bertie must uncover a murderer before Marti ends up a ghost herself.

At age nineteen, the queer narrator of Green Glass Ghosts steps off a bus in downtown Vancouver, a city where the faceless condo towers of the wealthy loom over the streets to the east where folks are just trying to get by, against the deceptively beautiful backdrop of snow-capped mountains and sparkling ocean. It’s the year 2000, and the world is still mostly analogue—pagers are the best way to get ahold of someone and resumés are printed out on paper and dropped off in person, and what’s this new fad called webmail? Our hopeful hero arrives on the West Coast on the cusp of adulthood, fleeing a traumatic childhood in an unsafe family plagued by religious extremism, mental health crises, and abuse in a conservative town not known for accepting difference. They’re eager to build a new life among like-minded folks, and before they know it, they’ve got a job, an apartment, and a relationship, dancing, busking, and making out in bars, parks, art spaces, and apartments across the city. But their search for belonging and stability is buried in drinking, jealousy, and painful memories of the past, distracting the protagonist from their ultimate goal of playing live music and spurring them to an emotional crisis. If they can’t learn to care for themselves, how will they ever find true connection and community? With haunting illustrations by Gem Hall that conjure the moody, misty urban landscape, Green Glass Ghosts is an evocation of that delicate, aching moment between youth and adulthood when we are trying, and often failing, to become the person we dream ourselves to be. Ages 14 and up. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Includes tales which mostly appeared in The Dublin University Magazine and other periodicals.

A collection of strange stories from Wilkie Collins, author of The Woman in White and The Moonstone. It also includes the novella, The Haunted Hotel, a combination of detective and ghost story set in Venice, a city of waterways and death.