Since she was a little girl, Melinda Gordon could talk to the dead: "earthbound spirits" as her grandmother called them. Melinda came to understand that the spirits are trapped, and in need. She listens, tries to understand what keeps them from crossing over, and helps them find what they need to be free. It's not easy, but with time and patience her gift allows her to come to bring those spirits to peace. The sound of a mournful lullaby has been haunting Melinda in her sleep, the song of a ghost who doesn't seem ready or willing to accept her help. Knowing that earthbound spirits are often confused and troubled, Melinda feels that with time she will make a connection. But there is no time; the melodic tapestry that the ghostly singer is weaving with her words -- meant to comfort a child -- has become a trap, lulling the young listeners into such a deep sleep that no one can ever awaken them. It takes one child, then another and another, until all across the town children are drawn in by the gentle song, their lives slowly slipping away. Even Melinda, with her knowledge of the spirit world, finds herself being pulled into the beautiful snare, where she nearly loses herself. Only then does Melinda begin to worry that this is a spirit so troubled, so heartsick, that it may be beyond her help.

Stephens gives the reader an unvarnished view of the subculture of lobster fishermen in small - town coastal Maine. - James Acheson' author of The Lobster Gangs of Maine Stephens has a wonderful clear eye for people' especially Maine people' and The Ghost Trap is populated with dozens from all walks of Maine life. - Bill Roorbach' author of Temple Stream A salty' tangy read. . . . Stephens plunges you into the back - breaking' heart - breaking life of one lobsterman. - Richard Grant' author of Another Green World Stephens nails harbor life down to the unwritten rules and defense of imaginary territory lines. . . . Peppered with dark humor and brutal honesty' The Ghost Trap gives it to you straight' the way life should be. - Ryan Post' fourth - generation lobsterman' creator of Mainebuggin.

When Wild Willie's best friend Kyle moves back to the neighborhood the boys suspect that Kyle's new house is haunted.

Will is a quiet and gentle ghost, so when three bully ghosts set out to scare the people at Hill House, he and his other monster friends come up with a plan to stop them.

An anthropologist describes the working world of Maine lobstermen, focusing on the intricate personal network that sustains them.

Ghost Traps is a collection of twelve stories about characters who are on the edge and under duress, individuals backed against a wall as they try to free themselves from their own limitations, habits, and destructive desires. In the title story, Harper learns to fish from a man whose son is “catching hell” in the Korean War. When the son returns, he begins stealing lobsters from Harper’s traps, and Harper, out of a sense of obligation and guilt, teaches him to fish, vainly hoping it will help the man put together the pieces of a life that war shattered. In “The Connoisseur,” a wealthy collector on an archeological dig in the Himalayan foothills realizes he “knows how to stay out of jail, charge rent, build hotels, and pass Go,” but has not spiritual life. Unlike his guide, a Sherpa, who could remain content with nothing but the Himalayas, the collector finds himself wanting in all but material success. Whether they win or lose, Robert Abel’s characters make the best of circumstance with creativity, wit, passion, and endurance. In “Lawless in New York,” Professor Alice Reinquist, the sole woman in her university’s delegation to an academic conference, maintains her sense of humor by thinking of Wonder Woman’s Gold Lasso, which makes “even the most cunning of evildoers unable to prevaricate.” Tracey Wynn, a woman who considers herself on loan to her aloof boyfriend, keeps her options open by always leaving a portion of her neck exposed because she “cannot stand being closed in by anything and because she knows it invites at least a fantasy kiss.” In “Appetizer,” a man fishing in Alaska resourcefully asks two hungry grizzly bears, “How much love can $600 worth of salmon buy?” Although many of these characters inhabit a world in which the bottom is about to fall out, they invariably find good reason—and courage—to take the next treacherous step. From the salty waters of Cape Cod Canal to the mountains of Tibet; from a Puerto Rican pub to an elegant New York bar where “Susan Sontag and Norman Mailer had no doubt insulted each other,” Ghost Traps is filled with people hustling for survival and fighting for identity in a world reluctant to give anyone an even break.

Join the Ghostbusters as they fight some ghoulish creatures in this kid-friendly official picture book adaptation of the classic film Setting: New York City. Kid scientists Peter Venkman, Ray Stantz, and Egon Spengler are investigating ghosts and other paranormal activity in the city. They see their first ghost (Slimer) in the NYC Public Library and that leads them to create the Ghostbusters, setting up their "club" in an old firehouse. Soon, business is booming as the kids are recruited to capture ghosts throughout the city. Winston Zeddemore and Janine Melnitz become the club’s first two important additions. But there is something sinister happening at an apartment building and the Ghostbusters must put a stop to it (and the Stay Puft marshmallow man) before the city is overrun with ghouls.