Jack's dad is the new caretaker for the Dareville Community Theater. Jack is not looking forward to living in the rundown theater. To make matters worse, a ghost visits him on the very first day. The ghost promises to haunt Jack until he helps solve the mystery of his disappearance. What will Jack discover is the answer to the ghost's disappearance? The ending is Up2U. Aligned to Common Core Standards and correlated to state standards. Calico is an imprint of Magic Wagon, a division of ABDO.

Dublin 1907, a city of whispered rumours. A young actress begins an affair with a damaged older man. Rebellious and flirtatious, Molly Allgood is a girl of the inner city tenements, dreaming of stardom in America. She has dozens of admirers but in the backstage of her life there is a secret.

There is a superstition that if an emptied theater is ever left completely dark, a ghost will take up residence. To prevent this, a single "ghost light" is left burning at center stage after the audience and all of the actors and musicians have gone home. Frank Rich's eloquent and moving boyhood memoir reveals how theater itself became a ghost light and a beacon of security for a child finding his way in a tumultuous world. Rich grew up in the small-townish Washington, D.C., of the 1950s and early '60s, a place where conformity seemed the key to happiness for a young boy who always felt different. When Rich was seven years old, his parents separated--at a time when divorce was still tantamount to scandal--and thereafter he and his younger sister were labeled "children from a broken home." Bouncing from school to school and increasingly lonely, Rich became terrified of the dark and the uncertainty of his future. But there was one thing in his life that made him sublimely happy: the Broadway theater. Rich's parents were avid theatergoers, and in happier times they would listen to the brand-new recordings of South Pacific, Damn Yankees, and The Pajama Game over and over in their living room. When his mother's remarriage brought about turbulent changes, Rich took refuge in these same records, re-creating the shows in his imagination, scene by scene. He started collecting Playbills, studied fanatically the theater listings in The New York Times and Variety, and cut out ads to create his own miniature marquees. He never imagined that one day he would be the Times's chief theater critic. Eventually Rich found a second home at Wash-ington's National Theatre, where as a teenager he was a ticket-taker and was introduced not only to the backstage magic he had dreamed of for so long but to a real-life cast of charismatic and eccentric players who would become his mentors and friends. With humor and eloquence, Rich tells the triumphant story of how the aspirations of a stagestruck young boy became a lifeline, propelling him toward the itinerant family of theater, whose romantic denizens welcomed him into the colorful fringes of Broadway during its last glamorous era. Every once in a while, a grand spectacle comes along that introduces its audiences to characters and scenes that will resound in their memories long after the curtain has gone down. Ghost Light, Frank Rich's beautifully crafted childhood memoir, is just such an event.

In the blood of the innocent burns the flame of evil… Tiny but talented, five-year-old Bonnie Jackson had all the stage world clamoring to shine a spotlight on her. But one fateful night at Winston Theater, Bonnie was left alone with evil, in a darkness broken only by the flames that would take her life. After sixty years, Bonnie is more than ready for her second act. And what she has planned is sure to cause a scene. Come opening night Bonnie will astound the audience with the talent she’s been perfecting all these years: vengeance. Clare McNally, author of the bestselling Ghost House and Ghost House Revenge, stirs up even more terror in Ghost Light. Innocence has never been so deadly! PRAISE FOR CLARE MCNALLY: “A macabre imagination and a tight rein on your nerves are required for McNally's latest release.” —Publishers Weekly on Goodnight, Sweet Angel “You won’t sleep after you read this one!” —The West Orange Times on Somebody Come and Play “For those who can’t get enough of a good scare!” —Library Journal on Hear the Children Calling

The stage crew at St. Genesius Prep—or Backstagers, as they like to call themselves—are ready for whatever the theater world can throw their way: the madness of tech week, inevitable prop malfunctions, and all the paranormal activity that goes on behind the scenes. Luckily Jory, Hunter, Sasha, Beckett, and Aziz are up for the job! But lately, someone—or something—seems set on ruining their production of Phantasm. It all started when an actor brought a Spirit Board to the cast party, and the ghost light blew out. Every good theater kid knows that a ghost light must be left on to keep ghosts from moving in the shadows of an empty theater. To figure out what’s haunting the theater and save the show, the Backstagers will have to use their smarts, bravery, and a little bit of magic!

"Keith Carter describes this new project as "an exploration of Southern wetlands: swamps, bogs, bayous, baygalls, and marshland-plus some critters." It is that, but for those who know Carter's work it's also instantly identifiable as his own brand of what might be called "Bayou Gothic." Carter is a master at capturing ghostly, ethereal light and his home ground of East Texas has it in abundance. These are fine-art photographs of a particular landscape, one that stretches across the South, and its haunting qualities are well-suited to an eye like Carter's"--