SO THIS GIRL WALKS INTO A BAR... ...and when she walks out there's a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it. And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

“Erica Garza has written a riveting, can’t-look-away memoir of a life lived hardcore…In an era when predatory male sexual behavior has finally become a topic of urgent national discourse…Getting Off makes for a wild, timely read” (Elle). A fixation on porn and orgasm, strings of failed relationships and serial hook-ups with strangers, inevitable blackouts to blunt the shame—these are not things we often hear women share publicly, and not with the candor, eloquence, and introspection Erica Garza brings to Getting Off. What sets this courageous and riveting account apart from your typical misery memoir is the absence of any precipitating trauma beyond the garden variety of hurt we’ve all had to endure in simply becoming a person—reckoning with family, learning to be social, integrating what it means to be sexual. Whatever tenor of violence or abuse Erica’s life took on through her behavior was of her own making, fueled by fear, guilt, self-loathing, self-pity, loneliness, and the hopelessness those feelings brought on as she runs from one side of the world to the other in an effort to break her habits—from East Los Angeles to Hawaii and Southeast Asia, through the brothels of Bangkok and the yoga studios of Bali to disappointing stabs at therapy and twelve-steps back home. In these remarkable pages, Garza draws an evocative, studied portrait of the anxiety that fuels her obsessions, as well as the exhilaration and hope she begins to feel when she suspects she might be free of them. Getting Off offers a brave and necessary voice to our evolving conversations about addiction and the impact that internet culture has had on us all—“a profoundly genuine, gripping story that any reader can appreciate” (Vice). “In reading Garza’s insight into her own experiences, we better understand ourselves” (The New York Times Book Review).

"Sex has always come without consequences for Evan--until the night when all the consequences land at once, leaving him scarred inside and out"--

A murderer, a victim, and a witness... but no one in this house is innocent Twenty years ago an unspeakable tragedy rocked Rose Yates's small, affluent hometown... and only Rose and her family know the truth about what happened. Haunted by guilt, Rose escaped into a new life. Now she seems to have it all: a marriage, a son, a career. And then her husband is found dead. As far as Detective Colin Pearson is concerned, Rose is guilty. Her marriage wasn't as happy as she'd led everyone to believe, and worse, she's connected to a twenty-year-old cold case. She can play the part of the victim, but he won't let her or her family escape justice this time around. Grieving her husband and struggling to make ends meet, Rose returns home, hoping to finally confront her domineering father and unstable sister. But memories of a horrific crime echo through the house, and Rose soon learns that she can't trust anyone, especially not the people closest to her. From USA Today bestselling author Carter Wilson comes a story of deception, hereditary sin, and what we'll do to protect our own.

A Michael L. Printz Honor Book "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people. "[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine."—The New York Times Book Review "Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews "This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal

"First published in the United States of America by Viking, an imprint of Penguin Group (USA) LLC, 2014."--Title page verso.

When seventeen-year-old Lane becomes involved in the search for a serial killer active in the Washington, D.C. area, she worries that her life-long fascination with such murderers has a very real and terrible cause.