"Rosario Morales and Aurora Levins Morales are mother and daughter--feminists and radicals, Puerto Rican and American and Jewish--patterning their voices into a call and response across generations, geography, politics, and cultures."--BOOK JACKET.

Home Alive will ease your worries.It is an absolute URGENT READ.Dr. Mount Varner, a Harvard graduate, board-certified emergency medicine physician and father uses real emergency department stories, experiences, data and interviews to share 11 MUST researched strategies that will save your life. This is not a police bashing book.Home Alive and the 11 strategies presented immediately starts to save lives now once read.Often the police use of deadly force began as a routine stop or as a simple domestic call. Every encounter with the police presents its own unique risk for anyone involved. This danger affect us all, including my ten-year-old son and the sons and daughters of so many others.

Full of medical folklore and healing tales, Remedios presents the history of the many women--and cultures--who have met at the crossroads of the islands of Puerto Rico. Beginning with the First Mother in sub-Saharan Africa more than 200,000 years ago, Aurora Levins Morales takes readers on a journey through time and around the globe. We learn of Juana de Asbaje, author of the "Reply to Sor Filotea" in 1693, the first feminist essay written in the New World; Gracia Nasi, Constantinople's "Queen of the Jews"; the African-American activist and warrior of words Ida B. Wells; and the unlikely martyr and symbol, Ethel Rosenberg. Levins Morales weaves in her own story of pain and healing, ameliorated by the restorative power of memory, and bears witness to a larger history of resistance and abuse by women and men. This historical memoir revives our connection to the forgotten lore of our grandmothers, featuring explanations of the medicinal properties of herbs and and foods such as rosemary, ginkgo, and banana. With love, joy, and defiance, Levins Morales offers Remedios as testimony to those barely recorded or known to history, the women who shaped our world. Aurora Levins Morales is author of Medicine Stories: History, Culture, and the Politics of Integrity (South End Press, 1998) and Getting Home Alive (Firebrand, 1986). A Jewish "red diaper baby" from the mountains of Puerto Rico, Morales writes lucidly about the complexities of social identity. She teaches at the University of California, Berkeley and the University of Minnesota, Minneapolis. [box] Also available from South End Press Medicine Stories: History, Culture, and the Politics of Integrity TC $14.00, 0-89608-581-3 o CUSA DeColores Means All of Us TP $18.00, 0-89608-583-X o CUSA Loving in the War Years TP $17.00, 0-89608-626-7 o CUSA

Drawing vibrant connections between the colonization of whole nations, the health of the mountainsides and the abuse of individual women, children and men, Medicine Stories offers the paradigm of integrity as a political model to people who hunger for a world of justice, health and love.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Here is Jim Morrison in all his complexity-singer, philosopher, poet, delinquent-the brilliant, charismatic, and obsessed seeker who rejected authority in any form, the explorer who probed "the bounds of reality to see what would happen..." Seven years in the writing, this definitive biography is the work of two men whose empathy and experience with Jim Morrison uniquely prepared them to recount this modern tragedy: Jerry Hopkins, whose famous Presley biography, Elvis, was inspired by Morrison's suggestion, and Danny Sugerman, confidant of and aide to the Doors. With an afterword by Michael McClure.

In 1986, Getting Home Alive broke new ground by its content, its form, and the identities of its authors, a New York Puerto Rican mother and her island born daughter, both feminists and radicals. Cosecha and Other Stories is the long-awaited sequel, fourteen short stories, factual and fictional, full of gardens and kitchens, love, loss, and revelation.