Getting Heard is a practical guide to help Hong Kong citizens participate more effectively in public affairs. This Handbook suggests ways that individual citizens can work with each other and with the government in making choices and taking action. It is based on the belief that effective public dialogue benefits both citizens and government. Getting Heard provides concrete information about the specific steps needed to transform an idea or a vision into a reality and explains how you can use this information to influence government bodies and also companies. The Handbook addresses issues such as how to write a press release, organise a campaign and raise money. It includes contact information for individual government departments, government officials and the media. It also includes a sample funding proposal, a template for press releases and other useful information. Civic Exchange believes it is possible to make decisions about public issues in an open and creative manner. The secret to successful participatory decision-making lies in establishing better communication between well-informed people. This is the objective of Getting Heard. The Handbook is aimed at anyone seeking to participate in the dialogue on public affairs in Hong Kong or shape decision-making on a particular issue.

Including many simple exercises, interviews with experts, and potent, transformational concepts, this book is a practical guide to improving the vital personal communication skills of speaking and listening. --

This revised edition of Deborah Tannen's first discourse analysis book, Conversational Style--first published in 1984--presents an approach to analyzing conversation that later became the hallmark and foundation of her extensive body of work in discourse analysis, including the monograph Talking Voices, as well as her well-known popular books You Just Don't Understand, That's Not What I Meant!, and Talking from 9 to 5, among others. Carefully examining the discourse of six speakers over the course of a two-and-a-half hour Thanksgiving dinner conversation, Tannen analyzes the features that make up the speakers' conversational styles, and in particular how aspects of what she calls a 'high-involvement style' have a positive effect when used with others who share the style, but a negative effect with those whose styles differ. This revised edition includes a new preface and an afterword in which Tannen discusses the book's place in the evolution of her work. Conversational Style is written in an accessible and non-technical style that should appeal to scholars and students of discourse analysis (in fields like linguistics, anthropology, communication, sociology, and psychology) as well as general readers fascinated by Tannen's popular work. This book is an ideal text for use in introductory classes in linguistics and discourse analysis.

Every great idea hinges on one thing: Buy-in You have ideas. You have projects and initiatives that you want to make a reality. But let's face it — unless you can get others to work with you, those ideas aren't going anywhere. Your ability to capture people's hearts and minds is the key to getting results. In his engaging style, author Simon Dowling will show you not just how to get heard, but how to create true buy-in around your ideas and initiatives — dealing with pushback along the way and turning talk into action.

In a busy world of noise, how do you get your message across? Everyone knows how vital good communication is in any business. But what’s the point if no-one’s listening to you? How to Speak so People Listen shows you how to make sure that what you’re saying is being listened to and making a difference. Using proven techniques from the world’s most successful communicators, debaters and conversationalists, you’ll discover how to: • Always be heard by speaking in a compelling, persuasive and powerful way • Seize attention, make an impact and leave a memorable first impression • Think fast and quickly adapt your message to suit your audience • Stand out at meetings, conferences, networking events and chance encounters • Be confident at public speaking – someone people really want to listen to Effective tools, strategies, tips and tricks will make sure you’re able to command attention and know that, whenever you speak, people will want to hear what you have to say.

Do you have the dream of honoring God and hearing your songs sung in local churches? Throw away the thinking that says you're not a good enough songwriter. Any person called by God to write songs can fulfill their dreams. Young or old. Experienced writer or not. Let me show you how to get your songs heard by learning the ways of congregational songwriting. Would you like a well-defined process to help make that a reality? Join Stephen Robert Cass as he shines a light on the pathway of ministry and song success showing you the value of congregational songwriting. Stephen Robert Cass has been playing, singing, and leading worship for over 50 years. He has 70+ songs in his CCLI catalog and wants to show you and like-minded songwriters how to get your songs published there. Fulfill your dreams and honor God by learning this unique songcraft, using custom tools and a blueprint in touch with the heart of worship. This strategy and the custom song crafting tools are inspired by Proverbs 27:17, "As iron sharpens iron, so we sharpen each other." This plan finds strength in God's wisdom and the power of group learning. Let it take your songs to churches in your community and around the world.

Getting Heard: (Re)claiming Performance Space is the third in a series of publications on art, culture and society released by Twaweza Communications. The aim is to bring to the fore conversations taking place in Kenya about identity, creativity, nationalism and the generation of knowledge. The series is also about the pursuit of freedom through arts, media and culture. In Getting Heard the performance space is shown to offer wider possibilities for knowledge creation. It shows that in post-colonial Africa political leaders have consistently performed over their subjects at local and national levels. There is discussion of: Kenya National Theatre, Story Telling, Radio Theatre, Translation, African Languages, Music, Media and Mungiki This volume opens a window to our understanding of post-colonial Africa through performances.