In this book, David Lehman, the longtime series editor of the Best American Poetry, offers a masterclass in writing in form and collaborative composition. An inspired compilation of his weekly column on the American Scholar website, Next Line, Please makes the case for poetry open to all. Next Line, Please gathers in one place the popular column’s plethora of exercises and prompts that Lehman designed to unlock the imaginations of poets and creative writers. He offers his generous and playful mentorship on forms such as the sonnet, haiku, tanka, sestina, limerick, and the cento and shares strategies for how to build one line from the last. This groundbreaking book shows how pop-up crowds of poets can inspire one another, making art, with what poet and guest editor Angela Ball refers to as "spontaneous feats of language." How can poetry thrive in the digital age? Next Line, Please shows the way. Lehman writes, "There is something magical about poetry, and though we think of the poet as working alone, working in the dark, it is all the better when a community of like-minded individuals emerges, sharing their joy in the written word."

Chester Fox reminds Olive Cat and Sara Duck how friends should do the right thing and take turns.

Catherine Marshall’s candid story of recovery after devastating loss . . . When Catherine Marshall’s husband, Peter, died unexpectedly, the sudden loss was overwhelming. Overnight, she became a single mother and young widow of a nationally beloved preacher. Catherine recalls how she clung tightly to a loving God while grappling with grief and loneliness. Thrust into an unfamiliar world of financial concerns, job hunting, and single parenting, she held fast to her tenacious faith. When she was asked to edit a small volume of her husband’s sermons, a new chapter began. Catherine followed up by penning the powerful story of Peter’s life, catapulting her into a writing career as a New York Times best-selling author. In this vulnerable account of the years after Peter’s death, Catherine shares how she learned to trust in the goodness of God that restored and redirected her life.

If the politicians cannot save Russia, then we businessmen must. We have not just the responsibility but the duty to become Russian heroes. 1991. The Fall of the Soviet Union. With the dawning of a new Russia, there are winners and losers, and today's patriot can fast become tomorrow's traitor. As a new generation of oligarchs fights to seize control, we follow billionaire businessman Boris Berezovsky - the 'kingmaker' behind Vladimir Putin - from the president's inner circle to public enemy number one, in this unflinching story of ambition and the dangers of loyalty and love. Peter Morgan's Patriots opened at the Almeida Theatre, London, in July 2022. 'Morgan describes his plays as an "odd collection of pas de deux - dances between very different kinds of people." This chemistry of opposition is the seam out of which he has mined some terrific tales . . . His newest eloquent exercise in warring dualities is Patriots . . . Morgan's unusually absorbing saga of Berezovsky's complex personality and tragic predicament - alienated both from his country and from himself - is definitely worth it. In the deadening heat of this confounding summer, it brings the refreshing novelty of intelligence and stimulation.' - John Lahr

Akari and Onda wear yukata to a dream event where both of their favorite idols appear together. Akari's heart races from seeing their dazzling figures, but her heart also skips a beat from seeing a new side of Onda!