Gertrude More belongs to a tradition of mystical writers who believed in the value of the via negativa, a path to union with God by way of total self-abnegation and the emptying of the mind of set ideas and images. Her only book-length work, THE SPIRITVAL EXERCISES (Paris, 1658), is a collection of her writing assembled by Dom Augustine Baker, OSB, and published some thirty-three years after her death. Some of More’s other verse and prose appears in the biography that Baker composed, but her SPIRITVAL EXERCISES remains the main text she has bequeathed to her order and to posterity. It is reprinted here in full with Arthur F. Marotti's introductory note outlining Gertrude More's life and work.

Gertrude is Gertrude is Gertrude is Gertrude. And Alice is Alice. And Gertrude and Alice are Gertrude and Alice. And you are welcome to join them for tea. But beware, for there you will find a bear in a chair, just barely scary. And here is a beard with a man attached to it. And then, of course, some words might appear, uninvited, but delighted in spite of their light bulbs. But, but, but, but—that doesn't make any sense! Yes! In a story inspired by the oh-so-modern groundbreaking writing of Gertrude herself, not a lot makes sense. Even so, the oh-so-popular author Jonah Winter, and the ever-so-popular illustrator Calef Brown, and the most popular poodle of all time, Basket, invite you to enter the whimsical world of Gertrude Stein and Alice B. Toklas.

"An Ahmanson-Murphy fine arts book"--P. [4] of cover.

Enoch Valentine has given up finding peace for his past mistakes. He throws everything he has into being the new part-time deputy in Burrton Springs, Kansas while maintaining the foreman position at a local horse ranch. But when trouble stirs on the ranch, he questions whether he' s the right man for either job. Peace has been elusive for most of Gertrude Miller' s life, especially under the oppressiveness of an overbearing mother. She takes matters into her own hands and sends for a potential husband, while also opening her own dress shop. Gertrude hopes to build a future where she' ll find peace and happiness. Will either of them ever be able to find peace?

This book is a cultural history of Stein’s rise to fame and the function of literary celebrity in America from 1910 to 1935. By examining not the ways that Stein portrayed the popular in her work, but the ways the popular portrayed her, this study shows that there was an intimate relationship between literary modernism and mainstream culture and that modernist writers and texts were much more well-known than has been previously acknowledged. Specifically, Leick reveals through the case study of Stein that the relationship between mass culture and modernism in America was less antagonistic, more productive and integrated than previous studies have suggested.