A history of the German presence in the American Southwest, from the mid-nineteenth century through the World War I era.

In the second half of the nineteenth century, hundreds of thousands of German and Irish immigrants left Europe for the United States. Many settled in the Northeast, but some boarded trains and made their way west. Focusing on the cities of Fort Wayne, Indiana and St Louis, Missouri, Regina Donlon employs comparative and transnational methodologies in order to trace their journeys from arrival through their emergence as cultural, social and political forces in their communities. Drawing comparisons between large, industrial St Louis and small, established Fort Wayne and between the different communities which took root there, Donlon offers new insights into the factors which shaped their experiences—including the impact of city size on the preservation of ethnic identity, the contrasting concerns of the German and Irish Catholic churches and the roles of women as social innovators. This unique multi-ethnic approach illuminates overlooked dimensions of the immigrant experience in the American Midwest.

Santa Fe, as a tourist destination and an international art market with its attraction of devotees to opera, flamenco, good food and romanticized cultures, is also a city of deep historical drama. Like its seemingly "adobe style-only" architecture, all one has to do is turn the corner and discover a miniature Alhambra, a Romanesque Cathedral, or a French-inspired chapel next to one of the oldest adobe chapels in the United States to realize its long historical diversity. This fusion of architectural styles is a mirror of its people, cultures and history. From its early origins, Native American presence in the area through the archaeological record is undeniable and has proved to be a force to be reckoned with as well as reconciled. It was, however, the desire of European arrivals, Spaniards, already mixed in Spain and Mexico, to create a new life, a new environment, different architecture, different government, culture and spiritual life that set the foundations for the creation of "La Villa de Santa Fe." Indeed, Santa Fe remained Spanish from its earliest Spanish presence of 1607 until 1821. But history is not just the time between dates but the human drama that creates the "City Different." The Mexican Period of 1821-1848, American occupation and the following Territorial Period into Statehood are no less defining and, in fact, are as traumatic for some citizens as the first European contact. This tapestry was all held together by the common belief that Santa Fe was different and after centuries of coexistence a city with its cultures, tolerance and beauty was worth preserving. Indeed, the existence and awareness of this oldest of North American capitals was to attract the famous as well as infamous: poets, writers, painters, philosophers, scientists and the sickly whose prayers were answered in the thin dry air of the city situated at the base of the Sangre de Cristos at 7,000 foot elevation. We hope readers will enjoy "All Trails Lead to Santa Fe" and in its pages discover facts not revealed before, or, in the sense of true adventure, enlighten and encourage the reader to continue the search for the evolution of "La Villa de Santa Fe."

A path-breaking study of national, imperial and indigenous interests at stake in a controversial German expedition to British India.

Little attention has been paid to the settlement of Germans in Kansas, and Roberta Reb Allen’s Once We Were Strangers helps to fill that void. It is both the saga of an immigrant family told within the larger social, political, and economic context of the day and a scholarly exploration of the settlement patterns and the diverse choices made by German pioneers. Starting in the small village of Ebhausen in the Black Forest of the Kingdom of Württemberg in what is now Germany, Allen follows the fortunes of the Lodholzes, who journeyed across the Atlantic and eventually settled on the plains of the Kansas Territory in Marshall County. Based on nearly 200 family letters and documents translated from Old German, Once We Were Strangers chronicles, through the pens of ordinary people, the conditions in Württemberg that led to emigration and the sweep of American history from the 1850s to the nominal end of the frontier in 1890. In addition, Once We Were Strangers provides the unusual opportunity to follow a German immigrant family for an extended period, almost from cradle to grave. Using remarkably rare documentary evidence, Allen explores the largely untold story of German assimilation, uncovering the pressures the Lodholzes faced and how they responded to the antebellum Midwest. This family’s story is full of hardship, endurance, joys, and sorrows, and is interwoven with the history of westward expansion, German migration, and Kansas, with a particular emphasis on German settlement patterns prior to the Civil War.

This comprehensive encyclopedia—the first of its kind—maps out three hundred years of German history and culture in Pennsylvania and beyond. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Destined to become the standard reference on Pennsylvania Germans (also known as the “Pennsylvania Dutch”), this book is the first survey of this extensive American group in nearly seventy-five years. Nineteen broad interpretive essays written by a distinguished group of historians, anthropologists, sociologists, linguists, and folklorists tell the rich and nuanced story of Pennsylvania German history and culture. United by a distinct (and distinctly American) language, the Pennsylvania Germans have been slower to assimilate than other ethnic groups. This sweeping volume reveals, though, that the group is much less homogenous and isolated than was previously thought. From architecture, media, and farming techniques to food, folklore, and medicine, the Pennsylvania Germans and their descendants display a wide range of cultural variation. In Pennsylvania Germans, editors Simon J. Bronner and Joshua R. Brown broaden the geographical and social coverage of the group, touching both on Pennsylvanian communities and the Pennsylvania German diaspora, including settlements in Canada and Mexico. They also expand historical coverage of the Pennsylvania Germans to the twentieth and twenty-first centuries. Beautifully illustrated, this volume—while paying tribute to the historical and cultural legacy of the Pennsylvania Germans—is the most comprehensive book on the subject to date. Contributors: R. Troy Boyer, Simon J. Bronner, Joshua R. Brown, Edsel Burdge Jr., William W. Donner, John B. Frantz, Mark Häberlein, Karen M. Johnson-Weiner, Donald B. Kraybill, David W. Kriebel, Gabrielle Lanier, Mark L. Louden, Yvonne J. Milspaw, Lisa Minardi, Steven M. Nolt, Candace Perry, Sheila Rohrer, and Diane Wenger

Few who appreciate the visual arts or the American Southwest can behold the masterpieces Sangre de Cristo Mountains or Haystack, Taos Valley, 1927 or Bend in the River, 1941 and come away without a vivid image burned into memory. The creator of these and many other depictions of the Southwest and its people was Ernest L. Blumenschein, cofounder of the famous Taos art colony. This insightful, comprehensive biography examines the character and life experiences that made Blumenschein one of the foremost artists of the twentieth century. Robert W. Larson and Carole B. Larson begin their life of “Blumy” with his Ohio childhood and trace his development as an artist from early study in Cincinnati, New York City, and Paris through his first career as a book and magazine illustrator. Blumenschein and artist Bert G. Phillips discovered the budding art community of Taos, New Mexico, in 1898. In 1915 the two along with Joseph Henry Sharp, E. Irving Couse, and other like-minded artists organized the Taos Society of Artists, famous for preferring American subjects over European themes popular at the time. Leaving illustration work behind, Blumenschein sought a distinctive place in his American homeland and in fine-art painting. He moved with his family to Taos in 1919 and began his long career as a figurative and landscape painter, becoming prominent among American artists for his Pueblo Indian figures and stunning southwestern landscapes. Robert Larson calls Blumenschein a “transformational artist,” trained classically but drawing to a limited degree on abstract representation. Placing Blumy’s life in the context of World War I, the Great Depression, and other national and world events, the authors show how an artistic genius turned a fascination with the people, light, and color of New Mexico into a body of work of lasting significance to the international art world.