Longmans german Composition by J.Ulrich Ransom, B.A.(Lond).

Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.

1. OUTLINE German has the three main perfect constructions which are illustrated in (1. 1). 1 In each of these constructions, the verb appears in the past participial form and is combined with an auxiliary - in this case, haben ('have'); other verbs form their perfect constructions with the auxiliary sein ('be'). 2 The auxiliary can then be com bined with a tense -Le. the present tense as in (Ua), the past tense as in (b), or the future tense as in (c). 3 (1. 1) a. PRESENT PERFECT: Die Eule hat die Schule verlassen. the owl has the school left b. PAST PERFECT: Die Eule hatte die Schule verlassen. the owl had the school left c. FUTURE PERFECT: Die Eule wird die Schule verlassen haben. the owl will the school left have As will shortly become clear, the present perfect is the most intricate of the perfect constructions in German. It has been investigated intensely in the past, with the result that today there is little doubt about what the core problems concerning its semantics are.

Reprint of the original, first published in 1874.

Perfect little workbook for a German learner. It offers a space to build and improve on German sentence structure, and use vocabulary in a practical, purposeful, and fun context. Students write10 brief essays and demonstrate their German language skills, and their unique personalities. Much of the student-created content is useful for the entire class, in form of a presentations or a base for discussions. This workbook was eagerly used and tested at couple of different universities by at least 10 generations of intermediate students.