German Cincinnati explores the German American experience in the Greater Cincinnati area. German immigrants first came to the region in the late 18th century and then arrived in great waves beginning in the early 19th century. These German American immigrants and their descendants have greatly influenced the social, political, cultural, religious, and economic growth and development of the area, earning Cincinnati a reputation for its German heritage. It is known as one of the corners in the famed "German Triangle," along with St. Louis and Milwaukee. German Cincinnatians survived the hard times of the world wars of the last century, even experiencing an ethnic heritage revival that has reaffirmed the area's reputation as one of the major centers of German heritage in the United States today.

German Cincinnati Revisited illuminates the major festivities, celebrations, and events throughout the calendar year in the Greater Cincinnati area that reflect the German heritage of the region. It begins with the celebration of Bockfest in March, heralding the end of winter and the beginning of spring, continuing on with chapters on Maifest, German Day, RoeblingFest, Schuetzenfest, Oktoberfest, and German-American Heritage Month. A final chapter covers the German Heritage Museum of Cincinnati.

Germany immigration authority, Clifford Neal Smith spent a number of years ferreting out surrogate passenger information from the periodical literature. In one instance, Mr. Smith transcribed the genealogical contents, published between 1869 and 1877, of Volumes 1 through 9 of Der Deutsche Pioniere, a monthly magazine issued by the Deutsche Pioniereverein (Union of German Pioneers) founded in Cincinnati, Ohio. Mr. Smith provides the following particulars on each German-American pioneer found in that periodical: name, place of origin in Germany, town or county of residence, reference to the original source, and biographical data provided in the original notice. While most of the early entries pertain to Germanic inhabitants of Ohio, later issues of Der Deutsche Pioniere refer to deceased persons living in Kentucky and neighboring states.

Late in the 18th-century, people began to head west in America in search of new frontiers and new lives. Many of them, including immigrants, found their way down the Ohio River to Cincinnati, Ohio, the “Queen City of the West.” In Oldest Cincinnati, follow their journey and learn the story of the city as you’ve never heard it before. Read about a ferry that helped early settlers cross the Ohio River to Augusta, Kentucky, began in 1798 and that’s still in business today. Likewise, a stagecoach inn that began providing shelter for early travelers opened in Lebanon, Ohio, in 1803 continues welcoming guests to this day. As one of the first settlements in the Northwest Territory, called “Losantiville” before it was dubbed Cincinnati, there are still many “firsts” and “oldests” to be found locally. The first museum—focused on natural history and science—was launched in 1818. It’s now located in Cincinnati’s oldest train station. In 1866 the oldest bridge across the Ohio River connected downtown Cincinnati to Covington, Kentucky. The oldest art museum west of the Allegheny Mountains opened in 1881. While the character of Cincinnati dramatically changed in the mid-19th century as German immigrants came in waves, the city would continue to boom culturally. They brewed beer, of course, but they also loved music, launching the oldest choral music festival in the Western Hemisphere. Local historian and author Rick Pender goes to great lengths to research and pay homage to more than two centuries of Cincinnati’s oldests, firsts, and finests. Read about all of these and more in this informative book that brings history and people to life.

"Don Heinrich Tolzmann is the author, editor, and translator of many books on Cincinnati's German heritage, ranging from the Roebling Suspension bridge to Over-the-Rhine to Cincinnati's beer barons. In Cincinnati's Germans before World War I he explores German immigration, settlement, and influences in Cincinnati, from their beginnings in the eighteenth century to the early twentieth century"--Provided by publisher.

In 1783, the officers of the Continental Army created the Society of the Cincinnati. This veterans' organization was to preserve the memory of the revolutionary struggle and pursue the officers' common interest in outstanding pay and pensions. Henry Knox and Frederick Steuben were the society's chief organizers; George Washington himself served as president. Soon, a nationally distributed South Carolina pamphlet accused the Society of treachery; it would lead to the creation of a hereditary nobility in the United States and subvert republicanism into aristocracy; it was a secret government, a puppet of the French monarchy; its charitable fund would be used for bribes. These were only some of the accusations made against the Society. These were, however, unjustified. The author of this book explores why a part of the revolutionary leadership accused another of subversion in the difficult 1780s, and how the political culture of this period predisposed many leading Americans to think of the Cincinnati as a conspiracy.

This book looks at the many transatlantic bonds which have linked and still link Germany and the United States. German immigrants to the Americas brought with them a good deal of cultural baggage. They cultivated their German heritage in their schools, churches, and clubs. They expressed pride in this heritage by erecting monuments to Goethe or Schiller, Beethoven or Wagner, Alexander von Humboldt or «Turnvater» Jahn. They claimed Friedrich Wilhelm von Steuben, Carl Schurz, Gustave Koerner, and John A. Roebling as their own. But German-born or German-trained sculptors did not limit themselves to German subjects. They also paid tribute to America by creating sculptures of Benjamin Franklin, George Washington, Thomas Jefferson, Abraham Lincoln, and others who occupy a place of honor in American history. While a few German monuments can be found in Canada and in Latin America, the number of German monuments in the United States is surprisingly large. These monuments illustrate the contribution - often overlooked or ignored - of the German-American community to American society and American cultural life.