In this timely primer on the electoral process, Dr. George Grant makes the case for the brilliance, wisdom, and continuing necessity of the Electoral College. This book is a must for students, lawyers, statesmen, pastor, and citizens of all ages interested in understanding and defending the providential system of elections bequeathed to us by our Founding Fathers.

"Historian Ramsay Cook called George Grant one of Canada's two most important political thinkers in the twentieth century. In these lively conversations, recorded not long before Grant's death, David Cayley explores with Grant the deep roots of his faith, his evolution as a thinker, and his views on the future of Canada."

Beneath the philosophical, social, political, ethical, national, and moral issues that Grant tackled throughout his career was a fundamental concern with theodicy - the problem of faith in God in a world of conflict, suffering, and tragedy.

Six magnificent and stimulating essays examining the role of technology in shaping how we live, by one of Canada’s most influential philosophers, now reissued in a handsome A List edition. Originally published in 1986, the six essays that comprise Technology and Justice offer absorbing reflections on the extent to which technology has shaped the way we live now. George Grant explores the fate of traditional values in modern education, social behaviour, and religion, and offers his insights into some of the most contentious ethical deliberations of the past half-century. In essays ranging in content from classical philosophy to the morals of euthanasia, Technology and Justice showcases Grant’s stimulating commentary on the meaning of the North American experience.

William Christian has restored the text of the original 1959 edition. He has supplemented it with material from the broadcast version of the lectures, including a ninth lecture, not previously published, in which Grant responded to listeners' questions.

George Alexander Grant is an unknown elder in the field of American landscape photography. Just as they did the work of his contemporaries Ansel Adams, Edward Weston, Eliot Porter, and others, millions of people viewed Grant’s photographs; unlike those contemporaries, few even knew Grant’s name. Landscapes for the People shares his story through his remarkable images and a compelling biography profiling patience, perseverance, dedication, and an unsurpassed love of the natural and historic places that Americans chose to preserve. A Pennsylvania native, Grant was introduced to the parks during the summer of 1922 and resolved to make parks work and photography his life. Seven years later, he received his dream job and spent the next quarter century visiting the four corners of the country to produce images in more than one hundred national parks, monuments, historic sites, battlefields, and other locations. He was there to visually document the dramatic expansion of the National Park Service during the New Deal, including the work of the Civilian Conservation Corps. Grant’s images are the work of a master craftsman. His practiced eye for composition and exposure and his patience to capture subjects in their finest light are comparable to those of his more widely known contemporaries. Nearly fifty years after his death, and in concert with the 2016 centennial of the National Park Service, it is fitting that George Grant’s photography be introduced to a new generation of Americans.