For all Bb, Eb, C and Bass Instruments. 12 easy to read compositions by George Garzone. Sheet music Hey, Open Up; Ballad for Lana, One Time, The Mingus that I Knew, Tutti Italiani, Between Two Cities, To my Papa, Moodiology, The Chooch, The Girl from Argentina, New York Flash Pants, Alone

This book Chromatic Lines Over Standard Tune Chord Progressions is designed to free the improvisor from the normal sounds that he or she usually plays. All the compositions are based off on the Triadic Chromatic Approach concept, so you will get a clear example of the sound itself from the combination of the Triadic Chromatic Approach and the standard progressions. For all Bb, Eb, C and Bass instruments. You will find in this book compositions and exercises with chromatic lines.

(Super Easy Songbook). It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. Lyrics are also included. This edition includes 22 Gershwin classics: But Not for Me * Embraceable You * Fascinating Rhythm * I Got Rhythm * I've Got a Crush on You * Let's Call the Whole Thing Off * Nice Work If You Can Get It * Rhapsody in Blue * Someone to Watch over Me * Summertime * They Can't Take That Away from Me * and more.

(Piano/Vocal/Guitar Artist Songbook). Piano/vocal/guitar arrangements of nearly 60 songs from Harrison's days on the Apple label, including: All Things Must Pass * The Answer's at the End * Art of Dying * Ballad of Sir Frankie Crisp (Let It Roll) * Bangla Desh * Be Here Now * Bye Bye Love * Dark Horse * Don't Let Me Wait Too Long * Give Me Love (Give Me Peace on Earth) * Hear Me Lord * I Don't Care Anymore * Living in the Material World * My Sweet Lord * Ooh Baby (You Know That I Love You) * Sue Me, Sue You Blues * That Is All * This Guitar (Can't Keep from Crying) * You * and more.

A beautifully translated selection of poems by one of the greatest Italian poets of the twentieth century Umberto Saba's reputation in Italy and Europe has steadily grown since his death in 1957, and today he is positioned alongside Eugenio Montale and Giuseppe Ungaretti as one of the three most important Italian poets of the first half of the twentieth century. Until now, however, English-language readers have had access to only a few examples of this poet's work. This bilingual volume at last brings an extensive and exquisitely translated collection of Saba's poems to English-speaking readers. Both faithful and lyrical, George Hochfield's and Leonard Nathan's translations do justice to Saba's rigorous personal honesty and his profound awareness of the suffering that was for him coincident with life. An introductory essay, a translation of Saba's early manifesto, "What Remains for Poets to Do," and a chronology of his life situate his poetics within the larger context of twentieth-century letters. With its publication, this volume provides the English-speaking world with a momentous occasion to rethink not just Italian poetry but also the larger European modernist project.