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Contemporary sociology increasingly seems to be adopting a perspective similar to that on which Georg Simmel's analysis and interpretations rested. To a significant degree, therefore, sociologists continue to turn to Simmel for a basic understanding of the forms and processes of social life. Nicholas Spykman's The Social Theory of Georg Simmel, originally published in 1925, was the first comprehensive account of Simmel's ideas. It remains a most valuable summary of the major elements of his thought.Spykman wrote this study for a specific purpose: to indicate Simmel's conception of the relations between different fields of theoretic inquiry into socio-historical actuality; to make Simmel's contributions to the methodology of the social sciences understood; and to illustrate Simmel's conception of sociology as a science. He shows that Simmel was primarily a social philosopher interested in a functional understanding of socio-historical realities, art and economic values, morals and aesthetics, religion, and the function of money. Spykman identifies three major phases in the development of Simmel's thought: the first is primarily occupied with methodology and the presuppositions of the social sciences; during the second he wrote several essays containing philosophic interpretations of modern civilization; and the third culminated in his metaphysics of culture.The Social Theory of Georg Simmel, graced with a new introduction by David Frisby, one of the foremost contemporary Simmel experts, is an outstandingly organized, coherent presentation of the complex and subtle ideas of one of the intellectual giants of modern sociology.

Outlines the cultural and historical context in which Simmel worked; reviews Simmel's most important writings; and examines his legacy to sociology by illuminating his links with Weber's theories and his relationship with Marxism.

Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, “art for art’s sake”, art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel’s finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel’s reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel’s themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations preserves the narrative ease of Simmel’s prose and will be a vital source for readers with an interest in Simmel’s trailblazing ideas in modern European philosophy, sociology, and cultural theory.

Georg Simmel is and will continue to be one of the most important authors for all the humanities. This is true because hardly anyone else has forseen the enormous changes in culture, politics, and in the social conditions in general, that would occur in the course of the 20th century like he did. It is also true because he discovered a new way of thinking, one which made this premonition of dramatic change possible. Georg Simmel ist und bleibt ein wichtiger Autor für den ganzen Bereich der Geisteswissenschaften. Nicht nur weil Simmel die gewaltigen kulturellen, politischen und allgemeinen sozialen Umwälzungen des zwanzigsten Jahrhunderts wie kaum ein anderer vorausgesehen hat, sondern auch, weil er die Art zu denken entwickelt hat, ohne die eine Voraussicht nicht möglich war.

This book shows that a dialectical conceptual model underpins Georg Simmel's writings. The book provides key examples of social forms – including fashion, the secret and money – as exemplifications of this method. The volume concludes with a reassessment of Simmel's relevance today.

Hugo Marcus (1880–1966) was a man of many names and many identities. Born a German Jew, he converted to Islam and took the name Hamid, becoming one of the most prominent Muslims in Germany prior to World War II. He was renamed Israel by the Nazis and sent to the Sachsenhausen concentration camp before escaping to Switzerland. He was a gay man who never called himself gay but fought for homosexual rights and wrote queer fiction under the pen name Hans Alienus during his decades of exile. In German, Jew, Muslim, Gay, Marc David Baer uses Marcus’s life and work to shed new light on a striking range of subjects, including German Jewish history and anti-Semitism, Islam in Europe, Muslim-Jewish relations, and the history of the gay rights struggle. Baer explores how Marcus created a unique synthesis of German, gay, and Muslim identity that positioned Johann Wolfgang von Goethe as an intellectual and spiritual model. Marcus’s life offers a new perspective on sexuality and on competing conceptions of gay identity in the multilayered world of interwar and postwar Europe. His unconventional story reveals new aspects of the interconnected histories of Jewish and Muslim individuals and communities, including Muslim responses to Nazism and Muslim experiences of the Holocaust. An intellectual biography of an exceptional yet little-known figure, German, Jew, Muslim, Gay illuminates the complexities of twentieth-century Europe’s religious, sexual, and cultural politics.