Judith Marcus uncovers the literary interaction between two of the great figures of 20th-century intellectual and cultural life, the creative artist Thomas Mann (1875-1955) and Georg Lukacs (1885-1971), the literary critic. It is based on their correspondence, and other archival material.

The Hungarian social philosopher and literary critic Georg Lukcs (1885-1971) is one of the seminal intellectual figures of the twentieth century. With the possible exception of Leon Trotsky, he is also widely recognized as the outstanding Marxist thinker aside from Marx himself. Yet, as Lewis Coser has observed, Lukcs has remained the most enigmatic figure of the modern communist movement. Why were his theories so important to modern political and social thought? How did he come to have such influence on so many distinguished Western Intellectuals, and for such a long time? And why, despite this, did so many of his writings infuriate contemporary readers and critics? The centenary of Lukcs birth was celebrated in 1985 with symposia in a number of countries on several continents. Hundreds of Lukcs scholars and students attended, along with others who were interested in his time and his ideas, as well as the man and his work. In the process, new understanding of some of his most controversial concepts, ideas, and theses emerged. Newly discovered information and writings, as well as previously unknown preocupations in his seventy-year intellectual career were shared. This volume brings together some of the best and most original of the essays of participants in New York, Paris, Budapest, and Mexico City. Some of the contributions in this volume are sharply critical of Lukcs; others are clearly admiring. A great many take an objective but severe look at diverse aspects of his work. Together they constitute a close examination of the life work of the man Thomas Mann once called "The most important literary critic of today," Jean-Paul Sartre hailed as a significant modern philosopher," and Irving Howe declared "a major force in European intellectual life." Collectively, this volume shows why Georg Lukcs remains one of the remarkable intellectual figures of the twentieth century, whose work is of enduring significance for us today. Judith Marcus is on the faculty of Kenyon College. She is the author of Thomas Mann and Lukcs. Zoltn Tarrwas visiting Fulbright Scholar to Budapest, Hungary, and has taught sociology and history at the City College of CUNY, New School for Social Research, and Rutgers University. He is author of The Frankfurt School, The Critical Theories of Max Horkheimer and Theodor W. Adorno.

On the 100th anniversary of the publication of History and Class Consciousness, a new edition of this indispensable guide to Lukacs's thought and politics The philosophical and political development that converted Georg Lukács from a distinguished representative of Central European aesthetic vitalism into a major Marxist theorist and Communist militant has long remained an enigma. In this this now classic study, Michael Löwy for the first time traced and explained the extraordinary mutation that occurred in Lukács's thought between 1909 and 1929. Utilizing many as yet unpublished sources, Löwy meticulously reconstructed the complex itinerary of Lukács's thinking as he gradually moved towards his decisive encounter with Bolshevism. The religious convictions of the early Lukács, the peculiar spell exercised on him and on Max Weber by Dostoyevskyan images of pre-revolutionary Russia, the nature of his friendships with Ernst Bloch and Thomas Mann, were amongst the discoveries of the book. Then, in a fascinating case-study in the sociology of ideas, Löwy showed how the same philosophical problematic of Lebensphilosophie dominated the intelligentsias of both Germany and Hungary in the pre-war period, yet how the different configurations of social forces in each country bent its political destiny into opposite directions. The famous works produced by Lukács during and after the Hungarian Commune—Tactics and Ethics, History and Class Consciousness and Lenin—were analysed and assessed. A concluding chapter discussed Lukács's eventual ambiguous settlement with Stalinism in the thirties, and its coda of renewed radicalism in the final years of his life. In this new edition, Löwy has added a substantial new introduction which reassess the nature of Lukacs's thought in the light of newly published texts and debates.

This revealing autobiography of the Hungarian Marxist philosopher Georg Lukács is centered on a series of interviews that he gave in 1969 and 1971, shortly before his death on 4 June 1971. Stimulated by the sympathetic yet incisive questioning of the interviewer, the Hungarian essayist István Eörsi, Lukács discusses at length the course of his life, his years of political struggle, and his formation and role as a Marxist intellectual. From a highly evocative account of his childhood and school years, Lukács proceeds to discuss his political awakening; the debates within the socialist movement over the First World War form the prelude to an assessment of Tactics and Ethics, written in 1919; from there the discussion turns to Lukács’s early major contribution to Marxist philosophy, History and Class Consciousness. After considering at length the years of emigration in Vienna and the Soviet Union, Lukács finally recalls his return to Hungary after the Second World War, and his new position as a revolutionary left critic of actually existing socialism. “By socialist democracy,” he wrote in 1970, “I understand democracy in ordinary life, as it appears in the Workers’ Soviets of 1871, 1905 and 1917, as it once existed in the socialist countries, and in which form it must be re-animated.” This Record of a Life, which includes an introduction by István Eörsi, furnishes a compelling tribute to a remarkable man.

György Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukács wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukács's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukácsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.

At the height of his powers, Per Sidenius, the son of a poor religious minister, is a fortunate man. He has the whole of the approaching twentieth century in his grasp: a fabulously rich Jewish heiress as a soon-to-be wife, burgeoning fame as a forward- and free-thinking man of the ‘New Age’ and success in having put his sorry childhood behind him. But just as he reaches the lofty heights of bourgeois success, Per begins to deeply question his life. A series of events then unfold which Nobel Prize–winning author Henrik Pontoppidan describes with unflinching honesty and intensely human passion. Here is the hectic foment of social and religious debate, the unrepentant greed of finance sharks, the hot coals of pure and illicit love. Then the biggest questions of all – who am I and what have I to do? With A Fortunate Man (1898–1904) one of Denmark’s greatest ever writers manages not only to sound the depths of his nation’s soul but also to paint a huge European canvas stretching from vintage Copenhagen to the sultry heat of Rome at the turn of the nineteenth century. Heralded by such influential figures as Thomas Mann and Georg Lukács as a seminal work, this is a truly breathtaking novel which places Henrik Pontoppidan as one of the true greats of modern European literature.

An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature. With an afterword by Fredric Jameson No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.