The hallmark of a healthy humanity is a genuine connection to the truth of our historical identity. History, simply put, is what happened. But how do we find our way to the origins of the human race thousands of years ago? We go back two and a half millennia to Greek artists who were closer to it, and whose marble sculptures and vase paintings bear a silent witness to the key characters and events described in the early chapters of the Book of Genesis, validating their reality. Here is some of what is revealed in this extraordinary book: *Zeus' and Hera's connection to the serpent-entwined apple tree. *Cain killing Abel depicted on the Parthenon. *Seth-men depicted as Centaurs who seize Cain-women as their wives. *The unique Greek depiction of Noah's Flood. *The Cain-woman who survived the Flood as Ham's wife. *The true landing site of Noah's ark in the mountains of Ararat. *Naamah reconsecrates her grandson Nimrod to the way of Cain. *Nimrod/Herakles usurps the authority of Noah. *The Genesis serpent transfigured into Zeus. *The Altar of Zeus in Pergamum is the throne of Satan in the Book of Revelation. *The post-Flood Cainite onslaught against the line of Seth. *The true identity of the Amazons. For more information: www.genesisingreekart.com

The hallmark of a healthy humanity is a genuine connection to the truth of our historical identity. History, simply put, is what happened. But how do we find our way to the origins of the human race thousands of years ago? We go back two and a half millennia to Greek artists who were closer to it, and whose marble sculptures and vase paintings bear a silent witness to the key characters and events described in the early chapters of the Book of Genesis, validating their reality. Here is some of what is revealed in this extraordinary book: Zeus' and Hera's connection to the serpent-entwined apple tree.Cain killing Abel depicted on the Parthenon.Seth-men depicted as Centaurs who seize Cain-women as their wives.The unique Greek depiction of Noah's Flood.The Cain-woman who survived the Flood as Ham's wife.The true landing site of Noah's ark in the mountains of Ararat.Naamah reconsecrates her grandson Nimrod to the way of Cain.Nimrod/Herakles usurps the authority of Noah.The Genesis serpent transfigured into Zeus.The Altar of Zeus in Pergamum is the throne of Satan in Revelation.The post-Flood Cainite onslaught against the line of Seth.The true identity of the Amazons.

If you’ve read "The Parthenon Code: Mankind’s History in Marble" by Mr. Johnson, you’re in for a further treat. "Noah in Ancient Greek Art" goes deeper into the true identity of Athena, identifying the real woman she represents—the one who came through the Flood on the ark as Ham’s wife. It sounds fantastic, but just wait and see. The evidence is overwhelming. In the early post-Flood world, this woman was so influential in promoting the resurgence of the way of Kain (Cain) that every Mediterranean and Mid-eastern culture idolized her, often using different names for different aspects and achievements of this “goddess.” If you haven’t yet read "The Parthenon Code," you’re in for a big surprise in this book. What today’s scholars call ancient myth is not myth at all, but rather the history of the human race expressed from the standpoint of the way of Kain. This new book is written in such a way that you will be able to pick up and understand this crucial thread very quickly. In most cases, the ancient art speaks for itself. The Greek gods look exactly like people because, with rare exceptions, that is who they represent. In Plato’s Dialogue, "Euthydemus," Socrates referred to Zeus, Apollo and Athena as his “lords and ancestors.” Another witness to this obvious truth is the life of the great hero, Herakles. À la “George Washington slept here,” scores of Greek towns claimed that Herakles had performed some kind of great feat (often one of his twelve labors) within or near their boundaries. Herakles was a real man. In fact, he was the Nimrod of Genesis. On a vase-painting in the book, Athena picks up the hero Herakles in her chariot at his death, and takes him to immortality on Mount Olympus. Who does he join there, space aliens? Of course not. He joins his ancestors, the Olympian family. If it looks like a human, talks like a human, and acts like a human, it must be a human. This is the key to understanding Greek art. The Greeks claimed their descent from an original brother-sister/husband-wife pair named Zeus and Hera. Zeus and Hera are the Greek versions of Adam and Eve. The Greeks referred to Zeus as the father of gods (ancestors) and men, and to Hera as the mother of all living. Their poets and playwrights traced this first couple to an ancient paradise called the Garden of the Hesperides, and always depicted it with a serpent-entwined apple tree. You have probably heard at one time or another about Eve eating the apple. The Hebrew word for fruit in Chapter 3 of Genesis is a general term. The idea that Adam and Eve took a bite of an apple comes to us from the Greek tradition. The author gives you this, and all the other background you need to understand Noah’s place in ancient Greek art. As the narrative progresses, you’ll see that Noah was not some vague figure remembered by a few maverick Greek artists. Greek vase-artists and sculptors actually defined the rapid growth and development of their contrary religious outlook in direct relation to Noah and his loss of authority. Greek artists portrayed the victory of their man-centered idolatrous religion as the simultaneous defeat of Noah and his Yahweh-believing children. The twelve labors of Herakles sculpted on the temple of Zeus at Olympia (restored and explained in Section III of the book), in and of themselves, chronicled and celebrated mankind’s successful rebellion against Noah and his God after the Flood. The most important part of this book may be Section IV which explains why the scholarly world remains blind to the obvious and simple historical truths expressed in ancient art. The short answer is that Darwinism (what the author calls Slime-Snake-Monkeyism) has thoroughly polluted the mainstream sciences. Today, mainstream anthropologists do not study the record of our origins that our ancient ancestors have left us in their art and literature. Instead, they study chimpanzees. This is very sad, pitiful even. These grown men and women work diligently and proudly in an effort to find the evidence that will finally “prove” that they themselves, along with their vaunted intellects, are the products of unintelligent chance, with no expectation of immortality. The author continues to marvel along with the apostle Paul, as perhaps you will as well: “Does not God make stupid the wisdom of this world?” (I Corinthians 1:20). "Noah in Ancient Greek Art" features 140 illustrations including twenty-seven vase-scenes of Noah, most in an historical context. This book is the best evidence against Slime-Snake-Monkeyism you’ll ever read.

Why isn’t the Book of Enoch in the Holy Bible, even though Enoch is referenced multiple times? Why were texts considered sacred by many, excluded by others? Who made the decisions and why? There are more than 50 books—some of which exist only in fragments while others are complete and whole—that are not included in the biblical canon. Why were they discarded? Most Protestant denominations settled on 66 canonical books of the Bible, while there are 73 for Roman Catholics and 78 for Eastern Orthodox adherents. Why are there these differences of opinion? We are often taught that the Bible is, in the words of many religious catechisms, “the infallible word of faith and practice.” In reality, the Bible can also be seen as a political document as much as a spiritual one. Ordained minister and theologian Jim Willis examines the historical, political, and social climates that influenced the redactors and editors of the Bible and other sacred texts in Censoring God: The History of the Lost Books (and other Excluded Scriptures). In analyzing why texts were censored, he uncovers sometimes surprising biases. He investigates enigmatic hints of Bible codes and ancient wisdom that implies a greater spiritual force might have been at work. Willis explores the importance of the Book of Enoch, its disappearance, and how it was rediscovered in Ethiopia. He analyzes over two dozen excluded texts, such as Jubilees and the Gospel of Thomas, along with the many references to books that we know about from fragments but remain lost. Thought-provoking and provocative, Censoring God scrutinizes how sacred texts might have been used to justify the power of the powerful, including the destruction of sacred writings of conquered indigenous cultures because they did not agree with the finished version of the Bible accepted by the Church establishment. This important book looks at the human failings in interpreting God’s words, and through a compassionate examination it brings a deeper understanding of the power and importance of the lost words. With more than 120 photos and graphics, this tome is richly illustrated. Its helpful bibliography provides sources for further exploration, and an extensive index adds to its usefulness.

Investigates and questions the scientific consensus on the origins of civilization Do we, the human species, really know who we are or where we came from or how we originated or our place in the cosmos? Or is much of what we have been taught wrong or misguided or possibly even blatant lies intended to keep people in power and everyone else in line? Exploring alternative theories on the establishment of society and civilization, Hidden History: Ancient Aliens and the Suppressed Origins of Civilization looks at a variety of dissenting, suppressed, and forbidden accounts of history and the origins of humanity. It takes a broad and inclusive survey of historical documents, various theories, and a wide array of perspectives to explore what conventional wisdom might have gotten right and wrong. The book serves as a useful introduction into the suppressed accounts of the origins of modern civilization. It combines cutting-edge science with metaphysical, spiritual, and even paranormal views, daring to ask whether there might be a better explanation for humanity’s existence and the origins of civilization than the current scientific consensus. Hidden History looks at the multiverse and parallel dimensions, the ancient alien theory, metaphysics, and hypotheses beyond physical perception, the eleven dimensions of string theory, radio telescopes that penetrate to the event horizon of our universe, mathematical equations that take us where no one has gone before, and the world-wide sharing of experiences old and new that speak of long forgotten ancient mythologies that reveal historical truths. With more than 120 photos and graphics, this tome is richly illustrated. Its helpful bibliography provides sources for further exploration, and an extensive index adds to its usefulness. This fascinating book is a thorough investigation and examination of the mysteries surrounding early civilizations, their myths, legends, histories, monuments—and lasting legacies.

Unearthing the scientific evidence, myths, and legends of ancient civilization! The reminders of the Ancients are everywhere. They are saved in remnants in archaeology. They are found in reminiscences in mythology. They are recorded in books, story, song, and stone. Who were these people, aliens, man-or-myths? Do we still see their influences today? What remains of these inhabitants of the jungles, lost cities, and dwellings underground, underwater and beyond? How did they rise? Why did they fall? Will they rise again? From pyramids and underground bunkers to watery graves and ancient astronauts, Lost Civilizations: The Secret Histories and Suppressed Technologies of the Ancients examines the archaeological evidence and the traces left behind by more than 70 ancient civilizations, including ... Atlantis Göbekli Tepe Anasazi disappearance in the American Southwest Nazca Lines of Peru Turkey's Çatalhöyük Denisovan Ancestors departure Amazon Cities in the Jungle Neanderthal Ancestors extinction The Eden Stories of Theoretical Physics Underground Cities of the Grand Canyon And many more! From ancient Egypt, middle America, and the Nubian Desert to the frozen Antarctica, underwater ruins of Asia, and clues of visits by ancient aliens, Lost Civilizations explores the unanswered questions about the true origins of man. Might there have been advanced civilizations long before the days of ancient Egypt and Mesopotamia? What do 3D imaging and new underwater mapping technology reveal? What do prehistoric artifacts, architecture, carvings, maps, and monoliths tell us? Were rising waters, erupting volcanoes, catastrophic solar flares, comet or asteroid fragments or some other unimaginable cataclysmic disasters the death of these advanced civilizations? Touring the world and reviewing the scientific evidence, this fascinating book ties together historical events in one part of the world that produced actual effects in others. Uncovering hidden and suppressed pasts of technologically and culturally advanced ancient civilizations, it looks at how modern civilization compares and contrasts to those who have gone before. It will leave you with the sense that what has happened to past advanced civilizations might very well be happening again in our own time! With more than 120 photos and graphics, it is richly illustrated. Its helpful bibliography and extensive index add to its usefulness.

Athena and Eden reveals the surprising identity of Athena and unlocks the long-hidden meaning of the sculptures which graced the east faade of her famous temple, the Parthenon. Greek myths tell us much about the sculptures, but the key to their correct interpretation lies elsewhere. The simple secret: Genesis and the Parthenon sculptures tell the same story from opposite viewpoints.