This guide is a unique resource for art lovers and tourists alike. Europe's foremost art galleries and museums are presented here in a comprehensive, accessible and attractive collection.

"When the Metropolitan Museum came into being in 1870, the founders stressed its role in giving popular instruction. Ever since then its public has expressed interest in obtaining a general guidebook to all the multiple facets of its encyclopedic collections. But a museum is a living, constantly changing institution, and the preparation of such a guide presents many problems. The scope and depth of the Museum's holdings are described with flexibility in mind, so that alterations to the building and changes in the collections can be readily accommodated in future editions of this Guide. The number of pages allocated to each department is restricted to multiples of eight pages; this will permit revisions in future editions. A guidebook, however, should not be a straitjacket. It is impossible to locate accurately all works at all times because paintings and objects are constantly being cleaned, restored, loaned to other museums, or rehung within the Metropolitan. In designing a guide that is easily portable and of interest to a large public, severe restrictions have had to be imposed. The text serves an introductory function and is not intended to give the kind of detailed information found in a catalogue or scholarly publication. Many other books published by the Museum are available to anyone wishing to follow his own special interests: a series of popular handbooks and comprehensive catalogues of various aspects of the collections are available in the Museum's bookshops; the Bulletin of The Metropolitan Museum of Art, a general interest magazine covering all phases of Museum activity, appears regularly throughout the year; and the Journal of The Metropolitan Museum of Art, a collection of scholarly monographs, is issued annually. An independent guide covers the collection at The Cloisters, our branch museum of medieval art at Fort Tryon Park"--Introduction

A tour of America's most notable museums is also a history of the nation's art that highlights each location's top works while discussing the backgrounds of each building and featured piece of art.

The Metropolitan Museum of Art houses one of the world’s largest and most comprehensive collections of works of art from antiquities to modern and contemporary material. Their preservation is a responsibility shared by the many individuals employed at the Museum who oversee and have direct contact with the collection on a daily basis. The Care and Handing of Art Objects—first published in the 1940s and continually updated—offers a guide to the best practices in handling and preserving works of art while on display, in storage and in transit. It explains many of the fundamental principles of conservation that underlie these methods. One of its goals is to make the complexities of caring for a collection readily accessible. The first part offers basic guidelines for the preservation of the diverse types of materials and art objects found in the Met. Each chapter addresses the physical characteristics specific to the particular category, and the environmental, handling and housing factors to which one should be alert to prevent damage and ensure their preservation. Written by experts in the respective specialty, it addresses the Museum’s vast holdings summarizing the most critical preservation issues, many of which are amplified by photographs. As the table of contents makes evident these range from paintings on canvas and works on paper and photographs to furniture and objects made of stone, wood and metals to arms and armor, upholstery, ethnographic materials and many others. Part II succinctly describes factors that affect the collection as a whole: among them, current environmental standards for temperature, relative humidity, light exposure, storage and art in transit. Based on Museum protocols it addresses emergency preparedness and response, and integrated pest management. For easy reference, it includes charts on storage and display conditions, on factors contributing to deterioration, and a glossary of conservation terms, principles, and housing materials referenced in the individual chapters. Drawing upon the knowledge of conservators, scientists, and curators from many different departments, as well as technicians and engineers whose expertise crosses boundaries of culture, chronology, medium and condition, The Care and Handing of Art Objects is primarily directed to staff at the Met. It is, no less, an invaluable resource for students, collectors, small museums, museum study programs, art dealers, and members of the public who want to enhance their understanding of how works of art are safeguarded and the role environment, handling and materials play in making this possible.

"The Notion of Family, offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political-- an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations--her Grandma Ruby, her mother, and herself--against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape."--Publisher's website.

Updated to include new acquisitions, attributions, and reevaluations. Copyright © Libri GmbH. All rights reserved.

"Inner Constellations is the first published book of photography by Italian-born artist Maïmouna Guerresi, whose iconic, figurative photographs are celebrated around the world, both for their beauty and their melding of diverse cultural and religious influences. Raised in Catholic Italy, Maïmouna traveled to Senegal in 1991 and was so taken by the country's spiritual traditions that she converted to Islam. Since this spiritual transformation, Maïmouna's work has become infused with the rich history and iconography of Islam, with a particular emphasis on Sufi philosophy, which contends that all of the world's religions originate from a single divine source. From this place of universal respect and understanding, Maïmouna borrows freely from the symbols and mythology of the world's great religious traditions, blending elements of Islam, Judaism, and Christianity together in photographs that transcend the sum of their parts. In all of her photographs, Maïmouna treats the human body as sacred dwelling place, "the temple of the soul." In particular, she celebrates the divine power of the feminine form in places where women have historically been marginalized. Many of her female subjects are transformed into powerful symbols of the feminine divine, altars to the most primordial act of creativity. Draping her figures in exquisite, sculptural garments, many of which the artist creates by hand in collaboration with her subjects, Maïmouna references universal archetypes, as well as specific religious rituals. These sources are present in the various elements of her photograms, from the towering minaret-hats she crafts, to the gentle strength in the subjects' symbolically painted faces. The photographs in this book are related to each other without becoming redundant; some feature cavernous, veiled spaces of emptiness fabricated from black cloth, others draw attention to the presence of everyday objects within the frame"--Publisher's description.