Geishas and the Floating World returns readers to a lost world of sensuality and seduction, rich with hedonism, abandon, and sexual and personal politics. "Floating World" refers to Japan's traditional Geisha pleasure districts, but also to the artistic and literary worlds associated with them. At the heart of the "Floating World" and the system it supported was an extensive network of talented courtesans and entertainers, typified by the still fascinating, enigmatic Geisha. Stephen and Ethel Longstreet bring the reader on an in-depth tour of the original and most infamous red-light district in Japan--the Yoshiwara district of old Tokyo that underwent tremendous changes during the more than three centuries of its existence. Beyond the erotic allure the district held, the Yoshiwara also fostered a rich culture and a much studied and revered artistic and literary tradition. This account is adorned with examples of fine woodblock prints and quotations from often bawdy, and always colorful, original sources that offer a gripping portrait of life within the pleasure zone. Geishas and the Floating World balances scholarly insights with a master storyteller's flair for the exploits and intrigues of people operating outside the confines of polite society. Stephen Mansfield's new introduction bridges time, examining gender realities and the Yoshiwara through contemporary eyes, highlighting often overlooked subtleties and the harsh realities associated with this glittering world.

From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "floating world"—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.

Ever since Westerners arrived in Japan, we have been intrigued by geisha. This fascination has spawned a wealth of fictional creations from Madame Butterfly to Arthur Golden's Memoirs of a Geisha. The reality of the geisha's existence has rarely been described. Contrary to popular opinion, geisha are not prostitutes but literally arts people. Their accomplishments might include singing, dancing or playing a musical instrument but, above all, they are masters of the art of conversation, soothing worries of highly paid businessmen who can afford their attentions. The real secret history of the geisha is explored here.

From the cobbled streets where Komomo walks in her elaborate dress to the inner sanctums of her dressing room, these pages offer a rare look at a contemporary teen's journey to becoming a geisha, photographed in full color by Naoyuki Ogino. This is the story of a contemporary Japanese teenager who, in a search for an identity, became fascinated with the world of geisha, and discovered in herself the will and the commitment to embark on the many years of apprenticeship necessary to become one. It is also the story of a young Japanese photographer who grew up

Japanese Geisha and courtesans intrigue and fascinate Westerners. During the mid-19th century, Japan opened its doors to the world and became an essential destination for travellers. Geisha: A Photographic History 1872-1912 documents the intimate life and culture of this 19th century icon. It portrays the artists of these images in a cultural reality created by staged studio photography, private scenes and rare outdoor images. Essential viewing.

In this fascinating and wide-ranging book, Yoko Kawaguchi explores the Western portrayal of Japanese women—and geishas in particular—from the mid-nineteenth century to the present day. She argues that in the West, Japanese women have come to embody certain ideas about feminine sexuality, and she analyzes how these ideas have been expressed in diverse art forms, ranging from fiction and opera to the visual arts and music videos. Among the many works Kawaguchi discusses are the art criticism of Baudelaire and Huysmans, the opera Madama Butterfly, the sculptures of Rodin, the Broadway play Teahouse of the August Moon, and the international best seller Memoirs of a Geisha. Butterfly’s Sisters also examines the impact on early twentieth-century theatre, drama, and dance theory of the performance styles of the actresses Madame Hanako and Sadayakko, both formerly geishas.

This exquisite collection of photographs and interviews focuses on four of Kyoto's most beautiful geisha and maiko (apprentice geisha). First, the geisha and maiko were photographed at Kyoto's largest geisha dance performances and other important dances. Next, portrait sessions were held with each woman to capture the kata (forms or poses) of her favorite dances. The geisha and maiko were then interviewed about their photographs, giving the reader a rare insight into their artistic training. Finally, images follow one maiko from her last few days as an apprentice through her first few days as a geisha. Never before has the change from maiko to geisha been documented so completely. The result is a collection of 149 gorgeous photographs that shed light on these exquisitely beautiful women like no other book before.