"Geisha of a Different Kind bravely engages with the struggles and triumphs of Asian American gay men as they inhabit American society and its gay mainstream. A lucid study with anunflinching focus on the daily contingencies of these men's lives, this book isan important contribution to the scholarly understanding of contemporary U.S.sex/gender systems and their fraught links to racial formations."--Martin F. Manalansan IV, author of Global Divas: Filipino Gay Men in the Diaspora.

Trinie Dalton is back with a new compilation of short stories and, true to her outstanding form, her stories are vividly imagined. Yet they also represent a more grounded approach in her style. Stories include Pura Vida,' in which a Joan Didion-obsessed starving journalist struggles to maintain a relationship with her performance artist sisters (or anyone, for that matter) while on assignment in Costa Rica to write an article on sloth-hugging. 'Millennium Chill' is about a woman who discovers that her body heat is mysteriously linked to that of an elderly beggar.'

A Kyoto geisha describes her initiation into an okiya at the age of four, the intricate training that made up most of her education, her successful career, and the traditions surrounding the geisha culture.

Sexual desire, often understood as personal erotic preference, is frequently seen as neutral, natural, or inevitable. Countering these commonplace assumptions, Racial Erotics shows how sexual partnering within communities of gay men is deeply embedded within larger social structures that define whiteness as desirable and normative while othering men of color. In queer erotic economies this othering may take the form of sexual rejection or fetishization of men of color, but C. Winter Han argues that the real danger of sexual racism is that it creates a hierarchy of racial worth that extends outside of erotic encounters into the everyday lives of gay men of color. In this way, sexual racism perpetuates a larger project of racial erasing that equates gayness with whiteness to secure acceptance for gay white men at the expense of queers of color. With vivid examples from interviews, media representations, and online dating sites, Han highlights the creative means through which gay men of color, cordoned off in spaces both gay and straight, produce alternative frameworks to combat dominant narratives. Racial Erotics offers a new paradigm for understanding the connection of race and queer desire, demonstrating how race profoundly shapes sexual desires among men while racialized notions of desire construct beliefs about belonging.

Racial Castration, the first book to bring together the fields of Asian American studies and psychoanalytic theory, explores the role of sexuality in racial formation and the place of race in sexual identity. David L. Eng examines images—literary, visual, and filmic—that configure past as well as contemporary perceptions of Asian American men as emasculated, homosexualized, or queer. Eng juxtaposes theortical discussions of Freud, Lacan, and Fanon with critical readings of works by Frank Chin, Maxine Hong Kingston, Lonny Kaneko, David Henry Hwang, Louie Chu, David Wong Louie, Ang Lee, and R. Zamora Linmark. While situating these literary and cultural productions in relation to both psychoanalytic theory and historical events of particular significance for Asian Americans, Eng presents a sustained analysis of dreamwork and photography, the mirror stage and the primal scene, and fetishism and hysteria. In the process, he offers startlingly new interpretations of Asian American masculinity in its connections to immigration exclusion, the building of the transcontinental railroad, the wartime internment of Japanese Americans, multiculturalism, and the model minority myth. After demonstrating the many ways in which Asian American males are haunted and constrained by enduring domestic norms of sexuality and race, Eng analyzes the relationship between Asian American male subjectivity and the larger transnational Asian diaspora. Challenging more conventional understandings of diaspora as organized by race, he instead reconceptualizes it in terms of sexuality and queerness.

"Captivating, minutely imagined . . . a novel that refuses to stay shut" ("Newsweek"), "Memoirs of a Geisha" is now released in a movie tie-in edition.

An introspective journey into the glamorous world—and temptations—of Japanese nightlife, by former model Chelsea Haywood. The hard-drinking, drug-taking, all-night culture that dominates Tokyo’s Roppongi district can be a surreal place. Overworked Japanese business men will pay handsomely for the services of a hostess—someone to talk to, someone to provide hot towels and drinks, and sometimes just a companion with whom to sing karaoke with all night. Intrigued by rumors of this strange subculture and armed with her 90-day work visa and new husband, Matt, Chelsea throws herself into the lion’s den. Yet what she discovers about herself and about the inhabitants of this nocturnal life far exceeds her expectations. Hostessing, she comes to find, has “very little to do with sex, quite a lot to do with psychology, and nothing to do with prostitution.” Her personality and conversation skills are her top commodity, and Chelsea quickly finds herself charmed by these billionaire men, many of whom are funny, intelligent, even kind, and often, very lonely. But as she becomes more and more attached to her clients, Chelsea soon finds herself getting burned at her own game, as the endless presents, compliments, and destructive atmosphere of alcohol and drugs threaten to take both her marriage, and her sanity, to the edge.