Gay Hegemony/ Latino Homosexualities is an interdisciplinary project that weaves ethnographic interviewing with the analysis of texts and material culture to study the intersection of gayness with Latinidad.

Gay Hegemony/ Latino Homosexualities is an interdisciplinary project that weaves ethnographic interviewing with the analysis of texts and material culture to study the intersection of gayness with Latinidad.

What About the Children! takes up the important task of examining the role of hegemonic masculinities in propping up a normative social order in which children are constructed as the property of adults. By examining adult-child relations in the context of a wide range of family forms and social contexts, the book provides some hard answers to questions relating to what exactly are the best interests of children, and how they should be determined. The book responds by suggesting that there is a pressing need to recognise the capacity of children to voice their own desires and needs, and that in failing to recognise this all adults (and men in particular) only serve to further perpetuate a possessive logic that, at least in part, gives rise to the mistreatment or abuse of children. Covering topics such as the experiences of foster fathers, gay adoptive fathers and sperm donors, and exploring phenomena such as books on raising boys and movies about gay parents, the book offers important insights as to the operations of hegemony in the lives of a broad range of men. Importantly, the book moves beyond simply identifying the operations of hegemony in relation to possessive investments in children, and goes on to propose a ‘non-indifferent’ approach to understanding adult-child relations that at its heart examines the operations of power that produce children as supposedly docile subjects (and only certain adults as capable of caring for them). As a result, the book makes a significant contribution to setting an alternative agenda for child protection both within Australia and internationally by asking the question ‘protection for whom?’.

An unconventional history of homosexuality We all remember Oscar Wilde, but who speaks for Bosie? What about those ‘bad gays’ whose unexemplary lives reveal more than we might expect? Many popular histories seek to establish homosexual heroes, pioneers, and martyrs but, as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and dastardly deeds have been overlooked despite their being informative and instructive. Based on the hugely popular podcast series of the same name, Bad Gays asks what we can learn about LGBTQ+ history, sexuality and identity through its villains, failures, and baddies. With characters such as the Emperor Hadrian, anthropologist Margaret Mead and notorious gangster Ronnie Kray, the authors tell the story of how the figure of the white gay man was born, and how he failed. They examine a cast of kings, fascist thugs, artists and debauched bon viveurs. Imperial-era figures Lawrence of Arabia and Roger Casement get a look-in, as do FBI boss J. Edgar Hoover, lawyer Roy Cohn, and architect Philip Johnson. Together these amazing life stories expand and challenge mainstream assumptions about sexual identity: showing that homosexuality itself was an idea that emerged in the nineteenth century, one central to major historical events. Bad Gays is a passionate argument for rethinking gay politics beyond questions of identity, compelling readers to search for solidarity across boundaries.

2005 CHOICE Outstanding Academic Title Using interviews with openly gay and closeted team-sport athletes, Eric Anderson examines how homophobia is reproduced in sport, how gay male athletes navigate this, and how American masculinity is changing. By detailing individual experiences, Anderson shows how these athletes are emerging from their athletic closets and contesting the dominant norms of masculinity. From the locker rooms of high school sports, where the atmosphere of "don't ask, don't tell" often exists, to the unique circumstances that gay athletes encounter in professional team sports, this book analyzes the agency that openly gay athletes possess to change their environments.

In Sexual Hegemony Christopher Chitty traces the five-hundred year history of capitalist sexual relations by excavating the class dynamics of the bourgeoisie's attempts to regulate homosexuality. Tracking the politicization of male homosexuality in Renaissance Florence, Amsterdam, Paris, and London between the seventeenth and nineteenth centuries, as well as twentieth-century New York City, Chitty shows how sexuality became a crucial dimension of the accumulation of capital and a technique of bourgeois rule. Whether policing male sodomy during the Medici rule in Florence or accusing the French aristocracy of monstrous sexuality in the wake of the French Revolution, the bourgeoisie weaponized both sexual constraint and sexual freedom in order to produce and control a reliable and regimented labor class and subordinate it to civil society and the state. Only by grasping sexuality as a field of social contention and the site of class conflict, Chitty contends, can we embark on a politics that destroys sexuality as a tool and an effect of power and open a front against the forces that keep us unfree.

In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called “the Homintern” (an echo of Lenin’s “Comintern”) by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture. Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.