Paul Gauguin is commonly regarded as one of the greatest modern artists. He is renowned for resplendent, mythic imagery from Oceania, for a life of restless travel and for his supposed immersion in Polynesian life. But he has long been regarded ambivalently, and in recent years both Gauguin's sexual behaviour, and his paintings, have been considered exploitative. Gauguin and Polynesia offers a fresh view on the artist, not from the perspective of European art history, but from the contemporary vantage point of the region – Oceania – which he so famously moved to. Gauguin's art is revealed, for the first time, to be richer and more eclectic than has been recognised. The artist indeed did invent enigmatic and symbolic images, but he also depicted Polynesia's colonial modernity, acknowledging the life of the time and the dignity and power of some of the Islanders he encountered. Gauguin and Polynesia neither celebrates nor condemns an extraordinary painter, who at times denounced and at other times affirmed the French empire that shaped his own life and the places he moved between. It is a revelation, of a formative artist of modern life, and of multicultural worlds in the making.

"The evolution of this fascinating encounter between European and Polynesian culture also focuses on the larger development of art in the Pacific in the era following its first European contact. Twelve insightful and original essays about Paul Gauguin and Polynesia, written by eminent scholars in the field of art history and ethnology, present the development of Polynesian art before and after Gauguin's stay in Polynesia at the end of the 19th century. The book presents over 60 works by Paul Gauguin, fully revealing the extent of the influence of Polynesian art and culture on his work, while also highlighting more than 60 works from the Pacific that exemplify the dynamic exchanges of Pacific Island peoples with Europeans throughout the 19th century."--Publisher's website.

"An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he celebrated, while rejecting the style of establishment critics. Gauguin's writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from "civilization" but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context."--Publisher's description.

"Published in conjunction with the exhibition 'Gauguin Tahiti,' organized by the Râeunion des Musâees Nationaux, the Musâee d'Orsay, Paris, and the Museum of Fine Arts, Boston."--T.p. vers

This illustrated book, focuses on Gauguin's use of narrative, both as inspiration and fuel for his work and as a tool to create a personal mythology around himself as an artist

Gauguin's paintings are redolent of the South Sea islands, full of exotic women, vibrant flora, and brilliant color. In addition, his scenes range from normal life in France's Brittany, to Provence where he painted and lived briefly with Vincent van Gogh, to French Polynesia. Eug�ne Henri Paul Gauguin was born in Paris on June 7, 1848. After Napol�on III became the president of France, Gauguin's family left for Peru in December 1849. They remained there four years at which point they returned to Paris. An early exposure to a non-European lifestyle and culture undoubtedly opened Gauguin's mind to his later fascination with the Caribbean and with Tahiti and the peoples of those islands he portrayed so eloquently. Gauguin, a banker, started painting in his spare time. He never had any formal art training but set about painting as a hobby with commendable amateur skill. His first paintings were inspired by Corot and the Barbizon School and featured romantic-naturalist subject matter. He soon aligned himself with the Impressionists, but is now labeled by art historians as a Post-Impressionist. Gauguin called himself a Synthesist. His technique was often called Cloisonnisme.